Fake courtrooms, sham hearings: Immigrants targeted by scams amid Trump administration’s deportation push

Fake courtrooms, sham hearings: Immigrants targeted by scams amid Trump administration’s deportation push
Fake courtrooms, sham hearings: Immigrants targeted by scams amid Trump administration’s deportation push
Fraudsters are posing as ICE officers, immigration lawyers and federal judges. (Evelin Flores)

(NEW YORK) — Twenty-year-old Edith from Guatemala has remained in her home with her 1-year-old baby Justin for weeks after selling her only means of transportation.

“Being stuck at home, locked up inside, is very, very difficult for us,” she told ABC News.

Edith, a U.S. citizen who was raised in Guatemala and requested she only be referred to by her first name out of concern over her privacy, sold her car and spent her life savings to pay someone who she thought was an attorney to help her husband Dimas, who was arrested and placed in immigration custody in March. 

After Dimas, the undocumented breadwinner of the family, was quickly sent to a detention center in Georgia, Edith sought an immigration lawyer on social media, where a stranger recommended a supposed Florida-based attorney.

“I was scheduled for a video call, and the woman who said she was a lawyer said that to get someone out of immigration detention, a habeas corpus needed to be filed,” Edith told ABC News. 

Edith retained the woman and began communicating with her frequently. She completed documents the woman sent her, and began sending the woman payments. She even received documents that appeared to be from U.S. Citizenship and Immigration Services (USCIS), the federal agency that oversees immigration services.

“She began asking for money, $500, $600, $1,750, $4,000 for the bond, petition, copies [of forms],” Edith said.

But last month, when the woman was scheduled to participate in a video call for Dimas’ initial hearing before an immigration judge, she never appeared on the call. Edith’s husband later told her that the judge said that the attorney wasn’t registered in the court system.

“He said, ‘They’re scamming you,'” Edith said. “I said, ‘But why? Why me?’ I started to feel really bad and I didn’t know what to do.”

After confronting the woman she had hired, Edith realized she had been scammed out of more than $10,000 — her life savings. And with all her money gone, she was unable to pay for a legitimate lawyer to represent her husband, who last month was ordered deported by an immigration judge. 

‘A billion-dollar industry’
Edith is one of many victims across the country that law enforcement and immigration lawyers say are being targeted by bad actors seizing on the Trump administration’s mass deportation agenda.

Some scammers, according to officials, are using artificial intelligence to hold fake immigration court proceedings with scammers wearing judicial robes and law enforcement uniforms, using fake documents that appear to be from federal agencies. 

“In my experience, this is a billion-dollar industry,” said Jorge Rivera, an immigration lawyer in Florida.

Rivera told ABC News that scammers, including the woman who Edith hired, have used his credentials and his law firm’s information to target immigrants.

“[Victims] have shown up to our office and they say, ‘What happened to my case?'” he said.

ABC News found cases of sophisticated immigration scams across the country, including in New York, where five defendants pleaded not guilty to charges accusing them of holding “sham immigration proceedings” including asylum interviews and court appearances.

According to the complaint, one victim ended up missing their real immigration hearing and was deported.  

“In doing so, the defendants demonstrated a complete and utter disregard for the potentially life-altering consequences that their actions inflicted on their victims — vulnerable individuals who not only lost significant funds, but also missed their actual immigration court appearances,” prosecutors said.

And last month, four people in Orlando, Florida, were charged with setting up a fake immigration law firm and extorting millions from victims. They have not yet entered formal pleas.

‘It’s heartbreaking’
Rivera said immigration scams have gotten “exponentially worse” during the second Trump administration, because more pathways for immigration relief “have closed.” 

“There’s been pauses, there’s more denials, undoubtedly, it’s more difficult to be able to resolve your immigration status,” he said. “So this is a perfect storm for the criminals.”

Rivera said that if those seeking help are “talking to a legitimate attorney and they’re talking to a fraudster, and the fraudster is giving them hope and giving them possibilities, they’re going to go with the person that’s giving them the hope.”

Rivera said he has been working with law enforcement across the country to send them information on alleged scammers, and has been reaching out to social media companies to take down fake profiles. 

In a statement to ABC News, the Department of Homeland Security said scammers are also “pretending to be ICE and USCIS to trick people into giving them money or personal information.”

The DHS said that officials will never call out of the blue, demand money, or accept payments using gift cards or crypto currency.

Scammers are also targeting immigrant advocacy groups like Catholic Charities, Kevin Brennan, Catholic Charities’ vice president, told ABC News.

“It’s really been over the past year or so that we started hearing reports of people claiming to be Catholic Charities and other organizations that provide legal services to immigrants and refugees and using social media to fraudulently offer services, express urgency, ask for money,” Brennan told ABC News. 

“It’s heartbreaking to see people who are in need and looking for help and being taken advantage of in such a terrible way by these fraudsters and criminals,” he said.

In Edith’s case, the possibility of getting legitimate legal help to try to get her husband released before he’s deported is slipping away. After an immigration judge ordered her husband deported on April 28, he is currently in ICE custody awaiting removal to Guatemala.

Edith said she will likely go to Guatemala to remain with her husband.

“It’s very ugly, and I don’t wish it on anyone else — to a person who is alone and without support,” she said. “This is not easy.” 

Copyright © 2026, ABC Audio. All rights reserved.

Ashley Cooke amps up the intensity on her self-titled second album

Ashley Cooke amps up the intensity on her self-titled second album
Ashley Cooke amps up the intensity on her self-titled second album
Ashley Cooke’s self-titled second album (Big Loud)

Ashley Cooke describes her self-titled second album as “a coming-of-age record disguised as a relationship album.” 

Arriving on Aug. 14, it will feature 15 tracks, including her current hit, “the hell you are”; “baby blues” and “excuses” from 2025’s ace EP; her March release “xs” and “high school sweetheart,” which drops Friday.

ashley cooke follows her 2023 debut, shot in the dark, which launched her #1 hit, “your place.” 

“Sonically it’s different,” she says of the new album. “It has a lot of different flavors in it, which is fun because I didn’t want a record that sounded the same from top to bottom. So there’s definitely some different elements and different flavors and cool things about it that I got to experiment with.”

“There’s a new producer on this record,” she continues. “Dan Huff produced it, and he’s a legend, an icon. He did a lot of like Keith Urban and Rascal Flatts. He played guitar on [Michael Jackson’s] Thriller. Like he is iconic and one of my great friends now, and he just, he crushed this record. So it was fun to get to work with a different producer. So it just kind of inherently, innately sounds different because of that.”

Ashley’s also amped the album up emotionally. 

“I just feel like it hits a little harder, you know? Like it just feels a little different and just a little more mature,” she says. “And I think I just got really honest lyrically, which I didn’t not do on shot in the dark, but it just feels I really leaned into like the brutal honesty of every situation on this album.”

Copyright © 2026, ABC Audio. All rights reserved.

How Chance the Rapper is celebrating 10 years of ‘Coloring Book’

How Chance the Rapper is celebrating 10 years of ‘Coloring Book’
How Chance the Rapper is celebrating 10 years of ‘Coloring Book’
Chance the Rapper on ‘Celebrity Wheel of Fortune’ (Disney/Eric McCandless)

Chance the Rapper’s Coloring Book is turning 10, and he’s giving fans in three cities a moment to celebrate with him. He’s announced limited screenings of Magnificent Coloring World, taking place at the Rooftop Cinema Club locations in Chicago, New York and LA.

The screenings will be held May 16 in Chicago, May 20 in New York and June 20 in LA, following a run of preview screenings in 2021. Each event will include a live Q&A with Chance.

These screenings mark the start of a larger celebration for the milestone anniversary.

Released in 2016, Coloring Book includes appearances from Kanye West, Justin Bieber, Kirk Franklin, Lil Wayne, 2 Chainz, T-Pain and Saba. It was the first streaming-only album to win three Grammys.

Magnificent Coloring World, filmed at Chicago’s historic Cinespace in 2016, is a visual extension of the album. It features live performances of Chance’s songs “No Problem,” “Blessings” and “Same Drugs,” complete with “a fully staged production, with intentional set design, lighting, and movement, similar to acts in live theater,” according to a press release. “Each performance is carefully blocked and visually composed, blending live instrumentation, choir arrangements, and ensemble staging to reflect the gospel-influenced core of Coloring Book.”

Tickets for the live screenings are on sale via RooftopCinemaClub.com.

Copyright © 2026, ABC Audio. All rights reserved.

Dayseeker earns first #1 ’Billboard’ hit with ‘Crawl Back to My Coffin’

Dayseeker earns first #1 ’Billboard’ hit with ‘Crawl Back to My Coffin’
Dayseeker earns first #1 ’Billboard’ hit with ‘Crawl Back to My Coffin’
‘Creature in the Black Night’ album artwork. (Spinefarm)

Dayseeker has done more than crawl to the top of the Billboard Mainstream Rock Airplay chart.

The band’s single “Crawl Back to My Coffin” has grabbed the #1 spot on Mainstream Rock Airplay, giving them their first leader on any Billboard chart.

The track also gives Dayseeker’s label, Spinefarm Records, its first #1 single.

“We are very proud to celebrate Dayseeker’s first No. 1 rock song as well as Spinefarm’s,” Spinefarm exec Jonas Nachsin tells Billboard. “The band and our label have been building towards this achievement with a steady climb upwards over the last few years that has now resulted in this moment.”

Nachsin continues, “Dayseeker are absolutely on the rise as fans are connecting to the band around the world in bigger and bigger numbers, and their ascent has no limits given their unique musical and emotional blend that has connected on such a real and visceral level. Onwards Dayseeker!”

“Crawl Back to My Coffin” appears on Dayseeker’s 2025 album, Creature in the Black Night

Dayseeker is currently on a U.S. tour.

Copyright © 2026, ABC Audio. All rights reserved.

Yellowcard’s Ryan Key grapples with relationship with LA on latest #1 single and ‘Better Days’ album

Yellowcard’s Ryan Key grapples with relationship with LA on latest #1 single and ‘Better Days’ album
Yellowcard’s Ryan Key grapples with relationship with LA on latest #1 single and ‘Better Days’ album
Yellowcard “Bedroom Posters” feat. Good Charlotte single artwork. (Better Noise Music)

Yellowcard surely loves having another #1 single, even if they’re not crazy about some other things.

On the band’s Good Charlotte-featuring song “Bedroom Posters,” which has reached the top of the Billboard Alternative Airplay chart, frontman Ryan Key sings, “I love my sister, but I hate it in LA.”

“‘I hate it in LA’ in ‘Bedroom Posters’ is, like, I hate getting off the plane and dealing with getting out of the airport at LAX,” Key tells ABC Audio.

Key’s feelings toward Los Angeles are probably not too surprising to longtime Yellowcard fans who might remember similar sentiments on the band’s 2006 album, Lights and Sounds. But right next to “Bedroom Posters” on Yellowcard’s latest album, 2025’s Better Days, is a much more LA-positive song called “City of Angels.” 

As Key explains, Yellowcard was working on Better Days with producer Travis Barker near where the LA wildfires of 2025 broke out.

“[Barker] mentioned, ‘We should write something for LA. We should write something for what’s going on right now,'” Key recalls.

In “City of Angels,” Key grapples with his personal feelings with LA while also acknowledging what the city has given him during his life.

“As much as the kind of anxiety of this city gives me anxiety, and it’s not my ideal environment to live, I have to recognize how special it is and it has been for me and so many other people who have come out here to do what we did and somehow pulled off, following our dreams as 21-year-old kids,” Key says. 

Yellowcard will launch a U.S. tour Wednesday in Atlanta.

Copyright © 2026, ABC Audio. All rights reserved.

‘Rolling Stone’ names the 100 greatest guitar solos of all time

‘Rolling Stone’ names the 100 greatest guitar solos of all time
‘Rolling Stone’ names the 100 greatest guitar solos of all time
Jimi Hendrix (1942-1970) performs live on stage playing a white Fender Stratocaster guitar with The Jimi Hendrix Experience at the Royal Albert Hall in London on 24th February 1969. (Photo by David Redfern/Redferns)

Rolling Stone is highlighting iconic guitar solos in its latest staff-curated list.

The mag has just released its picks for the 100 greatest guitar solos of all time, with tunes by such artists as Jimi Hendrix, Pink Floyd, the Eagles and more making the cut. The mag says criteria for songs making the list are that the solo “makes the song; can be sung or hummed; doesn’t repeat the main melody.”

Prince’s iconic tune “Purple Rain” tops the list, with Hendrix’s “Machine Gun” landing at #2. The mag writes that the Hendrix solo is “Hendrix at his most Hendrix,” noting it’s “the most ambitious, raw, soulful, go-for-broke expression of his musical genius.”

Coming in at #3 are the dueling guitar solos of the Eagles’ “Hotel California,” followed by David Gilmour’s solo in Pink Floyd’s “Comfortably Numb” at #4 and Eddie Van Halen’s solo on Van Halen’s “Eruption” at #5.

Rounding out the top 10 are Chuck Berry’s “Johnny B. Goode” at #6, Led Zeppelin’s “Stairway to Heaven” at #7, Steely Dan’s “Kid Charlemagne” at #8, Funkadelic’s “Maggot Brain” at #9 and The Beatles’ “While My Guitar Gently Weeps” at #10.

And while Rolling Stone may think these are the greatest guitar solos, they aren’t necessarily what your average guitar fan likes to play.

According to the mag, Guitar Center recently conducted a poll to find the most-played guitar riffs at its stores, with Metallica’s “Master of Puppets” landing at #1.

Guns N’ Roses’ “Sweet Child O’ Mine” comes in just behind Metallica at #2, with The White Stripes’ “Seven Nation Army,” Nirvana’s “Smells Like Teen Spirit” and John Mayer’s “Slow Dancing in a Burning Room” rounding out the top five.

Copyright © 2026, ABC Audio. All rights reserved.

Met Gala 2026: Memorable looks from fashion’s biggest night

Met Gala 2026: Memorable looks from fashion’s biggest night
Met Gala 2026: Memorable looks from fashion’s biggest night
Beyonce attends the 2026 Met Gala celebrating “Costume Art” at the Metropolitan Museum of Art on May 04, 2026 in New York City. (Dimitrios Kambouris/Getty Images for The Met Museum)

The stars were out for the 2026 Met Gala in New York City Monday night.

This year’s theme was “Costume Art,” which aims to “celebrate fashion as an art form,” according to the Metropolitan Museum of Art and the Met Costume Institute.

With a dress code of “Fashion is Art,” the night delivered bold interpretations and risk-taking style.

Here are some of the most memorable looks:

Heidi Klum: The model — known for her prosthetics-heavy Halloween costumes — took the theme literally, transforming herself into a living marble statue in a custom look by Mike Marino.

Beyoncé: The singer made her return to the Met after 10 years, with husband Jay-Z and daughter Blue Ivy Carter by her side. Bey wore a diamond skeleton look with a long feathered train designed by Olivier Rousteing.

Connor Storrie and Hudson Williams: The Heated Rivalry stars made their Met Gala debut in two very different looks. Storrie wore a Saint Laurent suit with a polka dot halter top, while Williams opted for bold Black Swan-inspired glam and a baby blue Balenciaga look.

Sabrina Carpenter: The singer wore a Dior dress made entirely of film strips from the 1954 Audrey Hepburn film Sabrina.

Blake Lively: Shortly after news broke that she and Justin Baldoni settled their It Ends With Us lawsuit, Lively made a surprise appearance in pastel-colored archival Versace.

Bad Bunny: The singer’s look aged him about 50 years — on purpose. He used Heidi Klum’s prosthetics guy, Mike Marino, to transform into an elderly version of himself.

Teyana Taylor and Chase Infiniti: The One Battle After Another co-stars stunned in eye-catching dresses — Taylor in a head-to-toe fringed Tom Ford by Haider Ackermann gown and Infiniti stepping out for her first Met in a sequined Thom Browne dress inspired by the Venus de Milo.

Copyright © 2026, ABC Audio. All rights reserved.

Blake Lively and Justin Baldoni settle ‘It Ends With Us’ lawsuit

Blake Lively and Justin Baldoni settle ‘It Ends With Us’ lawsuit
Blake Lively and Justin Baldoni settle ‘It Ends With Us’ lawsuit
Blake Lively and Justin Baldoni. (Getty Images)

It Ends With Us co-stars Blake Lively and Justin Baldoni have settled their nearly two-year legal battle, according to a statement from their legal teams.

“We remain firmly committed to workplaces free of improprieties and unproductive environments. It is our sincere hope that this brings closure and allows all involved to move forward constructively and in peace, including a respectful environment online,” read a portion of the joint statement released on Monday.

The dispute was set to see a jury later this month.

The joint statement put out by the parties on Monday began, “The end product – the movie ‘It Ends With Us’ – is a source of pride to all of us who worked to bring it to life. Raising awareness, and making a meaningful impact in the lives of domestic violence survivors – and all survivors – is a goal that we stand behind.”

The statement continued, “We acknowledge the process presented challenges and recognize concerns raised by Ms. Lively deserved to be heard.”

The settlement brings an end to the high-profile legal saga which kicked off in December 2024 when Lively filed a filed a complaint with the California Civil Rights Department in late December, alleging “severe emotional distress” after she said Baldoni and key stakeholders in the film sexually harassed her and attempted, along with Baldoni’s production company, to orchestrate a smear campaign against her.

Baldoni followed up the action by filing a lawsuit against the New York Times for libel and false light invasion of privacy on Dec. 31 after it published the article about Lively’s California complaint.

Also on Dec. 31, Lively formalized her complaint into a lawsuit against Baldoni in New York.

Baldoni would respond by filing a civil lawsuit against Lively, husband Ryan Reynolds and others, for, among other things, extortion and defamation.

The suits were consolidated into one suit in January 2025.

In June of last year, Baldoni’s $400 million lawsuit against Blake Lively, her husband, the couple’s publicist Leslie Sloane, as well as Baldoni’s defamation suit against The New York Times, was dismissed by Judge Lewis J. Liman.

The New York Times countersued Wayfarer Studios, Baldoni’s production company, in September 2025, asking for reasonable costs and attorney fees paid back to the New York Times. The matter is ongoing according to the court docket.

On April 2 of this year, a federal judge in New York gutted much of Lively’s case against Baldoni, including claims she was subjected to sexual harassment on set.

The judge determined Lively would be allowed to pursue certain claims of retaliation against Baldoni’s public relations team over alleged harm to her reputation, according to the ruling by Judge Liman.

Copyright © 2026, ABC Audio. All rights reserved.

Katy Perry, Sabrina Carpenter, Sombr and more hit the 2026 Met Gala red carpet

Katy Perry, Sabrina Carpenter, Sombr and more hit the 2026 Met Gala red carpet
Katy Perry, Sabrina Carpenter, Sombr and more hit the 2026 Met Gala red carpet
Katy Perry attends the 2026 Met Gala celebrating ‘Costume Art’ at the Metropolitan Museum of Art on May 4, 2026 in New York City. (Theo Wargo/FilmMagic)

The stars came out for the 2026 Met Gala Monday night in New York City, and as usual, the gathering included a contingent of some of pop’s biggest names. Here’s a roundup:

Katy Perry took the theme of “Fashion is Art” very seriously. She wore a white satin Stella McCartney gown repurposed from surplus tailoring fabrics, with a train that was intentionally burned to tease her upcoming single, “Watch It Burn.” She paired the gown with a custom headpiece featuring a mirrored mask insert. According to a press release, the accessory “invites the observer to consider that their perception of others can mirror their own internal world, and conversely mask truth.” Topping off the outfit: white gloves, one of which had a sixth finger, in reference to the fact that in 2024 and 2025 AI-generated fan art depicted her as falsely attending the Met Gala.

Hooray for Hollywood! Met Gala co-chair Sabrina Carpenter wore a Christian Dior dress made entirely out of film strips, along with a 1920s-style headpiece. As per The Hollywood Reporter, the strips were actual vintage camera film from Audrey Hepburn’s 1954 classic movie Sabrina. The look reflected the “Sabrinawood” aesthetic she showed off at Coachella.

Fellow co-chair Beyoncé, returning to the event for the first time in 10 years, wore a diamond-studded dress by Olivier Rousteing that looked like a skeleton, with a matching sun-shaped crown headpiece and a feathered train that was so long it took five people to carry it up the stairs.

Sam Smith wore a voluminous black, sparkly, fur-trimmed gown and a 2-foot-tall feather attached to their forehead.

HUNTR/X star EJAE didn’t go “Golden” for the carpet. Instead, she wore a silver column gown that was spangled and bejeweled, with matching silver accessories in her hair. Her bandmate Audrey Nuna wore a floor-length black-and-white coat dress and matching hat that looked like they’d been splattered with paint.

Gracie Abrams wore a golden bejeweled Chanel gown that was inspired by the paintings of artist Gustav Klimt

Sombr wore a black lace and silver confection that featured a floor-length silver fringed cape.

Tate McRae wore a golden custom gown by Ludovic de Saint Sernin that, according to a press release, was inspired by the golden statues on the ceremonial boat of French King Louis XIV. The lace and feather creation was meant to turn Tate into a “a living statue … a luminous art object.”

A number of stars wore outfits that featured accessories that looked like hands, arms or both. BLACKPINK’s LISA was one of them, wearing a white tulle gown topped off by a massive lace veil that rose above her head because it was held up by two white artificial arms

SZA wore an elaborate dress by Bode in various hues of yellow, created from a mix of over 100 yards of different fabrics — taffeta, silk, lace and tulle — sourced entirely from eBay. The gown was covered with floral appliqués and butterfly motifs, topped off by a headdress of flowers and golden chains.

Doechii was naked and barefoot, except for a strategically placed draping of purple fabric and a towering purple fabric headdress.

Copyright © 2026, ABC Audio. All rights reserved.

Katy Perry, Sabrina Carpenter, Stevie Nicks and more hit the 2026 Met Gala red carpet

Katy Perry, Sabrina Carpenter, Stevie Nicks and more hit the 2026 Met Gala red carpet
Katy Perry, Sabrina Carpenter, Stevie Nicks and more hit the 2026 Met Gala red carpet
Katy Perry attends the 2026 Met Gala celebrating ‘Costume Art’ at the Metropolitan Museum of Art on May 4, 2026 in New York City. (Theo Wargo/FilmMagic)

The stars came out for the 2026 Met Gala Monday night in New York City, and as usual, the gathering included a contingent of some of pop’s biggest names. Here’s a roundup:

Katy Perry took the theme of “Fashion is Art” very seriously. She wore a white satin Stella McCartney gown repurposed from surplus tailoring fabrics, with a train that was intentionally burned to tease her upcoming single, “Watch It Burn.” She paired the gown with a custom headpiece featuring a mirrored mask insert. According to a press release, the accessory “invites the observer to consider that their perception of others can mirror their own internal world, and conversely mask truth.” Topping off the outfit: white gloves, one of which had a sixth finger, in reference to the fact that in 2024 and 2025 AI-generated fan art depicted her as falsely attending the Met Gala.

Hooray for Hollywood! Met Gala co-chair Sabrina Carpenter wore a Christian Dior dress made entirely out of film strips, along with a 1920s-style headpiece. As per The Hollywood Reporter, the strips were actual vintage camera film from Audrey Hepburn’s 1954 classic movie Sabrina. It reflected the recent “Sabrinawood” aesthetic she showed off at Coachella.

Fellow co-chair Beyoncé, returning to the event for the first time in 10 years, wore a diamond-studded dress by Olivier Rousteing that looked like a skeleton, with a matching sun-shaped crown headpiece and a feathered train that was so long it took five people to carry it up the stairs.

An unexpected guest was rock goddess Stevie Nicks, who made her Met Gala debut in a custom midnight blue and black Zara gown designed by John Galliano, as per People. The gown featured an enormously wide skirt, topped with a velvet and silk taffeta jacket. She crowned the look with one of her signature top hats.

Sam Smith wore a voluminous black, sparkly, fur-trimmed gown and a 2-foot-tall feather attached to their forehead.

HUNTR/X star EJAE didn’t go “Golden” for the carpet. Instead, she wore a silver column gown that was spangled and bejeweled, with matching silver accessories in her hair. Her bandmate Audrey Nuna wore a floor-length black-and-white coat dress and matching hat that looked like they’d been splattered with paint.

Gracie Abrams wore a golden bejeweled Chanel gown that was inspired by the paintings of artist Gustav Klimt

Sombr wore a black lace and silver confection that featured a floor-length silver fringed cape.

Copyright © 2026, ABC Audio. All rights reserved.