Woman says Ozempic helped her lose weight as she tries to get pregnant

Woman says Ozempic helped her lose weight as she tries to get pregnant
Woman says Ozempic helped her lose weight as she tries to get pregnant
ABC News

(NEW YORK) — As the popularity of weight-loss drugs like Ozempic, Wegovy and Mounjaro continues to grow, some women are taking a closer look at whether the drugs could impact their chances of becoming pregnant.

Wynter Mitchell-Rohrbaugh told ABC News’ Good Morning America that she and her husband previously suffered four pregnancy losses in their quest to have a child. When the couple decided to turn to in-vitro fertilization, or IVF, Mitchell-Rohrbaugh said they hit another roadblock when a doctor told her she needed to lose 40 pounds before they could begin the process.

“I just kept thinking to myself, are you insane? I’m not a small person,” she said. “I’m a plus-size woman.”

For help losing the weight, Mitchell-Rohrbaugh said she turned to Ozempic, one of a class of drugs called GLP-1 RAs that help people produce insulin and lower the amount of sugar in the blood. The drugs work by slowing down movement of food through the stomach and curbing appetite, thereby causing weight loss.

Ozempic, made from a compound called semaglutide, is approved by the U.S. Food and Drug Administration to treat Type 2 diabetes, but some doctors prescribe it off-label for weight loss.

After using Ozempic for five months, Mitchell-Rohrbaugh said she had lost 40 pounds.

She went off the medication and began fertility treatment. Mitchell-Rohrbaugh said she then had a successful round of IVF, one that produced viable embryos.

“To get to that call, ‘Wynter, hi, I have good news,’ I just I never thought I was going to hear that,” Mitchell-Rohrbaugh said.

What to know about weight loss drugs and fertility

Because semaglutide, the compound used in Ozempic and Wegovy, and tirzepatide, the compound used in Mounjaro, are relatively new on the market — approved by the FDA within the last five years to treat Type 2 diabetes and obesity — there is still research to be done on exactly how they impact women of childbearing age, experts say.

“We need to collect the information and ascertain that it’s safe in this indication and that it’s going to be working for us,” Dr. Richard Paulson, a California-based board-certified reproductive endocrinology and infertility specialist, told GMA.

The FDA says in its safety profiles of Ozempic, Wegovy and Mounjaro that they should not be taken during pregnancy, noting there is “insufficient data” available.

The FDA also explains that the drugs could cause weight loss, and that “weight loss offers no benefit to a pregnant patient and may cause fetal harm.”

The agency recommends that people discontinue treatment at least two months before they plan to become pregnant.

Going off of the medications should be done under the supervision of a medical provider, just as when you start the medications, experts say.

A person who becomes pregnant unexpectedly while taking one of these drugs should contact their healthcare provider, who can help them transition off the medication and make sure they are receiving proper maternal care.

The FDA will monitor any cases where women are exposed to semaglutide (found in Wegovy and Ozempic) during pregnancy. The agency says pregnant women who are impacted and health care providers should contact the drug’s manufacturer.

Prior to pregnancy, drugs like Ozempic, Mounjaro and Wegovy can be very effective in helping people with Type 2 diabetes lower their blood sugar levels and get to a healthy weight, which can be critical for a healthy pregnancy, according to Dr. Sarah Lassey, a board-certified OB-GYN and co-director of the diabetes in pregnancy program at Boston’s Brigham and Women’s Hospital.

“We know that poorly controlled diabetes during pregnancy is associated with [adverse] maternal and fetal outcomes in a pregnancy,” Lassey told GMA earlier this year, noting those risks can include miscarriage, birth defect, stillbirth and preeclampsia. “Our way to prevent any of these adverse outcomes is to control blood glucose levels and hemoglobin A1c in the time prior to conceiving as well as throughout the pregnancy.”

Lassey said there is not enough long-term research at this point to know how the medications may impact fertility.

“We just don’t know,” she said, adding, “However, we know that when people have better blood sugar control and things like that, they have lower rates of miscarriage and improvement in their fertility, typically.”

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Taco Bell files ‘Taco Tuesday’ trademark petition, here’s what you need to know

Taco Bell files ‘Taco Tuesday’ trademark petition, here’s what you need to know
Taco Bell files ‘Taco Tuesday’ trademark petition, here’s what you need to know
RiverNorthPhotography/Getty Images

(NEW YORK) — When it comes to marketing hooks, “Taco Tuesday” may be among the most well-known and successful tactics to entice diners with a delicious deal on a beloved Mexican food.

Now, California-based fast food giant Taco Bell has filed a new petition to do away with a trademark registration on the food-centric phrase.

“Tacos have the unique ability to bring people together and bring joy to their lives on an otherwise mediocre day of the week: Taco Tuesday. But since 1989, ‘Taco Tuesday’ has been registered as a trademark, creating potential legal consequences for those that want to use the phrase,” Taco Bell said in a press release on May 16.

Taco Bell’s petition, filed with the U.S. Patent and Trademark Office Trial and Appeal Board, asks U.S. regulators to force Wyoming-headquartered fast food chain Taco John’s to do away with its claim to the trademark.

“The essence of ‘Taco Tuesday’ is to celebrate the commonality amongst people of all walks of life who come together every week to celebrate something as simple, yet culturally phenomenal, as the taco,” Taco Bell wrote.

Taco Bell said it is not seeking damages or trademark rights of its own, stating it “simply seeks common sense for usage of a common term.”

The fast food chain stated in the filing that its entities “must be able to promote their goods and services using the generic, informational term ‘Taco Tuesday’ to compete effectively in the marketplace.”

In response to Taco Bell’s filing, Taco John’s announced a new two-week Taco Tuesday promotion on social media, offering two crispy or soft-shell beef tacos to those who download the Taco John’s app and join its Bigger Bolder Rewards program.

Taco John’s holds the trademark in the entire United States except for New Jersey. Taco Bell has also filed a similar petition against Gregory’s Restaurant and Bar in Somers Point, New Jersey, which holds the trademark rights in New Jersey and has also used the term “Taco Tuesday” for over 40 years.

Taco Bell, which is owned by Yum! Brands, has more than 7,200 locations globally. Taco John’s, which started as a food truck over 50 years ago, has nearly 370 restaurant locations across the Midwest.

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Being played on the radio has been a “childhood dream” for Corey Kent

Being played on the radio has been a “childhood dream” for Corey Kent
Being played on the radio has been a “childhood dream” for Corey Kent
Jason Kempin/Getty Images

Corey Kent has notched his first number-one hit this week with “Wild as Her.”

This achievement and a fast-rising country career have all felt somewhat surreal to the Oklahoma native, he says.

“I’m not sure that that has quite set in yet, and I’m not sure that it will. I don’t know if other people get used to this or if they feel this way, but it’s just, it’s crazy,” Corey shares with ABC Audio. 

Having his music on the radio has been a “childhood dream” for the singer/songwriter. And now, he’s living out his dream as his single gets played alongside some of country music’s biggest stars.

“I don’t know if it’s the speed that’s making it feel surreal or just overall a childhood dream to hear your song on the radio. But it’s an honor,” Corey reflects. “I’m up there with Morgan Wallen and Dierks Bentley and HARDY and all these guys that I’ve been listening to on the radio. It’s a really cool feeling to have fans connect with your song on the same level.” 

“Wild As Her” is the lead single from Corey’s forthcoming album, BLACKTOP. The 10-track project drops June 2 and can be preordered now.

Copyright © 2023, ABC Audio. All rights reserved.

“Just honored to be in that room”: RAYE competes for top UK songwriting honor Thursday

“Just honored to be in that room”: RAYE competes for top UK songwriting honor Thursday
“Just honored to be in that room”: RAYE competes for top UK songwriting honor Thursday
Callum Walker Hutchinson

Last year, RAYE was nominated for an award at The Ivors, the U.K.’s most prestigious songwriting award ceremony. This year, she’s nominated again, this time for her global hit “Escapism.” She’s also performing at the ceremony, which is being held Thursday in London. And for RAYE, that old line “it’s an honor just to be nominated” really rings true.

“I definitely identify myself as a songwriter just as much as an artist,” says RAYE. “And I care so much about the songwriting community.”

“Yeah, it is one of the highest honors, to be honest,” she says of The Ivors’ nod for Best Contemporary Song. “I’m so excited to be there, whether we win or not. Whatever. I’m just honored to be in that room again.”

RAYE will be in that room with some good company: Other nominees include Harry Styles and Ed Sheeran, as well as Glass Animals and Kate Bush.

The nomination is the latest seal of approval for the British singer, who’s been working for the past 11 years to break through. She’s sung on other artists’ tracks and co-written material for Beyoncé and Ellie Goulding, among others. But it was “Escapism” and its parent album, 21st Century Blues, that finally earned her critical acclaim and commercial success.

“It takes hard work and a lot of resilience and a lot of persistence to make anything of yourself in this industry, I think,” she tells ABC Audio. “So, yeah, I’m just glad I kept going.”

“I was 14 when I started in this industry seriously and I’ve had the same dreams for a very long time,” she adds. “So it’s just beautiful to be able to see them come true. And also for young RAYE … imagining how she would feel, seeing me now … so, it’s really beautiful.”

(Video contains uncensored profanity.)

Copyright © 2023, ABC Audio. All rights reserved.

On ‘The Masked Singer,’ it’s another for second-place finish for David “The Macaw” Archuleta

On ‘The Masked Singer,’ it’s another for second-place finish for David “The Macaw” Archuleta
On ‘The Masked Singer,’ it’s another for second-place finish for David “The Macaw” Archuleta
Michael Becker/FOX

Almost 15 years to the day that he came in second to David Cook on American Idol, David Archuleta was revealed as “The Macaw” on The Masked Singer, coming in second to winner Bishop “Medusa” Briggs. And David’s O.K. with that.

“I wasn’t expecting to make the finale and it didn’t feel like I deserved it, but I just wanted to have fun,” David told Billboard. “And the reason I’m here must be to continue sharing my journey with people, and hopefully it will lift people up. I’m happy that I made it to the finale of another competition.”

As The Macaw, David thrilled the panel with his takes on Ed Sheeran’s “Photograph,” Elton John‘s “Your Song” and Eric Carmen‘s “All By Myself.”  And David, who came out a few years ago, said his costume reflected how he feels inside.

“I’m so used to caging myself, and restricting myself, because I was so afraid of what would happen if I didn’t do that,” he told Entertainment Weekly. “So now it’s like okay, here I am. I’m a bird now…outside of this cage.”

“It’s a great starting place for me to move forward and just let my wings loose with my music,” he added.

David’s new music includes his new single “Up,” which comes out June 2 and is available for preorder.

“This is me saying, I’m accepting myself as I am, as a queer person, and letting myself be seen, every aspect of myself…and not being so afraid…of what people will say if people find out,” David said of the song.

“Now it’s just moving up, and I’m gonna have fun,” he adds. “There’s no need to hide anything anymore — just have a good time.”

Copyright © 2023, ABC Audio. All rights reserved.

Sting shares why he no longer performs “Don’t Stand So Close To Me” in concert

Sting shares why he no longer performs “Don’t Stand So Close To Me” in concert
Sting shares why he no longer performs “Don’t Stand So Close To Me” in concert
Rob Ball/WireImage

Sting fans may be disappointed when they see him in concert, because he’s no longer playing one of his classic tunes live.

In an interview with People, Sting looks back at some of his hit songs and discusses the Police tune “Don’t Stand So Close To Me,” which is about the relationship between a male teacher and a female student, and why you won’t hear it in his set list.  

“It’s certainly not biographical, but people having relationships with teachers, it definitely happens,” Sting, who was a teacher before becoming a rock star, says. “And in the song’s defense, nothing happens. It’s just the danger of, something happens and the teacher is aware of it, which is why he’s saying, ‘Don’t stand so close to me.'”

Sting says the song could be interpreted in “many, many different ways,” which can become an issue.

“In the current climate, I don’t sing that live,” he says. “People with a sort of puerile sensibility will say, ‘Oh it’s about you.’ And of course it’s not, but it’s an interesting situation.”

Sting will be honored as a Fellow of the Ivors Academy at the Ivor Awards on May 18 in London, and he’s certainly proud of the honor.

“If you ask me my profession, I would say I’m a songwriter, so to receive this honor is very special,” he shares. “I get people coming up to me saying, ‘Oh, I got married to your song,’ or ‘We buried Uncle Charlie to your song’ or ‘I fell out of love to this’ … People mark their lives with the songs of their era, as do I.”

As for seeing Sting live, his My Songs tour comes to North America starting September 1 and 2 in Vienna, Virginia. A complete list of dates can be found at sting.com.

Copyright © 2023, ABC Audio. All rights reserved.

‘Book Club’ meets ‘Fast X’ in Italy

‘Book Club’ meets ‘Fast X’ in Italy
‘Book Club’ meets ‘Fast X’ in Italy
Focus Features

In theaters this week, there are two very different movies that will show you different sides of Italy. Fast X has a huge action sequence that takes place in Rome, and Book Club: The Next Chapter takes you to Rome and Venice and Florence.

Book Club writer Erin Simms tells ABC Audio the idea to shoot in Italy wasn’t hers. It came from the film’s stars — Candice BergenMary Steenburgen and Jane Fonda.

“They had the best time, they’re back together to do press, and they were like, we’ve got to do a sequel and let’s do it in Italy,” Simms recalls.

You might think Venice would be a tough place to shoot, because of the crowds and narrow streets, but it actually wasn’t, according to Book Club directer Bill Holderman, who explains “everything obviously comes in and out on boat… It’s so efficient… And at the end of the day, you’re there shooting in one of the most magical places in the world. And same thing for Rome.”

Shooting in Rome was a different story, says Simms, who found out that Fast X was shooting in the same area at the exact same time.

“They were doing this crazy thing down the Spanish steps and we were sort of around the corner of the park and this chopper kept going over head,” notes Simms. “Our line producer called the other guy on Fast X and said, ‘Hey, could you hold the helicopter for 15 minutes?’ And literally the helicopter flew away and we shot the scene with Jane Fonda in the park, so that she could do the phone call.”

Copyright © 2023, ABC Audio. All rights reserved.

Scoreboard roundup — 5/17/23

Scoreboard roundup — 5/17/23
Scoreboard roundup — 5/17/23
iStock

(NEW YORK) — Here are the scores from Wednesday’s sports events:

MAJOR LEAGUE BASEBALL

INTERLEAGUE
Pittsburgh 8, Detroit 0
LA Dodgers 7, Minnesota 3
Arizona 5, Oakland 3
Kansas City 4, San Diego 3
NY Mets 8, Tampa Bay 7
Atlanta 6, Texas 5
Houston 7, Chi Cubs 6

AMERICAN LEAGUE
Baltimore 3, LA Angels 1
Boston 12, Seattle 3
Toronto 3, NY Yankees 0
Chi White Sox 7, Cleveland 2

NATIONAL LEAGUE
Colorado 11, Cincinnati 6
San Francisco 7, Philadelphia 4
Miami 4, Washington 3
St. Louis 3, Milwaukee 0

NATIONAL BASKETBALL ASSOCIATION PLAYOFFS
Miami 123, Boston 116 (Miami leads 1-0)

MAJOR LEAGUE SOCCER
Atlanta 4, Colorado 0
Charlotte FC 2, Chicago 1
Cincinnati 3, CF Montreal 0
Columbus 2, LA Galaxy 0
New York City FC 1, Orlando City 1 (Tie)
D.C. United 0, Philadelphia 0 (Tie)
New York 0, Toronto FC 0 (Tie)
FC Dallas 2, Vancouver 1
Minnesota 1, Houston 0
Nashville 2, Miami 1
Portland 0, Real Salt Lake 0
Sporting Kansas City 1, Los Angeles FC 1 (Tie)
Austin FC 2, Seattle 1

Copyright © 2023, ABC Audio. All rights reserved.

Tech reporter breaks down OpenAI CEO’s Senate testimony, potential regulatory challenges

Tech reporter breaks down OpenAI CEO’s Senate testimony, potential regulatory challenges
Tech reporter breaks down OpenAI CEO’s Senate testimony, potential regulatory challenges
Win McNamee/Getty Images

(NEW YORK) — OpenAI CEO Sam Altman, whose company developed the widely used AI conversation program ChatGPT, warned federal lawmakers Tuesday that artificial intelligence could pose significant risks to the world if the technology goes wrong.

“We understand that people are anxious about how it could change the way we live. We are, too. But we believe that we can and must work together to identify and manage the potential downsides, so that we can all enjoy the tremendous upsides,” Altman told a Senate committee on tech and privacy.

Altman also acknowledged the risks in a March interview with ABC News’ Rebecca Jarvis, saying he was “a little bit scared” of the type of technology his own company is developing. Despite the dangers, Altman said AI can also be “the greatest technology humanity has yet developed.”

Start Here host Brad Mielke spoke to Gizmodo technology reporter Thomas Germain, who broke down Altman’s testimony, discussing the risks and potential challenges with proposing and implementing regulations on the technology.

BRAD MIELKE: Thomas, can you just help me break down what happened in this hearing?

THOMAS GERMAIN: Yeah, it was a little unusual. Sam Altman went in front of Congress and he said, basically begged them to protect the public from the technology that he is creating, which can seem a little weird if you take it at face value. One of the things that I think is interesting about this, it’s actually not unusual for the tech industry to ask to be regulated. That’s exactly what we’ve seen on privacy issues.

Some of the biggest proponents of privacy laws are Microsoft and Google and Meta, in fact, because it gives tech companies a huge advantage if there are laws that they can comply with. That way, if something goes wrong, they can just say, ‘Oh well, we were following the rules. It’s the government’s fault for not passing better regulation.’

It was an interesting hearing. And one of the things that was unusual about it was how friendly and positive everything was for the most part. You know, if you’ve seen any of the other hearings from other tech CEOs, they’re usually pretty combative. But Sam Altman managed to buddy up with all of these lawmakers, and they agree on some things, which is that AI should be regulated. But exactly how? No one really seems to know. And there were some very vague proposals thrown around. But it really seems like an open question, what AI regulation would even mean?

MIELKE: It felt like the Spider-Man meme, where everyone’s pointing at each other being like, “You, you, me?” Because this will sound like a dumb question, although maybe it’s not, since you just said that. What would you even regulate? When it comes to AI, what are the things that are even on the table right now?

GERMAIN: Yeah, that’s a really good question. And the fact that there’s no good answer says a lot about the state of the technology, right? We have no idea what this technology is capable of. I’ve spoken to people who are heading up companies that are at the forefront of building this technology. And if you ask them how far it’s going to go, they really have no idea.

We don’t know what the hard technical limits of these tools are. We don’t really know whether they can replace all of human labor like we’ve been told we’re supposed to be so afraid of. But there are a couple of things that Congress could do. I think the most important thing when it comes to AI regulation is transparency, right? The public, or at least regulators, need to know what data sets AI models are being trained on, because there can be baked in problems, right? If you train an AI on a data set that includes all of the internet, for example, you’re going to get a lot of racism and hate speech and other unpleasant things in there, and that’ll be spat back out.

MIELKE: Oh, because the way AI works is like, “Hey, use this model, use all these books to teach yourself how to talk, chat bot.” And yet, if you’re not using the right books or only a very narrow set of books, all of a sudden it’s trickier.

GERMAIN: Yeah, that’s one of the interesting things about this kind of technology, right? I think people have this image of computers that they’re really smart and they’re better than people. But really, it’s garbage in, garbage out. Whatever you feed in AI, it’s going to spit a similar thing back out. And we’ve seen that with other technologies, where they just repeat biases that are baked in.

Another big one is copyright issues. We really have no good answer whether an artist whose work goes into creating one of these models should be compensated or who owns the products of a tool like Chat GPT’s work. Congress really needs to answer that question and, if they don’t, the people who are going to answer it will be the Supreme Court. And our system is not designed for the court to be writing laws. That’s Congress’ job. So they really need to step up there.

And the last thing I think is picking out individual areas where there are particularly high risks. And this is what AI regulation proposals in the EU have been like. There are specific rules about issues like hiring decisions, banking, health care, the military, police, for example. How can and should cops be allowed to use this technology? That’s something we’ve seen with facial recognition. It’s gone totally off the rails.

MIELKE: I was about to ask for an example because it sounds like when you talk about hiring, it would be like sifting through all these resumes and figuring out who the best person is for your job. And yet, maybe you’re leaving out like a group of people that should not have been dismissed like that.

GERMAIN: That’s exactly right. Or maybe, you know, the person who designs the AI has a preference for male employees. So when the AI is going through and picking who the most qualified candidate is, it’ll end up doing that. I mean, then it’s not even about the person’s bias, right? If you look at the history of employment, men tend to be paid at higher rates and be more likely to be hired for particular kinds of jobs. If you train an AI on a data set of all the existing employees in the world, it’ll end up replicating the problems that already exist in our society.

MIELKE: So then, you say, here are some things that the government could regulate. Will they regulate it? Because I got to say, listening to the lawmakers here, and we’ve talked about before with like some of these old senators, it doesn’t sound like they’re particularly keen on getting involved in this.

GERMAIN: No, we’ve been talking about regulating privacy, for example, for the better part of a decade, and we’re no closer to a law today than we were a couple of years ago. And I think that speaks to a broader issue, which is a lot of the problems of AI are the problems of society. This technology could make the rich richer. It could make the poor poorer. It could replicate a lot of society’s worst impulses, from misinformation to discrimination, any number of issues. And Congress hasn’t addressed those problems as they stand today, let alone what technology will look like in the future. So in terms of regulating, I would start with the problems that we already have as opposed to some future hypothetical about what this tech will be like. Will Congress do that? I’m not hopeful. They don’t seem to be able to get anything done, let alone wrapping their minds around an entirely new technology.

MIELKE: As Congress is sort of like, would you like to take the lead on this? And the head of OpenAI is like, “No, no, I have a job.” All right, Thomas Germain from Gizmodo, thank you so much.

GERMAIN: Thanks for having me on.

Copyright © 2023, ABC Audio. All rights reserved.

Minnesota man indicted for theft of ruby slippers from ‘Wizard of Oz’

Minnesota man indicted for theft of ruby slippers from ‘Wizard of Oz’
Minnesota man indicted for theft of ruby slippers from ‘Wizard of Oz’
Al Seib/Los Angeles Times via Getty Images

(GRAND RAPIDS, Minn.) — A federal grand jury indicted a Minnesota man on Tuesday for allegedly stealing a pair of the ruby slippers that actress Judy Garland famously wore playing Dorothy in “The Wizard of Oz.”

Federal prosecutors allege that Terry Martin stole the iconic slippers in 2005 from the Judy Garland Museum in Grand Rapids, Minnesota — one of only four remaining pairs worn by Garland in the 1939 film.

The shoes were ensured at a $1 million valuation at the time they were stolen, prosecutors said, but their current market appraisal could price them around roughly $3.5 million, according to estimates.

The shoes were recovered by the FBI and Grand Rapids police in a sting operation in July of 2018, the Justice Department said.

The charges against Martin are the result of a long-running federal investigation launched following the initial disappearance of the shoes.

The U.S. Attorney’s Office in North Dakota provided no further details on Martin’s background or his role in the alleged theft of the slippers and the office says they are declining to comment further at this time, citing the ongoing case.

Martin faces one count of theft of an object of cultural heritage from the care, custody or control of a museum, which carries a maximum sentence of 10 years in prison if he is convicted.

At this time, Martin does not have an attorney listed for him on his court docket.

That pair was one of several custom-made for the role of Dorothy in the film.

In the classic film, Garland, as Dorothy, is seen clicking her heels of the ruby slippers together and saying the famous phrase, “There’s no place like home,” which the American Film Institute considers one of the 100 greatest movie quotes of all time.

Private collectors own at least two existing pairs, including a pair jointly acquired by Leonardo DiCaprio and Steven Spielberg for display at the Academy Museum of Motion Pictures.

ABC News’ Emily Shapiro and Karma Allen contributed to this report.

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