Get your first look at Lady Gaga’s upcoming TV special with Tony Bennett

Get your first look at Lady Gaga’s upcoming TV special with Tony Bennett
Get your first look at Lady Gaga’s upcoming TV special with Tony Bennett
@kelseybennett333

Lady Gaga‘s upcoming CBS special One Last Time: An Evening with Tony Bennett and Lady Gaga isn’t airing until November 28, but we’ve got our first peek at it now — plus all the details of the set list.

The special was filmed at two sold-out shows at New York’s Radio City Music Hall this past August, which served as both Bennett’s birthday celebration and his last hurrah: The 95-year old legend has now retired from performing.  The one-hour special features Gaga and Bennett singing songs from their two duet albums: 2014’s Cheek to Cheek and their new one, Love for Sale.

In the sneak peek, which you can watch on Instagram, Gaga, in a glamorous gold gown, and Bennett, in a dapper suit, perform their first-ever joint recording, “The Lady Is a Tramp,” which appeared on Bennett’s 2011 album, Duets II

In the clip, Bennett, who was diagnosed with Alzheimer’s disease in 2016 but began showing symptoms two years ago, has no problems handling the lyrics; his family has said his long-term memory is intact.

CBS has also released the set list for the special, which features each singer performing solo before teaming up to close the show with a few duets.

Gaga solo
“Luck Be A Lady”
“Orange Colored Sky”
“Let’s Do It”
“New York, New York”

Bennett solo
“Watch What Happens”
“Steppin’ Out”
“Fly Me to the Moon”
“I Left My Heart in San Francisco”

Gaga & Bennett together
“Lady is a Tramp”
“Love For Sale”
“Anything Goes”

One Last Time: An Evening with Tony Bennett and Lady Gaga airs November 28 on CBS at 8 p.m. ET/PT and will also be available to stream on Paramount+.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by CBS (@cbstv)

Copyright © 2021, ABC Audio. All rights reserved.

Demi Lovato partners with “consciousness-expanding” video platform Gaia

Demi Lovato partners with “consciousness-expanding” video platform Gaia
Demi Lovato partners with “consciousness-expanding” video platform Gaia
MICHAEL TRAN/AFP via Getty Images

Demi Lovato is teaming up with a video-sharing platform called Gaia, which describes itself as “the largest online resource of consciousness-expanding videos.”

The subscription-based platform features “content for the mind, body, and soul,” including documentaries, original shows and yoga and meditation classes.

“I am excited to be one of Gaia’s first celebrity ambassadors and honored to join a platform I have been a fan of for some time,” Demi says in a statement. “Understanding the world around us, both known and unknown, and diving deeper into areas that expand our consciousness is exciting to me and I am honored to be able to be a part of a community of people who want to do the same.”

Demi first became interested in Gaia thanks to their fascination with extraterrestrials. The singer was introduced to one of the platform’s show hosts, Dr. Steven Greer, founder of the Center for the Study of Extraterrestrial Intelligence, and has used his meditation techniques for “making contact.” Demi is also a fan of Gaia original series Ancient Civilizations and Deep Space.

Copyright © 2021, ABC Audio. All rights reserved.

Venus and Serena Williams tease ‘King Richard’ and reveal whose story it tells

Venus and Serena Williams tease ‘King Richard’ and reveal whose story it tells
Venus and Serena Williams tease ‘King Richard’ and reveal whose story it tells
Jamie McCarthy/Getty Images for Lotte New York Palace

Venus and Serena Williams‘ journey to tennis superstardom is told through their father’s eyes in the forthcoming movie King Richard.

Ahead of the film’s premiere, the athletes told Entertainment Weekly they were very excited when they learned Will Smith was interested in playing their dad, Richard Williams.

“It was like, ‘Oh my God this movie is going to be the real deal,'” said Venus, 41. “Whatever film [Smith’s] in, it’s the real deal. We got the sense of this is gonna be big, this is gonna be a serious film.”

Serena then revealed that, while their father does serve as a narrator, the story focuses on one particular person.

“I feel like the film actually tells [Venus’] story, in a way that no one can ever really tell what she went through in being the first Black player to really step out there,” Serena said.  “You see the impact that it has had and all the people that are coming up after myself and Venus.”

“There would be no Serena if there wasn’t a Venus,” the tennis star added. “Venus is so humble, she doesn’t really take credit for that. She burst open that door and I ran through.”

Venus countered by insisting of her sister, “There’s no me without her, and I could have never done what I’ve been able to achieve on the court without her.”

King Richard premieres in theaters and on HBO Max November 19. 

Copyright © 2021, ABC Audio. All rights reserved.

‘Rust’ camera assistant who quit before shooting says safety concerns were ignored

‘Rust’ camera assistant who quit before shooting says safety concerns were ignored
‘Rust’ camera assistant who quit before shooting says safety concerns were ignored
ABC News

(NEW YORK) — A crew member on the movie set of “Rust” talked to “Good Morning America” about his safety concerns on that set.

Lane Luper, formerly first camera assistant on the film, had quit and left the production the day before the fatal shooting of cinematographer Halyna Hutchins.

Hours before Hutchins was shot by actor Alec Baldwin on set, Luper and half a dozen other members of the camera department walked off the set in protest of poor working conditions.

“What I put in my resignation letter was: lax COVID policies, the housing situation — driving to and from Albuquerque — and specifically gun safety, a lack of rehearsals, a lack of preparing the crew for what we were doing that day,” Luper told ABC News’ George Stephanopoulos.

When Baldwin fired a prop gun on the set, it killed Hutchins and injured the film’s director, Joel Souza, who was hospitalized. Production of “Rust” was paused.

Luper claims that there were very few safety meetings and that complaints about safety were ignored. He said safety bulletins, which are manuals for how to run a safe set, were ignored and not attached to call sheets.

In his resignation letter, Luper said gunfights on the set were often played “very fast and loose” and that there had been “two accidental weapons discharges and one accidental [sound effects] explosives that have gone off around the crew between takes.”

“In my 10 years as a camera assistant, I’ve never worked on a show that cares so little for the safety of its crew,” Luper wrote.

“Rust” producers deny Luper’s claims.

“Mr. Luper’s allegations around budget and safety are patently false, which is not surprising considering his job was to be a camera operator, and he had absolutely nothing to do with, or knowledge of, safety protocols or budgets. As we continue to cooperate with all investigations, we are limited in what we can say,” producers said in a statement to ABC News. “However, safety is always the number one priority on our films, and it is truly awful to see some using this tragedy for personal gain.”

Santa Fe County Sheriff Adan Mendoza said investigators suspect a real bullet was loaded in the firearm that Baldwin discharged.

According to a search warrant affidavit, assistant director David Halls handed the gun to Baldwin and yelled “cold gun” to alert the crew of a gun with no live rounds in it. Halls told investigators that he didn’t know there were any live rounds in the gun when he gave it to Baldwin.

The film’s armorer, Hannah Gutierrez-Reed, is also being scrutinized for her potential role in the incident. Her attorney has stated that she had no idea where the live rounds came from.

Three guns — a Colt revolver, an apparently non-functioning .45-caliber revolver and a plastic non-functioning prop gun — were seized from the set. Some 500 rounds of ammunition — a mix of blanks, dummy rounds and live rounds — were also found on set, according to Mendoza.

Santa Fe District Attorney Mary Carmack-Altwies said no decision has been made on whether charges will be filed and that “no one has been ruled out at this point.”

ABC News’ Bill Hutchinson, Meredith Deliso and Catherine Thorbecke contributed to this report.

Copyright © 2021, ABC Audio. All rights reserved.

Attorney for ‘Rust’ set armorer blames “sabotage,” not his client, for fatal on-set shooting

Attorney for ‘Rust’ set armorer blames “sabotage,” not his client, for fatal on-set shooting
Attorney for ‘Rust’ set armorer blames “sabotage,” not his client, for fatal on-set shooting
iStock/MattGush

Jason Bowles, the attorney for Rust armorer Hannah Gutierrez-Reed, told Michael Strahan on ABC’s Good Morning America Wednesday that there may be more to the fatal on-set shooting than meets the eye.

Without presenting evidence, Bowles blamed “sabotage” for the death of cinematographer Halyna Hutchins, in the incident that also injured director Joel Souza.

Just days after an attorney for assistant director Dave Halls blamed October 21’s deadly mishap on Reed, who was responsible for the Western film’s firearms, Bowles floated the new idea. “We’re afraid…that somebody intended to sabotage this set with a live round intentionally placed in a box of dummies,” he told Strahan.

Dummy rounds look on screen like real bullets, but cannot be fired.

Before the shooting occurred, Bowles claims that Reed left the box of dummy rounds unattended while she went to lunch.

“[F]irst of all you wouldn’t bring a live round on the set but second of all, why do you place that in the box labeled dummies that the armorer is going to be pulling from?” Bowles asked rhetorically, adding, “There is no purpose for a live round on this set, zero.”

In fact, investigators have said publicly that 500 rounds of ammunition were found on the Rust set, a mix of dummy rounds, blank rounds — that is, rounds with primer and powder but no projectile — and live ammunition.

“They wanted to do something to cause a safety incident on set. That’s what we believe happened,” Bowles said.

The attorney insisted that before the shooting, his client Gutierrez-Reed showed the revolver star Alec Baldwin fired to Halls, who later reportedly handed it to Baldwin after declaring it was “cold” — that is, it didn’t contain any live rounds.

“She showed Mr. Halls each of the rounds, there were six dummy rounds that she had loaded…she believed [they were] dummy rounds…”

Bowles also insisted that while Rust was only Gutierrez-Reed’s second film, the 24-year-old was “very experienced,” declaring, “And the reason is her father, longtime person in the industry, very well respected, he taught her literally from the age of 10…”

Gutierrez-Reed’s attorney also denied reports crew members were using downtime to use the on-set guns for target practice, saying, “[Hanna] doesn’t believe that happened.”

Copyright © 2021, ABC Audio. All rights reserved.

Guys and guns: Why men are behind the vast majority of America’s gun violence

Guys and guns: Why men are behind the vast majority of America’s gun violence
Guys and guns: Why men are behind the vast majority of America’s gun violence
Artfully79/iStock

This report is a part of “Rethinking Gun Violence,” an ABC News series examining the level of gun violence in the U.S. — and what can be done about it.

(NEW YORK) — Just before 11 p.m. on an April night, a 19-year-old man arrived at his former job site, an Indianapolis FedEx facility, and chatted with security about his status at the company.

The young man then exited his car with two legally purchased rifles and opened fire indiscriminately, at employees inside and outside the building, authorities said.

After killing eight employees — ranging in age from 19 to 74 — and injuring at least seven others, the gunman died by suicide, an attack “which he believed would demonstrate his masculinity and capability of fulfilling a final desire to experience killing people,” the FBI in Indianapolis said this summer, months after the attack.

According to the nonprofit research center The Violence Project, men are responsible for 98% of mass shootings, and according to an analysis by Everytown for Gun Safety, a grassroots organization aiming to combat gun violence, men were behind 94% of 240 mass shootings (four or more killed regardless of location) from 2009 to 2020 in which the shooter’s gender could be confirmed.

In 40 active-shooter incidents in the U.S. last year, 35 shooters were male, three were female and four were unspecified, according to FBI data.

The gender gap goes beyond active shooter incidents. Of 16,245 murders in the U.S. in 2019, in those for which a suspect’s gender was identified, 10,335 (63%) were committed by men, according to FBI data.

Gun violence victims also are predominantly male, accounting for 85% of fatalities and 87% of injuries through May, according to the Centers for Disease Control and Prevention.

But women are also deeply affected by gun violence, often as grieving family members or because they’re left as sole caregivers of children in the wake of the violence.

Or as victims themselves.

So why are American men so much more prone to gun violence? Experts cite a variety of reasons, from brain chemistry and evolution to how men and boys are socialized, said Jillian Peterson, co-founder of The Violence Project and a professor of criminology and criminal justice at Hamline University.

“The ideology of masculinity is not all that different in Spain or Britain than it is here. But they don’t have mass shootings like this. Why? I think that has to do with a specific version of American masculinity.”
But other experts said it really just comes down to what they say is arguably America’s most dangerous combination: toxic masculinity and gun availability.

‘Only America’

Shannon Watts, founder of Moms Demand Action, said toxic masculinity, the cultural idea that manhood is defined by violence and aggression to maintain power or strength, is at the root of both domestic violence and mass shootings, adding that there’s one reason gun violence is a “uniquely American issue” — it’s easy to get guns.

Men commit about 90% of murders worldwide (including but not limited to the use of firearms), according to a 2019 United Nations report. But America’s gun homicide rate is 25 times higher than other high-income countries, according to Everytown for Gun Safety.

“Every country has racism, xenophobia, hatred. Only America gives those same people” access to guns, Watts said.

Michael Kimmel, a distinguished professor of sociology and gender studies at the State University of New York at Stony Brook, agreed.

The traditional idea of masculinity is, “You don’t get mad, you get even,” Kimmel said. “The capacity for violence has been a hallmark of masculinity since the beginning of writing. Go back to ‘The Iliad.’ The Bible is filled with stories about vengeful violence.”

“That is true for masculinity in other countries, in other cultures,” Kimmel said. “So you have to also ask yourself: Why is it that gun violence at the scale that we see it is a phenomenon” in the U.S.?

“You have to ask the question,” Kimmel continued, ‘Why here and not elsewhere?’ The ideology of masculinity is not all that different in Spain or Britain than it is here. But they don’t have mass shootings like this. Why? I think that has to do with a specific version of American masculinity.”

Kimmel said American men are responsible for such a staggering sum of shootings because of that ideological masculinity, American culture, which he said gives a “constant presentation of enemies,” real or imagined, and — the most significant contributor — easy access to guns.

The power of ‘protection’

Kimmel says protection also plays an important role.

“If you ask American men, what’s the role of a man? He will tell you, ‘To provide for and protect my family,'” Kimmel said. “In this uncertain economic world, being a provider is actually far more difficult than it was in my father’s generation, than it was in his father’s generation. I think some part of American men’s fascination with guns and arming themselves has to do with, ‘If I can’t be a provider, at least I can be a protector.'”

About 45% of American men last year said they owned a gun, according to Gallup, and 19% of American women said they did.

In a 2017 Pew Research Center poll, 67% of gun owners said protection was a major reason for ownership, Iowa State professor Craig Rood noted in a Gender Policy Report​ through the University of Minnesota. Protection was followed by: hunting, sport shooting, as part of a collection and for one’s job.

Only 26% mentioned protection in a 1999 Pew Research Center poll in which hunting ranked No. 1, Rood noted.

“I could imagine several explanations why Americans are more afraid today than they were in 1999,” Rood told ABC News. “For instance, gun sales spiked after several high-profile mass shootings and again when the COVID-19 pandemic began. But not everyone has responded to that fear by turning to guns.”

“When we are talking about ‘protection,’ we are talking about perception of danger, and perceptions of danger can be real, imagined or some place in between,” Rood said. “Statistically, the United States has been relatively safe for most people, as crime and homicide rates started falling from the mid-1990s until quite recently. Yet the perception of danger has increased. So, there’s an obvious mismatch.”

Rood added, “I would bet most men acquire guns for commendable reasons: They want to protect themselves or their family, they enjoy hunting or they simply like guns. But the very presence of a gun in the home opens the possibility for accidents. Guns also heighten the risk for completed suicide and deadly intimate-partner violence.”

What can be done?

Peterson, of the Violence Project, said the key to fewer shootings is prevention, and offered four prongs.

1. Prevention should start early, by teaching boys how to understand emotions and trauma.

“Think about things like trauma screening and teaching social and emotional learning in schools … teach young boys how to cope with emotions and have empathy,” she said.

When it comes to male mass shooters, Peterson said many tend to have an attitude that “the world owes me more than what I have.”

“They feel disappointed where they’re at in life, or they feel frustrated that they lost their job or that they can’t get a girlfriend or whatever it is … so they pick a target of who to blame, whether they pick women or their school or a racial group,” Peterson said.

In July, a 21-year-old Ohio man was charged for allegedly trying to carry out a mass shooting of women, prosecutors said. He allegedly compared his “extremely empowering action” to Elliot Rodger, a 22-year-old man who carried out a mass shooting at the University of California, Santa Barbara in 2014 after videotaping his rage over his rejection by women and vowed “retribution.” The Ohio 21-year-old allegedly had a manifesto, according to prosecutors, in which he wrote he “would ‘slaughter’ women ‘out of hatred, jealousy and revenge.'”

2. Peterson said the U.S. also needs better systems for crisis training and how to recognize and report someone’s potential crisis.

According to The Violence Project, 82% of men who commit shootings are suffering from a noticeable crisis, with most showing at least one of the following symptoms and more than one-third exhibiting five or more: increased agitation, abusive behavior, isolation, losing touch with reality, depression, mood swings, paranoia and an inability to complete daily tasks.

Peterson said she considers the lack of a social safety net, which impacts trauma and crisis, to be a uniquely American problem.

3. Potential mass shooters often look online for others who validate their thoughts and feelings, or research past or potential shooters, Peterson said, so internet companies, especially social media platforms, must be pressured to better regulate hateful rhetoric and content.

Watts said parents also have a part in this.

“Every nation is home to young men being radicalized online to believe that somehow a loss of power means that they need to become violent,” Watts said.

Watts said she’s constantly talking to her 20-year-old son about how the internet is home to platforms “where this kind of violent rhetoric can become ingrained.”

“It’s a conversation that all parents need to have, in particular with their sons,” she added.

4. Peterson said another uniquely American problem is the struggle to regulate access to guns, like through red flag laws, which allow the court to remove an individual’s guns for a certain amount of time if a judge finds he or she is a danger.

Watts stressed the need for more background checks, noting that only 21 states and Washington, D.C., require background checks on all gun sales — meaning that in every other state, someone looking to acquire a gun quickly can do so at a gun show or via a private transaction.

Watts is also pushing for substantive legislative change, including advocating for an update to the Violence Against Women Act that would include a provision that would prevent abusive dating partners or alleged stalkers from accessing a gun.

The current law doesn’t define abusive dating partners or alleged stalkers as domestic abusers, and instead focuses on spouses and live-in partners, which Watts called a loophole.

Every 16 hours a woman in America is shot dead by a current or former partner, according to the Brady Campaign to Prevent Gun Violence. Further, an Everytown analysis found that in at least 53% of American mass shootings from 2009 to 2020, the gunman also shot a current or former intimate partner or family member.

The VAWA, initially passed in 1994 and expanded in later years, has since expired.

“It’s really toxic masculinity that’s at the root of domestic violence and mass shootings — misogyny and easy access to guns,” Watts said. “Guns are the weapons of choice for extremists, for misogynists, for insurrectionists and, ultimately, women are paying the price with their lives.”

Copyright © 2021, ABC Audio. All rights reserved.

Pixies announce ‘Live in Brixton’ box set capturing 2004 UK reunion shows

Pixies announce ‘Live in Brixton’ box set capturing 2004 UK reunion shows
Pixies announce ‘Live in Brixton’ box set capturing 2004 UK reunion shows
Credit: Steve Forrest

Pixies have announced Live in Brixton, a new box set capturing the band’s 2004 concerts at London’s Brixton Academy.

The eight-disc collection will be released January 28. The vinyl version, which will be limited to 2,000 pieces, features different colored LPs for each of the four shows.

Pixies played the Brixton run as part of their 2004 reunion tour, which marked the first time the “Where Is My Mind?” rockers took the stage together since breaking up in 1993.

“It was an amazing reception, I guess they had missed us over all those years,” recalls guitarist Joey Santiago. “I particularly remember getting word that the balcony was swaying, and seeing that the crowd didn’t want to leave long after we had finished the show.”

Pixies would continue to play shows together following the reunion tour, but didn’t release any new music until after bassist Kim Deal left the group in 2013. Deal was replaced by Kim Shattuck of the punk band The Muffs, and then by ex-A Perfect Circle bassist Paz Lenchantin, who remains in Pixies to this day.

Copyright © 2021, ABC Audio. All rights reserved.

Ronnie Wilson, co-founder of The Gap Band, dies at 73

Ronnie Wilson, co-founder of The Gap Band, dies at 73
Ronnie Wilson, co-founder of The Gap Band, dies at 73
(L-R) Robert Wilson, Charlie Wilson and Ronnie Wilson of the Gap Band Alexander Tamargo/Getty Images

Ronnie Wilson, a founding member of legendary funk and soul group The Gap Band has died. He was 73.

Ronnie’s wife, Linda Boulware-Wilson, confirmed his death on her Facebook page, saying in part, “Ronnie Wilson was a genius with creating, producing, and playing the flugelhorn, Trumpet, keyboards, and singing music, from childhood to his early seventies. He will be truly missed!”

According to TMZ, Wilson died on Tuesday after suffering a stroke.

Ronnie, along his brothers Charlie and Robert, formed The Gap Band in their Tulsa, Oklahoma, hometown in the 1970s. Their music, which was infused with funk and soul, help to inspire bands like Parliament-Funkadelic and Earth Wind & Fire.

The group enjoyed some early success in the late ’70s, but some of their most notable hits came during the early ’80s. In 1980 they released The Gap Band III, which produced such soul ballads as”Yearning for Your Love” and”Burn Rubber on Me (Why You Wanna Hurt Me).” Then in 1982, with the release of The Gap Band IV — their sixth LP — they hit the R&B charts again with songs like “Early in the Morning,” “You Dropped a Bomb on Me” and “Outstanding.”

Although The Gap Band retired in 2010 after the passing of member Robert Wilson, their music has been sampled or covered by a wide range of R&B artists over the years, including Tyler, the Creator, Mary J. Blige, Ice Cube, Snoop Dogg and Tina Turner. More recently, producer Mark Ronson sampled the song “I Don’t Believe You Want to Get Up and Dance (Oops!)” for his smash 2014 collaboration with Bruno Mars, “Uptown Funk.”

Copyright © 2021, ABC Audio. All rights reserved.

Lobbying firms connected to Biden White House are flourishing under new administration

Lobbying firms connected to Biden White House are flourishing under new administration
Lobbying firms connected to Biden White House are flourishing under new administration
Steve Reigate – Pool / Getty Images

(WASHINGTON) — Lobbying firms with ties to President Joe Biden and his administration are thriving, with some doubling and quadrupling their lobbying revenues from last year, disclosure filings show — but overall lobbying revenues haven’t increased much over the last year.

Earlier this year, three firms led by former Biden aides and others with close ties to key members of the Biden White House kicked off 2021 with a slew of new big-name clients and an early jump in their lobbying revenues, lobbying disclosure filings at that time showed.

Fast-forward nine months, and these firms have brought in far more in lobbying revenues in just the first three quarters of 2021 than the amount they brought in during the entire previous year.

The jump showcases how lobbyists with connections to Biden, the Biden administration, and Biden’s key advisers have been prospering under the new — and at the same time, familiar — presidency.

The lobbying firm run by the brother of Biden White House Counselor Steve Ricchetti nearly quadrupled its lobbying revenues in the first three quarters of this year from what it brought in during the same period last year. The firm reported more than $2.4 million in revenues from January through September of 2021, compared to just $635,000 through September of last year, filings show.

Ricchetti Inc, the firm that Jeff Ricchetti previously shared with his brother Steve, had reported a relatively quiet lobbying operation over the last few years, until late 2020 when the firm began picking up several new clients and reported a major spike in lobbying revenues.

Now, with major clients like Amazon and TC Energy Corporation, as well as several pharmaceutical and health care companies, Ricchetti Inc is enjoying its most lucrative year since Steve Ricchetti sold his stake in the firm and left in 2012 to joined the then-Obama White House as Biden’s adviser.

Ricchetti Inc earlier this year reported lobbying the office of president on behalf of health care companies, and the National Security Council on behalf of General Motors — but otherwise has mostly focused its efforts on lobbying Congress.

Jeff Ricchetti, who is now the only registered lobbyist for Ricchetti Inc, did not respond to ABC News’ request for comment. Earlier this year, a source close to Steve Ricchetti told ABC News that Jeff Ricchetti “has never and will never lobby his brother on behalf of any of his clients” and that “Steve and Jeff keep their professional activities distinctly separate.”

Entering the White House earlier this year, Biden committed himself and his administration to a set of ethics rules that some experts have described as more stringent than those of the Trump administration, including extending bans on so-called revolving-door and shadow lobbying.

“President Biden has established the highest ethical standards of any Administration in history, and his team has put in place stringent safeguards to protect against any potential conflicts of interest,” White House spokesperson Michael Gwin told ABC News.

Although many firms with connections to the Biden White House have been thriving, lobbying revenues overall are relatively flat compared to last year. Overall spending on lobbying has only increased by 3% so far this year compared to the same period in 2020, the final year of Donald Trump’s presidency.

“Under the last administration we saw firms with links to President Trump prosper, and now we are seeing a similar windfall for firms that hire lobbyists with connections to President Biden,” Dan Auble, a senior researcher at OpenSecrets, a nonpartisan research organization that tracks campaign finance and lobbying data, told ABC News. “It is clearly evidence that connections matter in Washington.”

Despite the rapid growth of several Biden administration-connected firms, Auble says that none of them top the way Ballard Partners took off during the Trump presidency.

“None of these have come from nowhere to become one of the biggest grossing firms like Ballard Partners did under Trump,” Auble said of the firm headed by Trump confidant and fundraiser Brian Ballard, which quickly became one of the leading K Street shops in Washington after it was launched in 2017. The firm reported nearly $19 million in lobbying revenues during the first three quarters of Trump’s last year in office.

Top-grossing firms so far this year include TheGROUP DC, which reported $5.2 million in lobbying revenues from a Rolodex of big name clients that includes Facebook, Lyft, BP, Pfizer, Lockheed Martin and JPMorgan Chase. Putala Strategies reported bringing in $2.8 million in lobbying revenues through work that includes lobbying on behalf of major clients like TransCanada Pipelines, Comcast, T-Mobile, and several other pharmaceutical and energy companies.

Neither Putala Strategies or TheGROUP DC responded to ABC News’ requests for comment.

In a sign of evolving influence, the American Health Care Association is now one of TheGroup DC’s highest-paying clients since signing on in December of last year — after previously being a top client of Ballard Partners. After several years of billing the AHCA $320,000 a year for its services, Ballard Partners’ filings for April through September of this year list “No Activity” for the AHCA.

The firm, however, isn’t standing pat; since Biden’s victory it’s been transitioning into a more bipartisan enterprise, adding some big Democratic names to its team over the last few months, including Courtney Whitney, a top Democratic fundraiser who was a consultant for the pro-Biden super PAC Priorities USA.

Copyright © 2021, ABC Audio. All rights reserved.

The Beatles’ ‘Let It Be’ to be focus of new episode of ‘Rolling Stone’s 500 Greatest Albums’ podcast

The Beatles’ ‘Let It Be’ to be focus of new episode of ‘Rolling Stone’s 500 Greatest Albums’ podcast
The Beatles’ ‘Let It Be’ to be focus of new episode of ‘Rolling Stone’s 500 Greatest Albums’ podcast
Apple Corps Ltd./Capitol/UMe

The BeatlesLet It Be will be among the albums profiled during the second season of the Amazon Original weekly podcast Rolling Stone’s 500 Greatest Albums, which premieres at Amazon Music on November 16.

As its name suggest, the episodic podcast delves into records that were chosen for Rolling Stone magazine’s latest list of the 500 greatest albums. Each episode takes a behind-the-scenes look at how one specific album on the list was made, featuring interviews with people associated with the record, and sometimes including the artists themselves.

The Let It Be episode will kick off season two of the podcast. Interviews with surviving Beatles members Paul McCartney and Ringo Starr are featured in the presentation, discussing details about how the band’s final studio album came together, and the whether the common perception that the band members were angry with each other throughout the project is accurate.

Also appearing in the podcast are Giles Martin, son of late Beatles producer George Martin, and filmmaker Peter Jackson, director of Get Back: The Beatles, the upcoming Disney+ docuseries focusing on the Let It Be sessions.

Other upcoming episodes of the Rolling Stone’s 500 Greatest Albums podcast include shows focusing on Britney SpearsBlackout, jazz artist Alice Coltrane‘s Journey in Satchidananda, Dolly Parton‘s Coat of Many Colors, and Weezer‘s self-titled 1989 studio effort, a.k.a. The Blue Album.

Season two of the Rolling Stone’s 500 Greatest Albums podcast will be available exclusively at Amazon Music and Wondery+.

You can check out a trailer for the new season, and episodes from the podcast’s first season, at Amazon.com.

Copyright © 2021, ABC Audio. All rights reserved.