‘God of chaos’ asteroid to pass close to Earth in 2029

‘God of chaos’ asteroid to pass close to Earth in 2029
‘God of chaos’ asteroid to pass close to Earth in 2029
Near-Earth asteroid Apophis is a potentially hazardous asteroid that will safely pass close to Earth on April 13, 2029. It will come about 20,000 miles (32,000 kilometers) from our planet’s surface — closer than the distance of many satellites in geosynchronous orbit (about 22,236 miles, or 36,000 kilometers, in altitude). (NASA)

(NEW YORK) — A rare asteroid will soon be visible to the naked eye in a rare celestial event, according to astronomers.

Asteroid 99942 Apophis – named after the Egyptian deity of chaos, darkness and fire – is expected to safely pass close to Earth on April 13, 2029, according to NASA.

The asteroid will pass within roughly 20,000 miles of Earth – nearly 12 times closer than the moon’s average distance from Earth, and closer than many satellites in geosynchronous orbit – making it one one of the closest approaches ever recorded for an object if its size and a “very rare event,” according to NASA.

The approach will be visible to observers on the ground in the Eastern Hemisphere, weather permitting, according to NASA. It will be close enough that sky-watchers won’t need a telescope or binoculars to see it, astronomers say.

When Apophis was first discovered in 2004, it was labeled a potentially hazardous asteroid because of the possibility that it could impact Earth in 2029, 2036 or 2068, according to NASA.

After closely tracking the asteroid and its orbit using optical telescopes and ground-based radar, astronomers are now confident that there is no risk of Apophis impacting Earth for at least 100 years.

The Earth’s gravitational pull could change the asteroid’s orbit around the sun as it passes in 2029, making the orbit slightly larger or the orbital period slightly longer, but the risk of impact with Earth will remain the same, NASA says. Its close passage will also afford astronomers around the world the opportunity to learn more about the asteroid.

Apophis is the Greek name for the Egyptian god known as Apep. The name was proposed by the astronomers who discovered the asteroid: Roy Tucker, David Tholen and Fabrizio Bernardi of the Kitt Peak National Observatory near Tucson, Arizona.

The asteroid is a relic of the early solar system from about 4.6 billion years ago, made of leftover raw material that was never part of a planet or moon, according to NASA. Though its exact size and shape is unknown, it has a mean diameter of about 1,115 feet and a long axis of at least 1,480 feet.

Apophis’ surface is weathered due to eons of exposure to space weather, including solar wind and cosmic rays, according to the Massachusetts Institute of Technology.

Observatories around the world and in space will observe the asteroid’s historic approach to Earth in order to better understand its physical properties.

NASA has redirected a spacecraft to rendezvous with Apophis shortly after its close approach in 2029, while the European Space Agency is sending a spacecraft to study it.

When the April 2029 flyby occurs, Apophis will become a member of the “Apollo” group, the family of asteroids that cross Earth’s orbit but that themselves have orbits around the sun that are wider than the Earth’s, according to the ESA.

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Luke Combs wakes up to 20th #1 with ‘Sleepless in a Hotel Room’

Luke Combs wakes up to 20th #1 with ‘Sleepless in a Hotel Room’
Luke Combs wakes up to 20th #1 with ‘Sleepless in a Hotel Room’
Luke Combs (Disney/Frank Micelotta)

Luke Combs claims the 20th #1 of his career as “Sleepless in a Hotel Room” rises to #1 on the Billboard Country Airplay tally. 

His most recent chart-topper, “Back in the Saddle,” spent two weeks at the top in November. Both tunes come from The Way I Am, which debuted at #1 on the Top Country Albums chart earlier in April.

Luke is now tied for the 10th most number ones since the beginning of the Country Airplay chart in 1990, putting him on the level with Brooks & Dunn, Toby Keith, Brad Paisley and Morgan Wallen. 

The North Carolina native claimed his first #1 with his debut single, “Hurricane,” in 2017.  

Kenny Chesney has the most number ones on the chart, with 33. 

Luke’s already on track to up his numbers, with “Days Like These” at #6 and “Be by You” just beginning its climb at #48. 

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Late Blondie drummer Clem Burke’s memoir to be released in September

Late Blondie drummer Clem Burke’s memoir to be released in September
Late Blondie drummer Clem Burke’s memoir to be released in September
Clem Burke’s ‘The Other Side of the Dream (My Life In and Out of Blondie)’ (HarperCollins)

Blondie drummer Clem Burke passed away in 2025, but his life story is about to be told in a posthumous memoir, The Other Side of the Dream (My Life In and Out of Blondie).

According to the description, Burke began writing his memoir over 20 years ago, but had often put it aside due to his commitments to Blondie. “When cancer treatment and illness forced his retirement, completing the book became a priority, which he did shortly before he died,” the description reads.

The book, with a foreword by comedian Fred Armisen, follows Burke from the streets of New York to stardom in Blondie. The book explores “the explosive punk scene that gave rise to Blondie, the creative partnerships that defined their music and the challenges of navigating fame in a constantly evolving industry.

The description notes, “This is Clem’s story, in his own words.”

The Other Side of the Dream (My Life In and Out of Blondie) will be released in the U.S. on Sept. 8. It available for preorder now.

Burke joined Blondie in 1975, shortly after they formed in New York City. He appeared on all of their records, the last one being 2017’s Pollinator. He was inducted into the Rock & Roll Hall of Fame with Blondie in 2006.

Burke passed away April 6, 2025, at the age of 70.

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‘Godzilla Minus Zero’ trailer finds the kaiju in New York City

‘Godzilla Minus Zero’ trailer finds the kaiju in New York City
‘Godzilla Minus Zero’ trailer finds the kaiju in New York City
Masaki Takahashi, Takashi Yamazaki, Kiyoko Shibuya and Tatsuji Nojima, winners of the best visual effects award for ‘Godzilla Minus One,’ at the 96th annual Academy Awards on March 10, 2024, in Hollywood, California. (Jeff Kravitz/FilmMagic via Getty Images)

The trailer for Godzilla Minus Zero has arrived.

The first trailer for the direct sequel to the 2023 Japanese film Godzilla Minus One was revealed during CinemaCon, the annual convention for movie theater owners, in Las Vegas on Tuesday. It is set to make its debut online later the same day.

Godzilla Minus One was a surprise international hit and eventually won the Oscar for best visual effects. It eared $116 million worldwide at the box office, making it the highest-grossing Japanese Godzilla film.

This new film takes place two years after the events of the previous one, continuing the story of the survivors from the kaiju’s last attack, according to Variety.

The last moments of the trailer find Godzilla stomping toward the Statue of Liberty on his way to New York City.

Godzilla Minus Zero is written and directed by Takashi Yamazaki. It releases in the U.S. on Nov. 6 and in Japan on Nov. 3.

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Parker McCollum’s ‘Pretty Heart’ turns Platinum 4 times over

Parker McCollum’s ‘Pretty Heart’ turns Platinum 4 times over
Parker McCollum’s ‘Pretty Heart’ turns Platinum 4 times over
Parker McCollum (Academy of Country Music)

Parker McCollum’s debut single, “Pretty Heart,” has just been certified quadruple Platinum by the Recording Industry Association of America. 

The Texas native co-wrote the song from 2021’s Gold Chain Cowboy that went on to become his first #1. 

“Man…all I have to say is thank you! The amount of support you all have shown me over these years means more to me than you’ll know,” Parker says in a statement. “All I’ve wanted to do is make music that connects with people and that I can be proud of. I’m just grateful that y’all are playing my songs.”

Parker’s self-titled current project includes his latest hit, “Killin’ Me,” and is nominated for album of the year at May’s 61st ACM Awards.

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Earth, Wind & Fire documentary to open 25th anniversary Tribeca Festival

Earth, Wind & Fire documentary to open 25th anniversary Tribeca Festival
Earth, Wind & Fire documentary to open 25th anniversary Tribeca Festival
Earth, Wind & Fire (photo credit from HBO: Michael Ochs Archives)

Ahmir “Questlove” Thompson’s documentary about R&B legends Earth, Wind & Fire is set to open the 25th anniversary Tribeca Festival in New York City.

Earth, Wind & Fire (To Be Celestial VS That’s the Weight of the World) will have its world premiere on June 3 at the Beacon Theatre, followed by a live performance by Earth, Wind & Fire and The Roots.

“It is an absolute honor to bring this project to the Tribeca Festival,” says Questlove. “The past two years of deep research and creative magic surrounding Earth, Wind & Fire have been nothing short of transformative. They remain one of the most culturally significant bands in history, and this project finally illustrates exactly why their legacy is so vital.”

“We are thrilled to welcome Questlove to the Festival to premiere a film that represents everything Tribeca stands for: creative pioneers at the top of their game in front of and behind the camera, showcasing the joy and community that great art manifests,” Cara Cusumano, Tribeca Festival director and SVP of programming, adds. “Paired with a rare live performance from Earth, Wind & Fire and The Roots, Opening Night will be a once-in-a-lifetime New York event that reflects the energy, creativity, and communal experience that has defined Tribeca for 25 years.”

Earth, Wind & Fire (To Be Celestial VS That’s the Weight of the World) is expected to debut on HBO and HBO Max in 2026.

The Tribeca Festival runs from June 3 to June 14. More info can be found at TribecaFilm.com.

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For KING + COUNTRY’s Joel Smallbone to co-direct, star in ‘Drummer Boy’ movie musical

For KING + COUNTRY’s Joel Smallbone to co-direct, star in ‘Drummer Boy’ movie musical
For KING + COUNTRY’s Joel Smallbone to co-direct, star in ‘Drummer Boy’ movie musical
Joel Smallbone attends Lionsgate’s ‘The Unbreakable Boy’ New York premiere at AMC Lincoln Square Theater on Feb. 19, 2025, in New York City. (Jamie McCarthy/Getty Images)

A version of “The Little Drummer Boy” by the Australian duo for KING + COUNTRY has been returning to the charts every holiday season for the past few years. Now it seems the song has inspired a movie.

Joel Smallbone will co-direct and star in the film, Drummer Boy, set to hit theaters Nov. 6. A press release describes it as a “Christmas musical about two brothers who find themselves on opposite sides of the American Revolutionary War.”

Joel’s co-director is his brother Ben Smallbone; there are seven Smallbone siblings in all, including Joel’s bandmate Luke Smallbone. Joel and Ben say in a statement that the “fabric of the film” is “a nation built on 250 years of independence” and “a Christmas story that began over 2,000 years ago.”

They go on to say that Drummer Boy is a movie “created by brothers, about brothers,” adding, “We’re humbled beyond words to bring it to life.”

Joel also has a role in Young Washington, a film about George Washington’s early years. It stars Ben Kingsley, Kelsey Grammer, Mary-Louise Parker and Andy Serkis, and will hit theaters on Independence Day weekend.

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Appeals court halts contempt inquiry into deportation of Venezuelans to Salvadoran prison

Appeals court halts contempt inquiry into deportation of Venezuelans to Salvadoran prison
Appeals court halts contempt inquiry into deportation of Venezuelans to Salvadoran prison
he Terrorism Containment Center (CECOT) maximum security prison in Tecoluca, El Salvador, on Thursday, Sept. 7, 2023. (Camilo Freedman/Bloomberg via Getty Images)

(WASHINGTON) — A federal appeals court on Tuesday halted a criminal contempt inquiry into former Homeland Security Secretary Kristi Noem and other officials for last year’s deportation of more than 200 Venezuelans to El Salvador’s CECOT mega-prison, marking the second time in less than a year that the probe has been frozen. 

A divided panel of judges on the D.C. Circuit Court of Appeals ordered an end to the inquiry, concluding that the probe into whether the officials knowingly defied a court order with the deportations “encroaches on the autonomy” of the executive branch. 

The Trump administration, in March 2025, invoked the Alien Enemies Act — an 18th century wartime authority used to remove noncitizens with little-to-no due process — to deport two planeloads of alleged migrant gang members by arguing that the Venezuelan gang Tren de Aragua is a “hybrid criminal state” that is invading the United States.

U.S. District Judge James Boasberg issued a temporary restraining order and ordered that the planes be turned around, but Justice Department attorneys said his oral instructions directing the flight to be returned were defective, and the deportations proceeded as planned.

Boasberg subsequently sought contempt proceedings against the government for deliberately defying his order, and had concluded that “probable cause exists to find the government in criminal contempt” — but his inquiry was frozen by the same appeals court last year.

When Boasberg attempted to continue with his probe within the confines of the court’s order, the Trump administration filed an interlocutory appeal to stop the investigation outright. 

“The district court proposes to probe high-level Executive Branch deliberations about matters of national security and diplomacy,” Judge Neomi Rao, one of two Trump appointees on the panel who ruled in favor of the government, wrote in Tuesday’s order. “These proceedings are a clear abuse of discretion, as the district court’s order said nothing about transferring custody of the plaintiffs and therefore lacks the clarity to support criminal contempt based on the transfer of custody.” 

Judge J. Michelle Childs dissented from the majority and argued that Boasberg should have the latitude to proceed with basic fact-finding into the deportations. 

“There is no question that there could be much to fear in a factual inquiry about the actions of potential contemnors who may have defied a court order. However, that does not mean that this court must intervene to end a criminal case before it begins, even for the Executive Branch,” she wrote. 

In a sharply worded dissent, she argued that “the fate of our democratic republic” depends on whether courts can properly investigate and punish contempt.  

“Without the contempt power, the rule of law is an illusion, a theory that stands upon shifting sands,” she said. 

The Venezuelan nationals were ultimately released to their home country from CECOT in a prisoner swap last July.

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Megan Moroney and Uncle Kracker pop up at Kenny Chesney’s 2026 debut

Megan Moroney and Uncle Kracker pop up at Kenny Chesney’s 2026 debut
Megan Moroney and Uncle Kracker pop up at Kenny Chesney’s 2026 debut
Kenny Chesney (Disney/Frank Micelotta)

Kenny Chesney surprised fans with special appearances by Megan Moroney and Uncle Kracker during his first concert of 2026. 

In a set that included “We Do,” “Living in Fast Forward,” “Young,” “Beer in Mexico” and “Keg in the Closet,” the superstar closed the 13th Tortuga Music Festival on Sunday. It was his sixth time headlining the oceanside party on Fort Lauderdale Beach. 

A dozen songs into his performance, Uncle Kracker appeared in time to sing the second verse of “When the Sun Goes Down,” going on to do “Follow Me” and “Drift Away.”

“With Kracker playing the festival, we had to do it,” Kenny says. “Nobody makes me laugh harder, brings more soul to that stage or understands this crowd better — and it’s hard to believe anyone can love music as much as we do, but he does.”

From there, Kenny’s set continued with “Get Along” and “All the Pretty Girls,” which was a perfect intro for Megan.

“Megan at our first show in 2026 sets a pretty high bar,” he says. “But between our duet (‘You Had To Be There’) and ‘Am I Okay?,’ her music fits so well with ours, it’s always so much fun when we can sing together. Talk about hitting the beach!”

Kenny kicks off his remaining shows of 2026 June 19 at Sphere Las Vegas.

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Amanda Seyfried, Rachel Zegler and more to star in Lin-Manuel Miranda’s ‘Octet’ film adaptation

Amanda Seyfried, Rachel Zegler and more to star in Lin-Manuel Miranda’s ‘Octet’ film adaptation
Amanda Seyfried, Rachel Zegler and more to star in Lin-Manuel Miranda’s ‘Octet’ film adaptation
Rachel Zegler attends The Standard Theatre Awards 2025 winners dinner on March 22, 2026, in London, England. (Dave Benett/Getty Images) | Amanda Seyfried attends the ‘The Testament of Ann Lee’ premiere during the 76th Berlinale International Film Festival Berlin on Feb. 19, 2026, in Berlin, Germany. (Dominique Charriau/WireImage via Getty Images)

The cast for Lin-Manuel Miranda’s film adaptation of the musical Octet has been revealed.

Miranda took to his Instagram to reveal the star-studded cast list for his movie adaptation of the Dave Malloy musical on Tuesday. He posted a photo of a rehearsal sign-in sheet, which features the eight names of the main cast members.

Amanda Seyfried, Rachel Zegler, Sheryl Lee Ralph, Phillipa Soo, Gaten Matarazzo, Jonathan Groff, Tramell Tillman and Paul-Jordan Jansen make up the movie’s cast. They will play the roles of Jessica, Velma, Paula, Karly, Toby, Henry, Marvin and Ed, respectively.

“Rehearsals have begun,” Miranda wrote in the post’s caption.

Zegler shared an acknowledgment of her casting in the post’s comment section, simply writing, “hey.”

Soo and Groff’s casting mark a Hamilton reunion. Miranda, of course, created the musical phenomenon and originated the titular role on Broadway. Meanwhile, Soo originated the role of Eliza Hamilton and Groff was the first King George III.

According to an official synopsis, Octet “follows an octet of people struggling with digital dependency, charting their compulsions using only the analog vibrancy of their own voices.”

At the time the project was announced, Miranda said in a press release that he hasn’t “stopped thinking about Octet since I saw Annie Tippe’s premiere production in November of 2019. Dave Malloy’s score is versatile, brilliant and grows more relevant with each passing year. It won’t leave me alone so here we are.”

Malloy is set to adapt his own musical’s book for the film’s screenplay. He will also executive produce the project.

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