Olivia Rodrigo is set to release “drop dead,” the first single from her new album, you seem pretty sad for a girl so in love, on April 17, and she just teased fans with a snippet of the song. Olivia posted a short clip of the tune on Instagram, which cuts off before she sings anything. It includes video of a group of people sitting around three glasses of Guinness, with the line, “I hope you never finish that beer.”
Justin Bieber’s Skylrk clothing and lifestyle brand is launching a new collection to coincide with Bieber’s appearance at Coachella. The Coachella-themed collection includes T-shirts, hoodies and accessories. It will be available onsite at the Skylrk Oasis, a 10,000-square-foot area on the festival grounds, offering festivalgoers a break from the heat, with palm trees, misters and more. Bieber is set to headline Coachella April 11 and April 18.
Laufey has given fans a sneak peek at the music video for her track “Madwoman.” The singer posted a preview of the clip on Instagram, which introduces all the stars who appear in the video. They include Olympic gold medal figure skater Alysa Liu, The Summer I Turned Pretty’s Lola Tung, KATSEYE’s Megan Skiendiel and Heated Rivalry‘s Hudson Williams, who appears wet and shirtless, and winks at the camera. The “Madwoman” video debuts Monday at 10 a.m. ET.
Sir Paul McCartney performs at The O2 Arena during his ‘Got Back’ world tour on December 18, 2024 in London, England. (Photo by Jim Dyson/Getty Images)
The first single off Paul McCartney’s upcoming solo album, The Boys of Dungeon Lane, has put the two-time Rock & Roll Hall of Famer back on the Billboard charts.
The tune, “Days We Left Behind,” has debuted at #22 on the Adult Contemporary radio airplay chart. It’s McCartney’s highest debut on that chart since the Wings track “With a Little Luck” debuted at #21 in 1978.
The rocker’s last appearance on the AC chart was back in October 2018, when “Come On To Me,” from his album Egypt Station, peaked at #10, becoming McCartney’s 19th solo top-10 single. His first appearance on the chart as a solo artist was in 1971 with “Another Day,” which peaked at #4.
But that’s not the only chart where “Days We Left Behind” is making its mark. The song also debuted at #7 on the Rock Digital Songs chart.
The Boys of Dungeon Lane will be released May 29. It is McCartney’s first solo album since 2020’s McCartney III.
Sir Paul McCartney performs at The O2 Arena during his ‘Got Back’ world tour on December 18, 2024 in London, England. (Photo by Jim Dyson/Getty Images)
The first single off Paul McCartney’s upcoming solo album, The Boys of Dungeon Lane, has put the two-time Rock & Roll Hall of Famer back on the Billboard charts.
The tune, “Days We Left Behind,” has debuted at #22 on the Adult Contemporary radio airplay chart. It’s McCartney’s highest debut on that chart since the Wings track “With a Little Luck” debuted at #21 in 1978.
The rocker’s last appearance on the AC chart was back in October 2018, when “Come On To Me,” from his album Egypt Station, peaked at #10, becoming McCartney’s 19th solo top-10 single. His first appearance on the chart as a solo artist was in 1971 with “Another Day,” which peaked at #4.
But that’s not the only chart where “Days We Left Behind” is making its mark. The song also debuted at #7 on the Rock Digital Songs chart.
The Boys of Dungeon Lane will be released May 29. It is McCartney’s first solo album since 2020’s McCartney III.
Sir Paul McCartney performs at The O2 Arena during his ‘Got Back’ world tour on December 18, 2024 in London, England. (Photo by Jim Dyson/Getty Images)
The first single off Paul McCartney’s upcoming solo album, The Boys of Dungeon Lane, has put the two-time Rock & Roll Hall of Famer back on the Billboard charts.
The tune, “Days We Left Behind,” has debuted at #22 on the Adult Contemporary radio airplay chart. It’s McCartney’s highest debut on that chart since the Wings track “With a Little Luck” debuted at #21 in 1978.
The rocker’s last appearance on the AC chart was back in October 2018, when “Come On To Me,” from his album Egypt Station, peaked at #10, becoming McCartney’s 19th solo top-10 single. His first appearance on the chart as a solo artist was in 1971 with “Another Day,” which peaked at #4.
But that’s not the only chart where “Days We Left Behind” is making its mark. The song also debuted at #7 on the Rock Digital Songs chart.
The Boys of Dungeon Lane will be released May 29. It is McCartney’s first solo album since 2020’s McCartney III.
Warren Zeiders’ new track recasts an on-and-off relationship as a “Drinking Game” he can’t stop playing. It follows “Born to Be Yours,” which came out in February.
Vince Gill’s sixth EP in the 50 Years from Home series, titled End of the Night, is out now. It features six originals plus his 1992 #1 “Don’t Let Our Love Start Slippin’ Away.” Lady A joins him on “What I Love About Love.”
Emily Ann Roberts’ new track, “My Future,” was inspired by an idea from her husband. On Thursday, she learned she’s in the running for new female artist of the year at May’s 61st Academy of Country Music Awards.
Ella Langley’s ‘Dandelion’ (SAWGOD/ Columbia Records)
If you want to get to know Ella Langley better, she says all you need to do is listen to her much-anticipated second album, which is out now.
“Dandelion is a natural next phase after hungover,” she says, referencing her debut album. “hungover is what brought people to the table, and Dandelion is what makes them sit down and eat.”
“This album explains who I am as an artist and as a person,” she continues. “It reflects on what made me this way while giving a glimpse of what’s next. It’s my favorite project I’ve ever done, it’s the most ‘me’ I’ve ever put out.”
The 18-track record is bookended by Ella’s version of the folk song “Froggy Went A Courtin’,” one of the first songs she remembers, and one her grandfather taught her.
She co-produced the album along with Ben West and Miranda Lambert, the album’s only guest on “Butterfly Season.”
Miranda also co-wrote the Platinum-selling “Choosin’ Texas,” which is currently spending its fifth record-setting week atop Billboard‘s all-genre Hot 100.
Ella kicks off The Dandelion Tour May 7 in Toledo, Ohio, her first time headlining arenas.
OpenAI CEO Sam Altman speaks during the BlackRock Infrastructure Summit on March 11, 2026, in Washington, DC. The global investment management company held the summit consisting of leaders from government, business, and labor to address expanding U.S. infrastructure. (Photo by Anna Moneymaker/Getty Images)
(SAN FRANCISCO, Calif.) — A man has been arrested for allegedly throwing a Molotov cocktail at the San Francisco home of OpenAI CEO Sam Altman, the company said.
No one was hurt, according to the San Francisco Police Department and OpenAI.
The incident unfolded around 4 a.m. Friday when someone “threw an incendiary destructive device” at the house, which sparked a fire on an exterior gate, police said.
The suspect fled on foot, but police said his description was dispatched to officers.
Around 5 a.m., officers responded to OpenAI’s headquarters where a man was allegedly threatening to burn down a building, and they “recognized the male to be the same suspect from the earlier incident,” police said.
The 20-year-old suspect was arrested and charges are pending, police said.
The company said the situation is under control and there is no immediate threat to its offices.
“We deeply appreciate how quickly SFPD responded and the support from the city in helping keep our employees safe,” OpenAI said in a statement. “We’re assisting law enforcement with their investigation.”
The SFPD’s Special Investigations and Arson Units are leading the investigation, the company said. The FBI said it’s aware of the incident and is working with San Francisco police.
Myles Smith appears on ABC’s ‘American Idol’ (Disney/Christopher Willard)
Myles Smith has released his new song, “My Mess,” and he posted a heartfelt message to go along with it.
The British singer wrote to fans on Instagram, saying he’s been reading their messages since the song dropped and it’s been “a bit overwhelming in the most beautiful way.”
“This song was never about being the biggest or the loudest moment,” he says. “It was always meant to be an honest one. Something that brings you into the world of my album… properly. No filter, no pretending.”
“And today, seeing how many of you have found yourselves in it… people telling me they cried for the first time in years, people saying they felt seen, understood… that’s everything to me,” he adds. “That connection. That feeling. That’s why I do this.”
He goes on to say he feels lucky to have “the most incredible fan base in the world.”
“I’m still figuring things out,” he writes. “I still have my struggles. But you make me feel less alone in them. And that means more than I can ever explain. Thank you for letting this song be yours as much as it is mine.”
Myles’ album, My Mess. My Heart. My Life., arrives June 11.
(WASHINGTON) — Across three hours of oral arguments on Friday, a panel of judges appeared skeptical of a legal challenge to the 10% global tariff imposed by President Donald Trump after the Supreme Court struck down his first round of tariffs earlier this year.
The lengthy hearing centered on whether a 1974 law gives President Trump the power to impose the tariffs for 150 days without approval from Congress, based on the United States’ trade deficit.
The suit was brought by 24 states as well as the toy company behind Care Bears and Lincoln Logs, and a spice importer.
Brian Marshall, arguing for the plaintiffs, told the panel of three judges on the Court of International Trade that the Trump administration is misusing the law that allowed tariffs to account for a “balance of payments deficit” — which he said experts unanimously believe is distinct from a “trade deficit.”
Judge Timothy C. Stanceu repeatedly pushed back on that claim, remarking that a “balance of payments deficit” could be created by a trade imbalance.
“In other words, a fundamental international payments problem cannot be something where the United States has to pay out a lot of money. It can also be something where there is an imbalance created by large trade surpluses in which case they wanted to let more imports in,” Judge Stanceu said.
The judges also appeared skeptical that the states suing the Trump administration had the legal standing to bring the case, though they appeared more receptive to the two small businesses that also challenged the tariffs: Basic Fun, a toy company, and Burlap and Barrel, which sells single-origin kitchen spices.
“I think there’s a distinction, for example, between some of the private party plaintiffs where they said, ‘We know we have X number of containers that are coming in within a certain period of time.’ I’m not sure that I see the same degree of clarity with regard to the state plaintiffs other than we buy stuff,” said Chief Judge Mark A. Barnett.
However, the judges also appeared to push back on some of the arguments from the Trump administration, including the claim that earlier litigation related to the International Emergency Economic Powers Act — which the Supreme Court concluded does not give the president the right to impose tariffs — suggested that the 1974 law now in question gives Trump that power.
“This case has nothing like that. This case has a statute that expressly allows the imposition of tariffs or quotas. So we’re in a whole different universe now,” said Stanceu. “This one turns on balance of payments deficits, a term that was not involved in the IEEPA case.”
Assistant Attorney General Brett Shumate urged the court to affirm that the 1970s law gives Trump temporary tariff power, arguing Congress was clear in giving presidents broad latitude to address the deficits in question.
“The fundamental problem that exists today also existed in 1971, and that was the problem that Congress was trying to give presidents beyond President Nixon, the discretion to address by identifying balance of payments problems,” Shumate said.
The court did not signal when or how they might rule, though a decision is expected sometime in the coming months. Regardless of the ruling, tariffs are set to expire in July when the 150-day window expires.
According to the Yale Budget Lab, a nonpartisan policy research center, Trump’s tariffs — including the broad Section 122 tariffs, as well as metal and pharmaceutical tariffs imposed under different authorities — are estimated to cost every household between $760 and $940 if the Section 122 tariffs expire within 150 days. If Congress were to extend the tariffs, the price impact could be between $1,200 and $1,500 for each household.
Jeremy McKinnon of A Day To Remember performs onstage during Warped Tour at Shoreline Waterfront on July 26, 2025 in Long Beach, California. (Scott Dudelson/Getty Images)
A Day to Remember is hoping to take you on a cruise to remember.
The band has announced the Big Ole Boat Show concert cruise, setting sail April 28, 2027, from Miami. The seafaring event will make a stop in Nassau, Bahamas, before returning May 2.
A Day to Remember will perform two headlining sets during the trip. The lineup also includes Knocked Loose and The Devil Wears Prada.
