One lucky young fan in the audience at Garth Brooks‘ show in Nashville this weekend got the opportunity of a lifetime.
While onstage at Nissan Stadium, Garth spotted seven-year-old Charles sitting in the front row, offering him a handshake as he took the sign Charles was holding that shared that he knew the lyrics to Garth’s 1993 hit, “Standing Outside the Fire.”
“You have been practicing my songs? Do you sing by any chance?” Garth asked the kid, getting the crowd riled up for what happened next.
Garth then found an extra microphone that he handed to the young fan, who was dressed in a cowboy hat and a Garth Brooks-esque shirt. “If you’re going to be a real, big time singer, you’ve already got the look. You look fantastic,” Garth praised, then got the crowd to chant Charles’ name in support.
As Garth played guitar, Charles belted out the lyrics alongside him, the two duetting as the crowd sang along.
Garth headlined two nights at Nissan Stadium over the weekend, and announcing before the shows that his new bar in downtown Nashville will be named after his signature hit, “Friends in Low Places.”
(OHATCHEE, Ala.) — Before showtime, pots and pans are some of the tools reenactor Tanya Haessly makes the most use of as a camp cook, feeding families and individuals taking part in a Civil War reenactment in Janney Furnace, Alabama.
Haessly and her kids sleep in a tent near the camp under the shadow of a Confederate flag — one of the many props used in the reenactment. Every morning, she builds up a fire to make breakfast and gets ready to welcome a new audience.
She told ABC News her job is to make sure history is told, and she wants her children to learn about what happened during the Civil War — especially when it comes to the Confederacy.
“Some people think that we’re racist for doing this,” she said. “I had people on the northern side. My mom was from Maine, my father was from the South. And so I had people on the northern side that died. I had people on the southern side that died.
“We’re just trying to portray history, and we have people of all races that fight for both sides because they did. So for me, this is history. I homeschool my children and this is a history lesson for them.”
Civil War battle reenactments have been taking place across the South since the 1960s. But reenactor Billy Pugh told ABC News that recently, they have been seeing a growing number of people interested.
“There were probably about three or four hundred spectators yesterday, so there were a good bit of people,” Pugh said. “They were lined up all the way around the road and up the hill to the flag yesterday.”
Some of these reenactors travel the country to tell the stories of their ancestors, and high school social studies teacher Jason Sumner expects to have a busy summer as the interest grows.
Sumner said the Civil War shaped the nation in many ways, and its ramifications can still be seen today. As an educator, he said the country doesn’t do enough with education to dig deep into the past, and he hopes people will remember the whole history behind the conflict.
“It’s so important that we don’t forget that and it is an offensive history, but it’s like I tell my students, it is well and good that history’s offensive because if it’s not, we will not develop that emotional connection to the past and we won’t learn from it,” Sumner told ABC News.
Along with his co-stars, Sumner will wear his uniform for six more performances in the spring alone. Depending on the battle, participants can portray Confederates one day, Union the next.
For Ron Carpenter, participating in the reenactment is not a hobby, but rather an homage to his ancestors who fought in the battles.
“If we don’t continue this, then my grandchildren and your grandchildren won’t have the option of learning exactly what happened, not the polished version, not the governmental version, but exactly what happened,” Carpenter said. “And that’s not fair to them.”
Pugh, whose son recently graduated school, said the version they show in the reenactments are not displayed in school, which gives him reason to continue spreading the history behind the Confederacy and his ancestors.
The importance of telling and sharing the Civil War history has grown over the past years since the rise of protests after the murder of George Floyd, according to the reenactors.
“When everything happened in 2020, I think what really pushed me to really want to go for the reenactments is to try to better help people understand the history,” Christopher Re, who has begun documenting the reenactments, said.
While they believe recent events have impacted the way people look back on the country’s racial history, many still resent seeing protesters tear down Civil War monuments.
“Not taking anything away from what happened in Minneapolis, I know that was a sad time, but I believe, you know, the monuments being removed and everything else was kind of like a spit in the face,” Re said.
Confederate monuments began being erected throughout the country shortly after the Civil War, but the majority took place around the 1900s during the Jim Crow era. Out of the 800 Confederate monuments and statues erected on public property across the country, 604 were dedicated before 1950 while 28 were built between 1950-1970 and 34 after 2000, according to the Southern Poverty Law Center’s research.
Since the protests took place, 73 Confederate monuments were removed or renamed from public spaces, according to the Southern Poverty Law Center, with more than 700 remaining across the country. For many, the monuments represent racism and white supremacy during the Civil War, and when the future of slavery was being decided.
Martin O’Toole is a spokesperson for the Georgia Division Sons of Confederate Veterans. The group is suing, in some cases, to stop cities across the country from removing Civil War monuments from public spaces.
He told ABC News it should be acceptable for people in the South to honor and celebrate the Confederacy.
“When we have calls for diversity, it should include diversity of opinion as well,” O’Toole said. “And if people say they don’t like statues, put up their own statues, let all Americans have their say [about] what they want about their ancestors, their history and the like.”
O’Toole said he has been seeing a growing interest in joining the organization over the past few years.
“There’s more passion because they feel like they’re under attack and so that we are being told that they’re the most singularly wicked and evil people that have ever lived on the planet,” O’Toole said.
While the group celebrates and honors the history of the Confederacy, others, like Richard Rose, Atlanta Chapter President of the National Association for the Advancement of Colored People, resent it due to its link to white supremacy.
Rose told ABC News, some people across the south are still fighting the Civil War since it ended more than 150 years ago.
“The bottom line is, obviously, the Civil War was fought on the premise that Blacks, in theory, are subservient to whites. And so every reenactment, every celebration continues to send that message,” Rose said.
He’s among Black leaders trying to remove the giant carvings of three Confederate generals at Stone Mountain in Atlanta.
“They should be completely covered and destroyed. They’re not works of art, and they are not historical,” Rose said.
But Abraham Mosley, the chairman at Stone Mountain, who is also African American, said the idea to destroy the carvings is a bad idea — and one very unlikely to happen.
“I have no problem with the carving. I have no problem at all,” Mosley told ABC News. “Removing that carving will not change people. The only thing that will change people is a change of heart.”
For Rose, monuments and reenactments honoring the confederacy are not a way to represent history.
“What country celebrates the failed insurrection against itself? And that’s what all of these … reenactments do,” Rose said.
But in the midst of the scalding sun in Alabama, in a field where rifles and cannons fire blank bullets and canisters for an audience, Haessly believes, regardless of the result of the war, it should be told.
“It’s still history. Win or lose, it’s still history. It’s still things that we need to remember,” she said.
Gabe Ginsberg/Getty Images for Palms Casino Resort
Congratulations are in order for Scott Hoying! The Pentatonix singer has announced his engagement to boyfriend Mark Manio.
On Sunday, Scott shared a sweet video of his sunset proposal on the a cappella group’s Instagram, accompanied by a note from the group that reads, “Congratulations @ScottHoying and @MarkManio on a beautiful engagement! We are SO happy for the both of you.”
Set to Doris Day‘s 1955 hit “I’ll Never Stop Loving You,” the video starts with Scott placing the camera on the beach, which appears to be decorated with rose petals, a tiki torch and a candle. We then see the couple kiss and hug, before Scott drops to one knee, pulls out a ring from his pocket and pops the question. After putting the ring on Mark, the two happily embrace and share a sweet kiss.
The singer also uploaded the video to his own Instagram, captioning it “He said yes.”
Among those congratulating the newly engaged couple were Jordin Sparks, Christina Perri, Diane Warren, country star Mickey Guyton, Queer Eye star Karamo Brown and countless others.
Scott is the latest Pentatonix singer to have a happy ending. In January, singer Matt Salleeannounced his marriage to girlfriend Sarah Bishop.
It is currently unknown when Scott and Mark will tie the knot. The two have been dating since 2017.
Yellowstone star and producer Kevin Costner is getting back in the saddle with another Western project, this one a feature film called Horizon, according to Deadline, which reports that Warner Bros. and New Line have possed up with him.
Costner, a veteran of the genre for decades before his current hit series, will star, produce, and direct what the trade calls a period film, set during the perilous 15 years before and after the Civil War.
Dances with Wolves Oscar winner Costner is co-writing the project with Jon Baird, with whom he wrote a 2015 bestseller called The Explorers Guild.
In a statement, WB’s chairman Toby Emmerich said of the Horizon partnership, “Kevin’s ambitious vision for this story is the perfect crystallization of his affinity for the American West and his passion to bring this turning point in its history to life with all the human drama, cultural complexity and immense scope it deserves.”
Måneskin will be taking a more politically conscious direction with their upcoming new single, “We’re Gonna Dance on Gasoline,” which was influenced by Russia’s ongoing invasion of Ukraine.
Speaking with The Independent, bassist Victoria De Angelis reveals, “We’ve been writing a lot of music these past few months, so of course this whole f***ing insane situation with Ukraine really affected us.”
“We just felt like we could do something to use our privilege and the people that look up to us to stand for what’s right, and make some people feel helped and understood,” De Angelis adds. “We want to raise our voice for something that’s meaningful.”
Måneskin previously teased “Gasoline” in a social media post earlier this month as part of Stand Up for Ukraine campaign. Writing the song, De Angelis says, “came pretty naturally.”
“We felt the urge to do it while we were writing and this thing really affected us, as it has everyone,” De Angelis shares. “We just felt the need to talk about it.”
Måneskin gave “Gasoline” its live debut over the weekend at Coachella. The band’s set also included covers of Britney Spears‘ “Womanizer” and The Stooges‘ “I Wanna Be Your Dog,” along with their hit rendition of “Beggin'” and their originals “MAMMAMIA” and “I Wanna Be Your Slave.”
This past December, Journey played a special orchestral concert in Las Vegas at The Colosseum at Caesars Palace, and now the Rock and Roll Hall of Famers are set to return to Sin City this July for a series of four symphonic shows that will take place at the new state-of-the-art Resorts World Theatre.
The concerts, which are scheduled for July 15, 16, 22 and 23, will feature Journey playing a variety of their most popular songs, including “Don’t Stop Believin’,” “Wheel in the Sky,” and “Who’s Crying Now,” with accompaniment from a symphony orchestra.
The concerts will mark the first performances ever by a rock band at the venue, which opened on December 1, 2021. Tickets for the shows will go on sale to the general public this Friday, April 22, at 10 a.m. PT at AXS.com and RWLasVegas.com/entertainment.
Journey currently is touring the U.S. on their Freedom 2022 Tour with opening act Toto, which is mapped out through a May 11 concert in Hartford, Connecticut. Journey will wrap up the trek with a pair of Canadian shows that Heart‘s Ann Wilson will open, on May 13 in Toronto and May 16 in Quebec City.
Journey’s touring lineup currently features founding lead guitarist Neal Schon, longtime keyboardist Jonathan Cain, lead singer Arnel Pineda, drummer Deen Castronovo, keyboardist/vocalist Jason Derlatka, and bassist Todd Jensen.
(NOTE LANGUAGE) Following a police report that a person was shot on Wednesday, April 13 outside of DaBaby’s home in Troutman, North Carolina, the “Suge” rapper is claiming that he did the shooting.
“Heal up & live my boy! Just don’t bring ya a** back,” DaBaby commented over the weekend on Instagram. He added, “Chose not to take a n**** life the other day and it felt great,” with a thumbs-up emoji. “Buddy ain’t deserve to go, I step righteously.”
As previously reported, the Troutman Police Department shared on Facebook that officers arrived on scene at approximately 7:45 p.m. on Wednesday, where they found one person suffering from a non-life threatening gunshot wound. That person was transported to a medical facility for treatment.
A local reporter saysthat he spoke with the Troutman Police chief on Thursday morning, who confirmed “rap star DaBaby was home at the time of the shooting when an unknown gunman entered the residence but wasn’t injured.”
Police have not confirmed that the eight-time Grammy nominee was involved in the shooting. TMZ posted audio of a 911 call they claim was made by DaBaby, born Jonathan Kirk. The voice says,“This guy was trespassing on my property. … I shot him in his leg.”
DaBaby is still facing two lawsuits in California for the alleged assault of Brandon Bills, the brother of his ex-girlfriend, singer DaniLeigh. In February, Kirk and Bills were involved in a skirmish inside a bowling alley, where the rapper and his entourage reportedly attacked Bills. Brandon says that the incident caused him “severe injury and pain.” DaBaby denies those claims and states he was protecting himself as a means of self-defense.
Rihanna is paying no mind to those rumors claiming she broke up with boyfriend A$AP Rocky. Instead, she hopped on a jet with her love and is vacationing in her native Barbados.
The celebrity couple is shaking off rumors from last week, which claimed A$AP Rocky cheated on the “Umbrella” singer with Fenty shoe designer Amina Muaddi. The report was shot down not only by Muaddi, but also by TMZ.
In addition, the man who started the rumor — fashion blogger Louis Pisano — has since retracted his remarks.
Now, Rih and Rocky are putting those rumors further behind them by jetting off to Barbados, reports Page Six. The two, who are expecting a child together, were spotted grabbing dinner and walking side by side. They haven’t publicly spoken out about the controversy.
Michael Mando – Greg Lewis/AMC/Sony Pictures Television
It’s the beginning of the end for Better Call Saul. The critically acclaimed Breaking Bad prequel series debuts the first episodes of its final season tonight on AMC.
Michael Mando has played drug cartel soldier Nacho Varga since season one, and he tells ABC Audio the final season changes everything, even the show that came before it.
“I think to me, it was the most satisfying ending for every character, that I’ve seen. And you’ve got the biggest Breaking Bad Easter eggs that you can dream of are back here in this season. And you’ve got answers for Breaking Bad,” he shares. “We can’t wait to share it with the world.”
Luckily for Mando, and for fans, the wait is over, and according to Patrick Fabian, who plays lawyer Howard Hamlin in the series, Saul Goodman’s chief nemesis, the final season doesn’t waste any time getting to the action.
“They really pushed a lot of balls up to the mountaintop, and this season is all about just going dink dink dink and watching them… careen down the hill. And so the payoffs that come, you know, there’s a wonderful pacing of stuff that happens pretty fast and furiously that gets your attention,” Fabian explains.
Not only will the season grab your attention, Tony Dalton, who plays drug cartel boss Lalo Salamanca says, “All the questions that the fans have, all the doubts about what’s going to happen to all these characters is definitely, you know, it’s definitely solved.”
“Everything comes to an end in some way or another,” he adds.
In other words, the final season is epic.
“Operatic, tragic, larger than life. One hell of a rollercoaster ride, man,” Mando teases.
Ahead of its first-season finale on April 20, Disney+ has greenlighted a second season of its animated reboot The Proud Family: Louder and Prouder.
The series stars the voices of Kyla Pratt as Penny Proud; Tommy Davidson as her dad, Oscar Proud; Paula Jai Parker as her mom, Trudy Proud, and Jo Marie Payton as Suga Mama.
Parker tells ABC Audio she’s still knocked out by the fan base for the original show, which ran from 2001 to 2005, and its newest incarnation. “I had a little seven-year-old lose it after hearing my voice…lose it crying,” she says. “It blew my mind because it’s a whole-new generation of love and they’re going to experience even more when they see what we’ve got coming,” the actress teased.
The cast also includes Cedric the Entertainer as Uncle Bobby, Karen Malina White as Dijonay Jones, and Soleil Moon Frye as Zoey Howz.
The first season’s guests also included Chance the Rapper, Gabrielle Union, Hamilton‘s Leslie Odom Jr., black-ish star Anthony Anderson, Jane Lynch, and Euphoria‘s Storm Reid.
Incidentally, the first season’s soundtrack will be released by Walt Disney Records on June 3.