Murder trial paints two different portrayals of Ahmaud Arbery

Murder trial paints two different portrayals of Ahmaud Arbery
Murder trial paints two different portrayals of Ahmaud Arbery
Sean Rayford/Getty Images

(BRUNSWICK, Ga.) — A Georgia jury is now deliberating the fates of three white men charged in the fatal shooting of Ahmaud Arbery, a 25-year-old Black jogger.

The prosecution and defense gave the nearly all-white jury two vastly different tales of Arbery. The prosecution painted him as a brother, an uncle and a victim, while the defense portrayed him as a prospective criminal.

Travis McMichael — who shot Arbery on Feb. 23, 2020 — his father Gregory and their neighbor William Bryan have pleaded not guilty to a nine-count state indictment that includes malice murder, multiple charges of felony murder, false imprisonment, aggravated assault with a 12-gauge shotgun and aggravated assault with their pickup trucks.

Travis McMichael claims he shot Arbery in self-defense. The three say they believed he may have committed a crime in the neighborhood and pursued him after he jogged past Gregory McMichael’s house.

In closing statements, Laura Hogue, the attorney for Travis McMichael, slammed Arbery’s character, claiming that “a beautiful teenager with a broad smile and a crooked baseball cap can go astray.”

“He can deteriorate and lose his way, and years later he can end up creeping into a home that is not his own and running away instead of facing the consequences, acting erratically when approached and making terrible, unexpected, illogical choices,” she said, describing Arbery and the case.

Travis McMichael had testified that he and his father believed Arbery had committed a burglary at a home under construction in their neighborhood, though prosecutor Linda Dunikoski said neither Travis nor Gregory called the police or had seen Arbery commit a crime.

The attacks against Arbery’s character continued from the defense.

“Turning Ahmaud Arbery into a victim after the choices that he made does not reflect the reality of what brought Ahmaud Arbery to Satilla Shores in his khaki shorts with no socks to cover his long, dirty toenails,” Hogue said.

Defense attorney Jason Sheffield also recalled Travis McMichael’s testimony, which claimed that Arbery was angry and clenching his teeth when he was approached.

The prosecution argued that there is no proof Arbery had committed or planned to commit a crime.

Dunikoski denounced the portrayal of him as a criminal, saying, “All three of these defendants made assumptions — made assumptions about what was going on that day, and they made their decision to attack Ahmaud Arbery in their driveways because he was a Black man running down the street.”

Dunikoski urged jurors to remember that Arbery was unarmed with nothing in his pockets when he was being tailed by the three men on trial.

“They’re going to try and convince you that Ahmaud Arbery was the attacker, that he was somehow threatening to them — three on one, two pickup trucks, two guns,” said Dunikoski. “They want you to believe that he is the danger to them.”

Dunikoski opened the trial by humanizing Arbery, highlighting his personal relationships as a brother and uncle, and “an avid runner.”

“The evidence that he was an avid runner is you’re going to be able to see his shoes, his Nike shoes, where he basically almost had absolutely no tread left on them whatsoever,” she said, highlighting the commonplace nature of Arbery’s run through the neighborhood.

Outside of the courtroom, Arbery’s mother, Wanda Cooper-Jones, urged people to remember him for more than his tragic death.

“He was my baby boy,” she said in an interview with ABC News Live Prime on Nov. 18. “Ahmaud was loved by many and also I saw Ahmaud love many. He just wasn’t a young man who decided to go jogging on a sunny Sunday afternoon. Ahmaud was his son. He was a brother. He was an uncle. He was a grandson. Ahmaud was loved by so many people, and we lost him so tragically.”

Travis McMichael, Gregory McMichael and Bryan each face maximum sentences of life in prison if convicted on all the charges.

Copyright © 2021, ABC Audio. All rights reserved.

Scoreboard roundup — 11/23/21

Scoreboard roundup — 11/23/21
Scoreboard roundup — 11/23/21
iStock

(NEW YORK) — Here are the scores from Tuesday’s sports events:

NATIONAL BASKETBALL ASSOCIATION
Miami 100, Detroit 92
New York 106, LA Lakers 100
Portland 119, Denver 100
Dallas112, LA Clippers 104 (OT)

NATIONAL HOCKEY LEAGUE
Tampa Bay 4, Philadelphia 0
Dallas 4, Edmonton 1
Calgary 5, Chicago 2

TOP 25 COLLEGE BASKETBALL
Gonzaga 83, UCLA 63
Wisconsin 65, Houston 63
Arkansas 73, Cincinnati 67
Illinois 72, Kansas St. 64

MAJOR LEAGUE SOCCER
Nashville 3, Orlando City 1

Copyright © 2021, ABC Audio. All rights reserved.

Lizzo plans to “get weird” and wild at her first concert in two years

Lizzo plans to “get weird” and wild at her first concert in two years
Lizzo plans to “get weird” and wild at her first concert in two years
American Express

Lizzo is performing her first concert in two years on December 4 during Art Basel week in Miami, and the “Truth Hurts” singer-rapper says you can expect her to be wild at the show.

“Doing this at Art Basel really inspired me and my team to just get weird,” Lizzo tells Rolling Stone. “I feel like we have the opportunity to just step outside of our comfort zones and make something super interactive, and I’ve never done anything like this before.”

The three-time Grammy winner says she’s raring to hit the stage in front of an audience again after the pandemic forced her to put performing live on hold.

“[Zoom] isn’t the same because I don’t get to touch people,” she says. “It’s got to be moving and sweating.”

She adds, “I’m a little rusty but I’m so excited to be back on stage because this is where I belong. Live music and connecting with people — this is what it’s all about.”

Meanwhile, the 33-year-old entertainer attended Adele‘s One Night Only concert recently in Los Angeles, and was amazed by the British star.

“When you hear her voice? Everyone in the room gets goosebumps; everyone in the room’s eyes tear up; everyone in the room can feel it,” Lizzo says. “I love having visceral experiences like that, with musicians who kind of transcend the song and who are an incredible presence. These are singers with voices that truly touch your heart.”

Lizzo’s Unstaged concert can be viewed online via LIVE-Now.com on December 4.

Copyright © 2021, ABC Audio. All rights reserved.

Enter Colonel Mustard: Metallica launches ‘Clue’ board game

Enter Colonel Mustard: Metallica launches ‘Clue’ board game
Enter Colonel Mustard: Metallica launches ‘Clue’ board game
ABC/Randy Holmes

If your family board game nights could use a little more heavy metal, Metallica is here to help.

The “Enter Sandman” legends have launched their own edition of the classic mystery-deducing game Clue. However, instead of trying to solve the who, where and how of a murder, players are tasked with finding a missing piece of valuable recording equipment.

“Picture this: The band and crew are back at HQ to record Metallica’s next album, but with all the excitement, a key piece of equipment has gone missing!” the game’s description reads. “As the hours tick by, the group grows more and more eager to begin. They decide to split up and scour the building for any trace of their missing equipment.”

Your goal is to “find out WHAT piece has gone missing, WHERE it’s hiding, and WHO finds it so the recording session can get back on track!”

Metallica Clue costs $49.99, and is available now via the band’s web store.

By the way, if Clue isn’t your board game of choice, perhaps you’d be more interested in Metallica Monopoly.

Copyright © 2021, ABC Audio. All rights reserved.

Lady Gaga says ‘House of Gucci’ is a “really wild ride” and a “really powerful story”

Lady Gaga says ‘House of Gucci’ is a “really wild ride” and a “really powerful story”
Lady Gaga says ‘House of Gucci’ is a “really wild ride” and a “really powerful story”
Courtesy of Metro Goldwyn Mayer Pictures Inc.

Lady Gaga is already getting Oscar buzz for her role in Ridley Scott‘s House of Gucci, which opens today. The film is based on the true story of Patrizia Reggiani, who hired a hit man to kill her ex-husband, Maurizio Gucci — and Gaga says it’s quite the emotional journey.

“I think that this movie is a really wild ride,” she tells ABC News. “It’s a drama, but it’s also a dark comedy, so if you’re looking to laugh, it’s great to go to the theater and see it. And also…I think it’s a really powerful story.”

Gaga feels the movie is really about how women are sometimes taught that they have no value unless a man loves them — and what happens if that loves ends.

“The Guccis…were so focused on the money and the business that they were blind to the thing that they should’ve been paying attention to, which was the disaster that was [Patrizia],” Gaga says.

“She was disposed of by the family…She was not treated like she mattered. She was treated like she lost her looks and was not valuable,” Gaga continues. “And had they not been so focused on their privilege, they would have noticed that a murder was just about to take place.”

Gaga says she was hesitant at first to play a real person because Patrizia has two daughters — but also because of the way Patrizia had been portrayed in the media.

“I was not interested in playing a stereotypical, sexy gold-digging woman that was after his money,” she explains.

She adds, “That’s not what the truth was. And I remember I sat down with Ridley and [he] said to me, ‘You know, they were really in love.’ And I said, ‘O.K., I’m going to run with that.’ And I did.”

Copyright © 2021, ABC Audio. All rights reserved.

Reba McEntire is ready to kick off the holiday season in “grand style” with ‘Christmas in Tune’

Reba McEntire is ready to kick off the holiday season in “grand style” with ‘Christmas in Tune’
Reba McEntire is ready to kick off the holiday season in “grand style” with ‘Christmas in Tune’
Lifetime

Reba McEntire is a self-professed Christmas movie fan, so it’s only natural that she’s starring in one herself.

The country legend teams up with Dukes of Hazzard star John Schneider in the original Lifetime movie, Reba McEntire’s Christmas In Tune, which sees the two portraying Georgia and Joe Winter, a former husband-and-wife duo who are forced to reunite when their daughter asks them to perform at a Christmas concert. 

Turns out, the “Fancy” singer is a Christmas movie fanatic and is excited to launch the holiday season with her own production. 

“I love Christmas movies. I watch them all year long if I can find one,” she professes. “John Schneider was so much fun to work with. We’re kicking Christmas off in grand style on Lifetime.” 

And while the two stars were walking in a winter wonderland on set, Reba reveals that getting into the holiday spirit took some extra effort, seeing as they filmed in the heat of summer. Despite the blazing temperatures, the superstar singer says the film supplies plenty of holiday cheer.  

“We filmed it in June. It was hot, as you can imagine. Even when we were inside, the air conditioning couldn’t keep us cool enough with all of our scarves and sweaters and things like that on, we were sweating up a storm,” she describes. “But it’s a sweet movie, and I hope everybody enjoys it.” 

Christmas in Tune premieres on Lifetime on November 26 at 8 p.m. ET.

Copyright © 2021, ABC Audio. All rights reserved.

Watch Alana Haim jump “head-first into the deep end” with debut acting gig in ‘Licorice Pizza’

Watch Alana Haim jump “head-first into the deep end” with debut acting gig in ‘Licorice Pizza’
Watch Alana Haim jump “head-first into the deep end” with debut acting gig in ‘Licorice Pizza’
Paul Thomas Anderson/© 2021 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved.

After you’re done with your turkey this Thanksgiving, why not join Alana Haim for a slice of Licorice Pizza?

The youngest of the HAIM sisters makes her acting film debut in the new movie, directed by Boogie Nights and There Will Be Blood filmmaker Paul Thomas Anderson. In addition to following the love story of its two central characters, played by Haim and Cooper Hoffman, the son of the late Phillip Seymour Hoffman, Licorice Pizza is a love letter to the San Fernando Valley of Southern California.

“It’s a Valley story,” Haim tells ABC Audio. “I mean, I’m a Valley girl through-and-through, I grew up in the Valley, born-and-raised in Valley Village.”

Being that her only previous acting gig was playing the Wicked Witch of the West in an art school production of Wizard of Oz — “That did not prepare me for this experience,” she quips — Haim felt she was jumping “head-first into the deep end” while “learning on the job.” Helping her do that was Anderson, who Haim calls “the most incredible director.”

“There were times where scenes weren’t working, and instead of just cutting them, moving on, Paul would ask me, ‘What would you do in this scene?'” Haim shares. “Or there would be times where I would tell him, ‘I have an idea,’ and he would get super excited and be, like, ‘Go, go, go, go, go! Go do your idea!'”

As for the movie itself, Haim assures that you’ll “feel happy” leaving the theater.

“That’s the best part of it,” she says. “I’m a Sagittarius, I like making people feel happy.”

Licorice Pizza opens in select theaters this Friday. It premieres wide Christmas Day.

Copyright © 2021, ABC Audio. All rights reserved.

‘The Beatles: Get Back’ editor says docuseries captures “four guys who still very much get on with each other”

‘The Beatles: Get Back’ editor says docuseries captures “four guys who still very much get on with each other”
‘The Beatles: Get Back’ editor says docuseries captures “four guys who still very much get on with each other”
Disney+

The project that Beatles fans have anxiously awaited for years finally is set to arrive this week. The Beatles: Get Back, the three-part, six-hour docuseries directed by Lord of the Rings filmmaker Peter Jackson focusing on the January 1969 sessions that yielded the Let It Be album, premieres this Thursday, Friday and Saturday on Disney+.

As previously reported, the series was created from dozens of hours of previously unseen footage shot for what became the film Let It Be, but while the 1970 movie zeroed in on the tensions between the band members during the sessions, Get Back offers a more well-rounded look at The Beatles’ relationships as they came together to create that music.

Jackson’s longtime film editor Jabez Olssen, who worked closely with Peter on Get Back, tells ABC Audio that it quickly became apparent watching the footage that the band was getting along much better than had been previously portrayed.

“This is four guys who still very much get on with each other, are joking around, having a good time,” Olssen notes. “They have…disagreements and constructive conversations, but this is not a breakup film and this was not a breakup period in The Beatles’ lives.”

Perhaps the centerpiece of the series is the entire 42-minute impromptu concert of The Beatles’ played on the roof of Apple headquarters on London’s Savile Row.

Olssen says the segment offers “the best footage of The Beatles playing live that there is,” explaining, “You’re in the front row. They’re playing great. You can see them really well…[It] feels so personal and in your face.”

He adds, “To see how well they play and how happy they are and the buzz that they come out of it with, it really is a moment of triumph for them.”

Copyright © 2021, ABC Audio. All rights reserved.

New on Disney+ today, Marvel Studios’ Hawkeye

New on Disney+ today, Marvel Studios’ Hawkeye
New on Disney+ today, Marvel Studios’ Hawkeye
Marvel Studios

Jeremy Renner‘s Marvel movie hero Hawkeye gets his own eponymous small-screen spin-off starting with two episodes on Disney+ today.

The holiday-themed show that sees Renner’s archer Avenger reluctantly taking on a protégé in Hailee Steinfeld‘s headstrong Kate Bishop. 

The series follows the onscreen events of Avengers: Endgame, during which Renner’s grief-stricken Clint Barton took out his anger over Thanos snapping away his family by going on an underworld killing spree as the masked vigilante Ronin.

After Tony Stark and Hawkeye’s other fellow Avengers saved Barton’s family — along with half of humanity — Renner’s character is trying to get back to a normal life as a dad.

“We start off with a very, very happy step forward into a family vacation into New York at Christmas and taking the kids to go see a musical, and then everything kind of goes sideways from there.” Renner said at a recent press conference. 

“Sideways” is where Hawkeye fan Kate comes in. “[S]he’s inspired by him and motivated by him and wants to be at his level and is very overeager — and he puts up with a lot,” Steinfeld laughs. 

Renner says Kate sees past Barton’s “veneer of grumpiness.”

“It comes from just the weight and the horrors and the tragedies and loss that come with the…superhero game. And the lightness…that Hailee’s character brings in kind of counteracts that. It’s really cathartic and I think, quite beautiful.”

Marvel Studios president Kevin Feige sums it up: “Six episode, six days, will Clint make it home for Christmas? Which was fun and a breath of fresh air after world-ending stakes and Celestials bursting out of planets, and Multiverse shenanigans. This is, like Hawkeye himself, a grounded, family-based show.”

Marvel Studios is owned by Disney, the parent company of ABC News. 

Copyright © 2021, ABC Audio. All rights reserved.

Egypt to open 3,000-year-old Avenue of Sphinxes in glitzy ceremony

Egypt to open 3,000-year-old Avenue of Sphinxes in glitzy ceremony
Egypt to open 3,000-year-old Avenue of Sphinxes in glitzy ceremony
DeAgostini/Getty Images

(LUXOR, Egypt) — After more than seven decades of stop-start attempts to excavate a nearly 2-mile ancient walkway in the southern city of Luxor, Egypt will finally open the 3,000-year-old Avenue of Sphinxes to the public Thursday in a glitzy ceremony.

The full stretches of the 1.7 mile long and about 250 feet wide avenue, which connects Karnak Temple with Luxor Temple, have been uncovered in the ancient city of Thebes, with its distinctive sphinxes and ram-headed statues lined up on both flanks.

In recent years, Egypt has stepped up its efforts to promote its archeological discoveries as it strives to revive its ailing tourism industry, which took a fresh battering during the COVID-19 pandemic.

One element of this approach has been recreating ancient settings in flamboyant ceremonies, which were first introduced when Egypt held what was dubbed a “royal procession” to parade 22 mummies through the streets of Cairo as they were being conveyed to a newly inaugurated museum last April.

Construction of the Avenue of Sphinxes began during the New Kingdom era and was completed during the reign of 30th Dynasty ruler Nectanebo I (380-362 B.C.), but the road was buried under layers of sand over the centuries.

“The amount of rubble that was removed over the decades was up to 8 meters high. Every layer of sand tells us a story about that avenue,” Mostafa el-Sagheer, the head of Karnak’s Antiquities Department who oversaw the project to excavate the last stretch of the avenue, told ABC News.

The first trace of the avenue was found in 1949 when Egyptian archeologist Mohammed Zakaria Ghoneim discovered eight statues near the Luxor Temple, el-Sagheer said, with 17 more statues uncovered from 1958 to 1961 and 55 unearthed from 1961 to 1964 — all within a perimeter of 250 meters.

From 1984 to 2000, the entire route of the walkway was finally determined, leaving it to excavators to uncover the road. It was never a walk in the park, however.

Urban development meant hundreds of homes, as well as mosques and a 115-year-old Evangelical church, had to be demolished to make way for the road.

The political turmoil that followed the 2011 uprising in Egypt further complicated efforts to complete the restoration project, stalling it for several years before it was resumed in 2017.

“From 2017 to 2021, the final 20 or 25% of the road was excavated,” el-Sagheer said.

Most of the original 1,057 statues in the avenue have been recovered. They are divided into three shapes, the first being a body of a lion with ram’s head that was erected over a nearly 1,000-foot area between the Karnak Temple and the Precinct of Mut during the reign of New Kingdom ruler Tutankhamen, famously known as King Tut.

The second shape is a full ram statue, built in a remote area during the reign of the 18th dynasty’s Amenhotep III before being later moved to the Temple of Khonsu in the Karnak complex.

The third shape, which comprises the biggest chunk of the statues, is one of a sphinx (a lion’s body and a human’s head), with the statues stretching over a mile from the Precinct of Mut to the Luxor Temple. They were erected during the tenure of Nectanebo I.

El-Sagheer said the ancient Opet festival would be also relived during Thursday’s celebrations.

The festival primarily involved a procession in which shrines of the “triad of deities” — supreme god Amun-Re, his consort Mut and their son Khonsu — were paraded by priests on wooden barques from Karnak to Luxor in a symbolic recreation of their marriage.

“During this journey, people of Thebes would line up on both sides, with military marches and music playing, dancers performing and oblations offered,” el-Sagheer said.

Copyright © 2021, ABC Audio. All rights reserved.