Billy Joel “doesn’t get the hate” for *this* number-one hit of his

Billy Joel “doesn’t get the hate” for *this* number-one hit of his
Billy Joel “doesn’t get the hate” for *this* number-one hit of his
Columbia Records

Anyone can start a podcast that talks about an artist, but what about an entire podcast series about a single song?  We Didn’t Start the Fire: The History Podcast is solely devoted to Billy Joel‘s 1989 number-one hit, and a few days ago, the Piano Man himself appeared on it to discuss the song, its legacy and, surprisingly, how much people dislike it.

“The only thing I’ve heard about that song from people is, ‘I hate that song!'” Billy told podcast hosts Katie Puckrik and Tom Fordyce. “Some people hate that song. It’s one of the most hated things I ever wrote! And I don’t get the hate.”

“I mean, I hate the music, because it’s not good,” Billy admitted. “But I think the lyrics are fairly clever, I think I did a pretty good job with the words, but some people just hate that thing.”

As for why the music isn’t good, Billy explained, “I wrote the words first, which is why the music is so horrible in that song. I usually write the music first and then I write the lyrics, but in that song, the melody…it’s like a mosquito buzzing around your head! It’s more annoying than musical.”

Each episode of the podcast is a deep dive into one of the historical figures or event named in the song, from Eisenhower and The King and I, to Liberace and Joseph Stalin.  Billy discusses what inspired the song, why he chose to mention certain people, and answers trivia questions about those people.

By the way, despite its “horrible” music, “We Didn’t Start the Fire” is one of only three Billboard Hot 100 number-one hits Billy has had in his career, next to “It’s Still Rock ‘n Roll to Me” and “Tell Her About It.”

Copyright © 2021, ABC Audio. All rights reserved.

Adam Levine speaks out about fan rushing the stage mid-concert: “I was really startled”

Adam Levine speaks out about fan rushing the stage mid-concert: “I was really startled”
Adam Levine speaks out about fan rushing the stage mid-concert: “I was really startled”
Amy Sussman/Getty Images for Audacy

Adam Levine is addressing the now-viral incident where a fan grabbed him on stage during a concert at the Hollywood Bowl over the weekend.

In a clip of the moment, posted to TikTok, a woman is seen rushing the stage and touching Adam before security takes her away. Adam reacts by shaking off the encounter and is seen mouthing an expletive before continuing with his performance.

While some criticized his reaction, the Maroon 5 frontman took to his Instagram Story to clarify that he “loves, respects and worships” his fans but he was “startled” by the encounter.

“To think that anyone would believe that I thought that our fans were beneath us or less than us makes my stomach turn,” he says. “That’s just not who I am. That’s not who I’ve ever been.”

“I just need you guys to know I was really startled,” he continues. “And sometimes when you’re startled… you have to shake it off and move on cause I’m doing my job up there. It’s what I pride myself on.”

Adam concludes his message, “I need to let you guys know what my heart is, and my heart is that connection that exists between the band performing onstage and the fans.”

@luispenaloza9525 Adam Levine was a whole mood yesterday💀 #Fyp #ForYou #Maroon5 #AdamLevine #Hollywood #HollywoodBowl ♬ Sunday Morning – Maroon 5

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Jason Aldean, Carrie Underwood, Luke Combs + more join 2021 CMA Awards lineup

Jason Aldean, Carrie Underwood, Luke Combs + more join 2021 CMA Awards lineup
Jason Aldean, Carrie Underwood, Luke Combs + more join 2021 CMA Awards lineup
CMA

More of the lineup for the 2021 CMA Awards was unveiled this week, and it’s packed with stars. Jason Aldean will hit the stage with Carrie Underwood to perform their duet “If I Didn’t Love You,” which just reached the top of the country charts.

Kane Brown and Chris Young will contribute another megawatt duet: They’re going to perform their latest #1 hit, “Famous Friends,” which is the title track on Chris’ latest album.

Also just added to the bill are Miranda Lambert and Luke Combs. Old Dominion will take the stage, too, performing their new single “I Was on a Boat That Day.” Meanwhile, Chris Stapleton will perform “Cold,” which comes off his latest album, Starting Over.

The newest round of performers joins an already stacked bill: Previously-announced acts who’ll hit the stage include Eric Church, Dan + Shay, Blake Shelton and Carly Pearce with Ashley McBryde.

The 2021 CMA Awards airs on Wednesday, November 10 on ABC at 8 p.m. ET. The ceremony will take place in Nashville’s Bridgestone Arena.

Copyright © 2021, ABC Audio. All rights reserved.

Måneskin performing on MTV EMAs, make late-night TV debut

Måneskin performing on MTV EMAs, make late-night TV debut
Måneskin performing on MTV EMAs, make late-night TV debut
Sean Gallagher/NBC

Italian band Måneskin have been announced as performers on the 2021 MTV Europe Music Awards on November 14.

The “Beggin'” rockers, whose name means “Moonlight” in Danish, will be making their debut on the awards show, where they’re nominated for Best Rock and Best Group. Latin superstar Maluma and German singer Kim Petras will also perform on the show, which will air live from Hungary at 3 p.m. ET across MTV’s various channels.  Justin Bieber is the leading nominee, with eight nods.

In other Måneskin news, the Eurovision winners made their U.S. late-night TV debut Tuesday night on The Tonight Show Starring Jimmy Fallon, performing both “Beggin‘” and their new single, “Mammamia.”  You can watch those performances now online.

 

 

Copyright © 2021, ABC Audio. All rights reserved.

Ed Sheeran previews new song, “Overpass Graffiti,” ahead of album release

Ed Sheeran previews new song, “Overpass Graffiti,” ahead of album release
Ed Sheeran previews new song, “Overpass Graffiti,” ahead of album release
Dave J Hogan/Getty Images

Ed Sheeran’s album isn’t here quite yet, but that didn’t stop him from giving fans a taste of what to expect. 

During an impressive NPR Tiny Desk Concert, which premiered on Tuesday, the British singer-songwriter previewed an unreleased song titled “Overpass Graffiti.” The song, which is set to appear on his upcoming album, = (Equals), is set to an upbeat, bouncy beat while the lyrics tell a story of someone who will always have fond memories of his previous lover, despite their break up.

“I will always love you for what it’s worth/ We’ll never fade like graffiti on the overpass/ I know time may change the way you think of us/ But I’ll remember the way we were,” Sheeran sings in the chorus. 

Sheeran also performed “Visiting Hours,” “Shivers” and “Bad Habits,” his hit singles that preceded the album, in addition to a surprise cover of Foy Vance‘s “Make it Rain.”

= (Equals) is due out Friday, October 29.

Copyright © 2021, ABC Audio. All rights reserved.

Jeannie Seely, Ashley McBryde, and Carly Pearce agree: The Opry’s a family unlike any other

Jeannie Seely, Ashley McBryde, and Carly Pearce agree: The Opry’s a family unlike any other
Jeannie Seely, Ashley McBryde, and Carly Pearce agree: The Opry’s a family unlike any other
Grand Ole Opry

This weekend, Nashville’s legendary Grand Ole Opry marks its 5000th Saturday night show — a feat that would take more than 96 years to repeat.

So what does it take to become the world’s longest-running radio show? Jeannie Seely — the Grammy-winning Opry legend who’s been a member since 1967 — has a theory. 

“It’s not like anything else,” she tells ABC Audio. “Quite often there are three generations on the stage, and three generations in the audience. You don’t see that. You may see three generations in the crowd at a sporting event, but you don’t see them on the field.”

“I think that is one thing that knits [the Opry] together,” she explains. “One generation gets to know the one before, and the one after.”

It’s a phenomenon the “Don’t Touch Me” hitmaker demonstrated backstage, as she and Ashley McBryde visited about the recent Opry induction of Carly Pearce, Ashley’s duet partner on “Never Wanted to Be That Girl.”

“I’m in [dresssing] room 18 tonight, [themed] ‘The Women of Country,'” Ashley said, “And we walked in, the first thing I did was walk over to [Carly’s] picture and take a selfie, and I was like, ‘She looks so beautiful!'” 

“It was such a whirlwind for her, and I knew that…” Jeannie reminisced. “We live in the same hood and I get to be around her now that she’s a little Opry sister — Little? You know, that I look up to,” she added.

Saturday night, Garth BrooksTrisha YearwoodDarius RuckerChris YoungVince GillConnie SmithDustin LynchChris Janson and many more, will help Jeannie and the Opry mark the milestone.

“After all these years, I can’t even explain what that extended family means to any artist that’s here,” she reflects. 

Copyright © 2021, ABC Audio. All rights reserved.

The J. Geils Band’s chart-topping 1981 album ‘Freeze-Frame’ celebrates its 40th anniversary

The J. Geils Band’s chart-topping 1981 album ‘Freeze-Frame’ celebrates its 40th anniversary
The J. Geils Band’s chart-topping 1981 album ‘Freeze-Frame’ celebrates its 40th anniversary
EMI Catalog

This week marks the 40th anniversary of the release of The J.Geils Band‘s chart-topping album, Freeze-Frame.

Released on October 26, 1981, Freeze-Frame saw the veteran blues/R&B-influenced rock band finally enjoy major commercial success after years of critical acclaim and moderate popularity.

The album spent four weeks at #1 on the Billboard 200 in February of 1982, while the song “Centerfold” became the group’s only single to top the Billboard Hot 100, enjoying a six-week run at the pinnacle of the chart around the same time.

Freeze-Frame also yielded a #4 Hot 100 hit with its title track, while a third single, the ballad “Angel in Blue,” peaked at #40.

The popularity of “Centerfold” and “Freeze-Frame” were bolstered by music videos for the tunes that went into heavy rotation on MTV.

Keyboardist Seth Justman wrote or co-wrote all of Freeze-Frame‘s nine tracks, and he produced and arranged the record. Four of the songs were co-penned by frontman Peter Wolf, among them “Freeze-Frame.”

Freeze-Frame, which was The J. Geils Band’s 10th studio effort, went on to sell more than one million copies in the U.S., making it the group’s only album to be certified Platinum by the RIAA.

Wolf left The J. Geils Band in 1983 because of disagreements over the group’s musical direction, and began solo career. The band released just one more studio album, 1984’s You’re Gettin’ Even While I’m Gettin’ Odd, which featured Justman taking over lead vocals. The band broke up in ’85.

Over the years, J. Geils Band members have participated in various full or partial reunions, most recently in 2015. Band leader and guitarist John “J.” Geils died in 2017 at age 71.

Here’s the full Freeze-Frame track list:

“Freeze-Frame”
“Rage in the Cage”
“Centerfold”
“Do You Remember When”
“Insane, Insane Again”
“Flamethrower”
“River Blindness”
“Angel in Blue”
“P*** on the Wall”

Copyright © 2021, ABC Audio. All rights reserved.

“Fancy Like” singer Walker Hayes stole his dad’s credit card to eat at…guess where

“Fancy Like” singer Walker Hayes stole his dad’s credit card to eat at…guess where
“Fancy Like” singer Walker Hayes stole his dad’s credit card to eat at…guess where
Robert Chavers

Walker Hayes‘ viral hit “Fancy Like” is known as the “Applebee’s song” because in the lyrics, he not only mentions eating at the chain restaurant, but also name checks specific menu items like Bourbon Street Steak. But Walker says he didn’t mention those things because he hoped Applebee’s would use the song in an ad or anything — he was simply describing something he and his wife Lainey have been doing for decades.

“Lainey and I have been going to Applebee’s since we were 17,” Walker tells ABC Audio. “I was stealing my dad’s credit card in high school all the time, going to Applebee’s, getting steak against his wishes!”

“Steak was up there, the price tag on the Bourbon Street Steak,” he recalls. “Dad wasn’t likin’ that.  But it was so good!”

Of course, since that Applebee’s did end up using the song in an ad — which Walker claims he never saw coming — he and his family can now eat all the Bourbon Street Steak they ever wanted.

“Lainey and I love Applebee’s. We’re so grateful that Applebee’s is winning from this song,” he tells ABC Audio. “It sounds silly…but I had no idea that Applebee’s would benefit from a silly song like this. But I love that they are, and I love that they’re making us feel, y’know, a part of the family.”

Walker’s latest single “U Gurl” also has a TikTok dance to go with it.

Copyright © 2021, ABC Audio. All rights reserved.

Black Veil Brides wonders whether the sun will come out ‘Tomorrow’ with new concept album

Black Veil Brides wonders whether the sun will come out ‘Tomorrow’ with new concept album
Black Veil Brides wonders whether the sun will come out ‘Tomorrow’ with new concept album
Credit: Joshua Shultz

If there was ever the ultimate Black Veil Brides album, The Phantom Tomorrow might be it.

The band’s sixth studio effort, due out this Friday, is a conceptually driven piece that will be accompanied by action figures and comic books. And that’s not to mention the epic, cinematic music itself.

“Being six records into our career, it was extremely important to all of us that we make a record that felt like it was an evolution for us musically, but also honored the parts of our past that have gotten us to this point,” frontman Andy Biersack tells ABC Audio.

The Phantom Tomorrow is BVB’s third concept album, following 2013’s Wretched and Divine: The Story of the Wild Ones and 2018’s Vale. However, it’s a shorter, punchier listen than its predecessors, and, according to Biersack, is more interested in a “musical interpretation of an idea” than “beating you over the head with such an overt narrative.”

“You want to make a record that…stands on its own merits, but you also don’t want to make a record that the concept is impossible to understand,” Biersack says.

There still is the story to The Phantom Tomorrow, which follows a character known as Blackbird and what is essentially a personification of the supposed guaranteed existence of a tomorrow, something that might be upended by, say, a global pandemic. Basically, it’s like if Little Orphan Annie was having an existential crisis.

“[The album’s about] the idea that tomorrow is this kind of ever-present, omnipotent feeling of it’s gonna happen, it’s gonna be there, it’s always there, but the darkness that lives beneath that and the ideas that lie beneath that of, ‘But something could happen,'” Biersack says. “What bad or good could happen before that tomorrow comes has always interested me.”

Copyright © 2021, ABC Audio. All rights reserved.

Late Kansas violinist Robby Stenhardt’s star-packed debut solo album, ‘Not in Kansas Anymore,’ out now

Late Kansas violinist Robby Stenhardt’s star-packed debut solo album, ‘Not in Kansas Anymore,’ out now
Late Kansas violinist Robby Stenhardt’s star-packed debut solo album, ‘Not in Kansas Anymore,’ out now
Solar Music

Longtime Kansas violinist and vocalist Robby Steinhardt sadly passed away in July of this year, but not before recording his debut solo album, a star-studded collection of songs titled Not in Kansas Anymore, which was released posthumously this week.

Described as a “Prog Rock Opera,” the album features guest appearances by Jethro Tull‘s Ian Anderson, Deep Purple/Dixie Dregs guitarist Steve Morse, former Toto singer Bobby Kimball, Rolling Stones touring keyboardist Chuck Leavell, Pat Travers, longtime Billy Joel drummer Liberty DeVitto, former Rolling Stones backing singer Lisa Fischer, acclaimed jazz drummer Bill Cobham, and many others.

Not in Kansas Anymore includes a new rendition of Kansas’ classic 1978 hit “Dust in the Wind.” The album was produced by Michael Franklin, who also worked on former Yes singer Jon Anderson‘s similarly star-packed 2019 solo effort, 1000 Hands: Chapter One.

Not in Kansas Anymore is available for purchase now on CD and digital formats at RobbySteinhardtOfficial.com or SolarMusic.com. You also can pre-order a vinyl LP version of the record, which is due out in December.

In the only interview he gave about Not in Kansas Anymore, Robby explained to PBS about the album’s title, “It’s no slight against the band, no never! My time with Kansas defined a big part of my life, of which I am very proud of. Ever since The Wizard of Oz, those words have become an American axiom for moving forward, you can never go back etc. I guess it has a special meaning when it is fixed to me.”

Steinhardt died on July 17 from complications of pancreatitis. He was 71.

Here’s the full Not in Kansas Anymore track list:

“Tempest”
“Truth 2 Power”
“Mother Earth”
“Rise of the Phoenix”
“The Phoenix”
“Prelude
“Dust in the Wind”
“Pizzacato”
“Tuck Tuck”
“Not in Kansas Anymore”
“A Prayer for Peace”

Copyright © 2021, ABC Audio. All rights reserved.