OK Go has announced a new run of U.S. tour dates in support of their new album, And the Adjacent Possible.
The headlining outing kicks off Sept. 11 in Kansas City, Missouri, and wraps up Dec. 8 in Nashville. Presales begin Tuesday, and tickets go on sale to the general public on Friday.
For the full list of dates and all ticket info, visit OKGo.net.
And the Adjacent Possible was released in April. It marks the first OK Go album in 11 years.
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Police are searching for a suspect accused of stealing two suitcases containing sensitive material related to Beyoncé‘s performances, including unreleased music and show plans, from a vehicle in Atlanta earlier this month, authorities said.
A police incident report says that the owner of the suitcases claimed to be a choreographer for Beyoncé.
According to a statement from Atlanta Police, officers responded to Krog Street on July 8 “regarding a report of a theft from a motor vehicle.”
“Preliminary investigation revealed a Jeep Wagoneer was broken into at the location and two suitcases had been stolen,” the statement continued. “Investigators with the Atlanta Police Department’s Larceny from Auto Unit led the investigation and have subsequently secured an arrest warrant for a suspect.”
The suspect, whose identity has not yet been released, remains missing, according to the statement.
Good Morning America has reached out to a rep for Beyoncé.
This is a developing story. Please check back for updates.
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Bob Geldof is setting the record straight about a moment in the Queen biopic Bohemian Rhapsody that claimed donations to help famine relief in Ethiopia skyrocketed after the band performed at Live Aid.
Geldof, one of the founders of Live Aid, told The New York Times that it was actually David Bowie who was responsible for the surge in donations.
“The movie isn’t right. Queen were completely, utterly brilliant. But the telephone lines collapsed after David Bowie performed,” Geldof said in the article marking Sunday’s 40th anniversary of the charity concerts, which took place in Philadelphia and London.
Geldof says that ahead of Bowie’s performance, he showed him some outtakes from a Canadian Broadcasting Corporation report on the Ethiopian famine, which were cut from the final report because of the “appalling” images.
“David was crying and said he would cut a song from his set to show the CBC report instead,” Geldof explained. “It’s an extraordinary moment during the concert, because at the end of ‘Heroes,’ which the crowd were all singing, he quietly introduces the clip and asks people to send their money in. It was like a slap in the face.”
Geldof added, “Bowie brought the house down. That was the key moment.”
Live Aid, organized by Geldof and Midge Ure, raised more than $150 million for Ethiopian famine relief.
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Clipse has dropped the music video for their single “Chains & Whips” featuring Kendrick Lamar.
Directed by Gabriel Moses, the video features trippy effects and random images that represent struggle, especially those of Black prisoners and their loved ones.
The video is now available to watch on YouTube.
“Chains & Whips” appears on Clipse’s new album, Let God Sort Em Out. Kendrick is featured on the track, which Push says Def Jam had been concerned about prior to the release.
“They wanted me to ask Kendrick to censor his verse, which of course I was never doing,” Push previously told GQ. “And then they wanted me to take the record off. And so, after a month of not doing it, Steve Gawley, the lawyer over there was like, ‘We’ll just drop the Clipse.'”
The label eventually dropped Clipse and Pusha, who have since gone to Roc Nation.
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Gavin Adcock just released “Sunset” as the latest preview of his Own Worst Enemy album, which comes out Aug. 15.
Tyler Rich will launch his 13-date Leaving California Tour Sept. 28 in Colorado Springs, Colorado. It follows his Hello California album, which came out in March.
Restless Road joins new artist Sacha on “Shooting Star,” from the deluxe edition of her debut album, Woman in the Mirror.
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Bryan Adams is reflecting on some big milestones in his career.
The rocker shared a video on social media noting that “incredibly” it’s been 40 years since he released his iconic track “Summer of ’69,” as well as 40 years since his ballad “Heaven” went to #1. Both songs appeared on Adams’ fourth studio album, Reckless.
He captioned the clip, “I can barely believe this!”
But Adams’ career is far from over.
“And we’re still out doing this every night,” he says in the video, adding a clip of the song “Make Up Your Mind” from his upcoming album, Roll With the Punches, which drops Aug. 29.
Adams then shared a snippet of the next track he’ll release from the record, “A Little More Understanding,” which is coming out on Wednesday. “We’re going for another 40 years, OK? OK.”
Roll With the Punches is Adams’ first album since 2022’s So Happy It Hurts. He’s already released several tracks from the record, including the title track, “Make Up Your Mind” and “Never Let You Go.”
Adams is currently on a European tour and will play Pompeii, Italy, on July 25. He launches a North American tour on Sept. 11 in Kamloops, British Columbia. U.S. dates that feature Pat Benatar and Neil Giraldo as special guests begin Oct. 25 in Uncasville, Connecticut.
A complete list of dates can be found at BryanAdams.com.
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Franz Ferdinand has announced a vinyl reissue of their 2005 sophomore album, You Could Have It So Much Better, in honor of its 20th anniversary.
The LP is due out Oct. 3 and includes newly remastered audio. You can preorder your copy now.
You Could Have It So Much Better followed Franz’s 2004 self-titled debut, which included the band’s breakout single, “Take Me Out.” It kept that momentum going with the lead single “Do You Want To” and a #8 debut on the Billboard 200, which remains Franz Ferdinand’s highest position on the chart.
The most recent Franz Ferdinand album is The Human Fear, which was released in January. The band will launch a U.S. tour in September.
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A documentary on the Aussie band Crowded House is in the works, and the group is asking fans for help.
In a post on Instagram, the “Don’t Dream It’s Over” outfit made a plea to their followers looking for unique footage that may be included in the film.
“Are you a longtime fan or journalist with rare footage or audio of Crowded House and its original members—Neil Finn, Paul Hester, and Nick Seymour? Maybe you captured a backstage moment, an interesting audio or video interview, or candid footage over the years?” they write. “If so, we’d love to hear from you!”
According to the post, the “definitive documentary” that’s in the works will cover the “past and future” of the band. They say they’re looking for “unique, unseen journalist or fan recorded material—the kind of audio footage that shows a different side of Crowded House and the musicians that played with them over the years.”
They add, “We’re especially keen to find old audio and footage from interviews, film rushes and outtakes, behind-the-scenes clips, and unaired gems. We are also interested in concert footage prior to 1997.”
Those who do have such footage are encouraged to fill out a form provided by the band on social media.
Crowded House formed in Melbourne, Australia, in 1985, and had hits with “Don’t Dream It’s Over” and “Something So Strong.” The band, now made up of Finn, Seymour, Mitchell Froom, and Finn’s sons Elroy Finn and Liam Finn, released their eighth studio album, Gravity Stairs, in 2024. It was their first album since 2021’s Dreamers Are Waiting.
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Drake‘s weekend plans included his three-night headlining run at the Wireless Festival, where he brought out Vybz Kartel for his first U.K. performance in over two decades.
“Today, I really wanted to pay my respect to the performers. Bringing the Worl’ Boss home to London after 20 years, making sure that he got time to headline his set,” Drake said, according to Billboard.
Kartel then took the stage and performed an over 90-minute set featuring “Romping Shop” with Spice, as well as Moliy‘s “Shake it to the Max.”
“Twenty years I haven’t been here. It’s a pleasure,” said Kartel, who served 13 years in prison before his conviction for the murder of Clive “Lizard” Williams was overturned by the Jamaican Court of Appeal in 2024.
Drake’s sets at Wireless Festival, his first time headlining an event for three nights, also included appearances from Burna Boy, Lauryn Hill, YG Marley, Rema, 21 Savage, Skepta, Popcaan and Central Cee, with whom he has a song dropping Friday.
He previewed the song at the festival and brought Rihanna‘s “Work” back to his set list, though he’d told fans last year, “I don’t sing this song anymore. You can sing it for me.”
There were also subtle digs at his foes. Drake changed the lyrics to his song “Nonstop” to shade LeBron James, rapping, “How I go from 6 to 23, no LeBron” instead of “How I go from 6 to 23 like I’m LeBron?”
When fans chanted “F*** Kendrick [Lamar],” Drake responded, “Grab me a shot. I’ll drink to that.”
On Instagram, he called his headlining run at the 2025 Wireless Festival the “best 3 nights of my performance career.”
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Newcomer Hudson Westbrook had a hand in writing all 17 tracks on his debut album, Texas Forever, including his breakthrough hit, “House Again.”
“Damn Good Taste in Whiskey” is the latest preview of the record, which arrives July 25.
“I guess I like things that burn my chest/ Leave a heart full of hurt with a shot of regret/ If love’s a game I sure ain’t winning, gotta bad taste in women/ But a damn good taste in whiskey,” he sings on the new track.
Hudson continues headlining his own dates this summer, while also opening several dates with Parker McCollum. He’ll head out on the Texas Forever Fall Tour later this year.
Here’s the complete track listing for Texas Forever:
“Darlin'”
“Texas Forever”
“Painted You Pretty”
“Funny Seeing You Here”
“Fool”
“Momma Raised a Winner”
“House Again”
“Lie to Me” (featuring Mackenzie Carpenter)
“Burning Love”
“Damn Good Taste in Whiskey”
“Only Girl”
“First Time”
“Weatherman”
“Sober”
“Dressed Down”
“Mine Tomorrow”
“Hill I’ll Die On”
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