Good for her: Olivia Rodrigo’s ‘SOUR’ tops ‘Billboard’ 200 for fifth time

Geffen/Interscope

After spending the past few weeks hovering in the top five, Olivia Rodrigo‘s debut album SOUR has once again claimed the top spot on the Billboard 200 chart. 

The singer’s debut album was boosted by its August 20 vinyl LP release: SOUR sold an additional 133,000 units, with 76,000 consisting of vinyl sales alone.  Billboard says that marks the second-highest sales week for any LP since it began tracking vinyl sales data in 1991. Taylor Swift‘s evermore holds the title, with an impressive 102,000 copies of the vinyl version of the LP flying off the shelves in the first week of June.

SOUR was also streamed 69.82 million times in the past week.  

SOUR, which debuted May 21, has been assisted on the chart by Olivia’s trilogy of hits: “Drivers License,” “Deja Vu” and “good 4 u.”  But most of the album’s other tracks are also charting on the Hot 100 as well.

Currently, “good 4 u” leads the pack in the number-three spot.  “Deja Vu” also clings to the top 10 for another week, currently resting at number nine. “Traitor” and “Favorite Crime” are also charting in the top 100.

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Spotify crowns Justin Bieber as its most listened-to artist

Rory Kramer

Justin Bieber has further cemented his status as the prince of pop — a title given to him by Lizzo on Sunday — by being crowned Spotify’s most listened-to artist.

The music streaming service confirmed that the “Peaches” singer has amassed over 83.3 million monthly listeners, a new all-time record, reports Chart Data.  The milestone isn’t all too surprising, considering “Stay,” Justin’s collab with The Kid LAROI, has dominated the Billboard Hot 100 for three consecutive weeks.

Justin leads the Spotify pack by a wide margin, with The Weeknd earning second place with 74.5 million monthly listeners.  Ed Sheeran rounds out the top three with 72.4 million listeners per month.

Dua Lipa is the service’s most-streamed female artist, boasting 65.5 million monthly listeners.

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Walker Hayes is “Fancy Like That,” crossing over to the pop chart and changing the menu at Applebee’s

Robert Chavers

Before this summer, the most you’d probably heard about Walker Hayes was with his 2017 top-ten hit, “You Broke Up with Me.” But now, he’s “Fancy Like That.”

If you’ve missed it, “Fancy” is the rap-influenced, country-flavored earworm that extols the virtues of a girl who “wanna dip me like them fries in her Frosty” at Wendy’s, and get the “Bourbon Street steak with the Oreo shake” from “Applebee’s on a date night.”

And it was all fueled by a video Walker made with his 15-year-old daughter.

Lela and I did the dance on Sunday afternoon,” Walker explains. “She said, ‘Hey Dad, “Fancy Like” doesn’t have a dance. We need to do one.'”

“We kinda created it together,” he continues. “She made up most of the moves. I made sure most of the moves could be done, even if you weren’t a great dancer — like me.”

“We popped it off in two takes… And the rest is history,” he reveals. “We pretty much knew hours later, we had accidentally done something — odd.”

Since then, at least one of the restaurants Walker name-dropped has come calling. 

“Within days, people began to predict ‘song of the summer,’ how viral it would go, things like that,” he tells ABC Audio. “I don’t necessarily say I believed ’em, but here we are.”

“There’s an Applebee’s commercial,” he points out. “The Oreo shake is back on the menu thanks to the power of a song.”

“And millions of people have done this dance,” he marvels. “And the song continues to climb all charts, all genres. It’s mind-blowing. It’s absolutely mind-blowing.”  

Sure enough, “Fancy Like” has already spent six weeks atop Billboard‘s Hot Country Songs ranking, while sitting at #12 on the pop-oriented Hot 100 as well.

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CCR’s Cosmo Clifford recalls “easy and productive” 1980s collaboration with late Greg Kihn Band bassist

CliffSongs Records

Ex-Creedence Clearwater Revival drummer Doug “Cosmo” Clifford has just released an archival album called For All the Money in the World that he recorded in 1986 with then-Greg Kihn Band bassist/songwriter Steve Wright, who died in 2017.

Clifford tells ABC Audio that the project came about when Wright, who grew up in the same town, El Cerrito, California, looked him up and suggested they write together.

“[I]t was very easy and very productive, so we kept doing that,” Clifford recalls. “And then we decided…we’ve got material and have a formula for having more material and it’d be nice to have a band to put it out there.”

Cosmo says they enlisted various Bay Area musicians for the sessions, many of whom also played with the Greg Kihn Band around that time, including guitarists Joe Satriani, Greg Douglass and Jimmy Lyon, and keyboardist Pat Mosca.

Rounding things out was a talented singer named Keith England whom, Clifford notes, had “a great rock ‘n’ roll voice.”

For All the Money in the World is an 11-track collection that offers a mix of catchy pop and rock songs.

Clifford says he loves the title track because it features a shuffle beat, noting, “Shuffles are just…fun. You can’t help but move to a shuffle.”

Cosmo also reveals that he sent the album to Steve Miller, who singled out the driving rock tune “She Told Me So” as his favorite.

Clifford says Miller told him, “[Y]ou guys ripped the roof off the barn with [that song].'”

According to Cosmo, Clifford/Wright “had the components of…something pretty special,” but the album was shelved when Wright’s lack of interest in playing clubs brought the project “to a close.”

Thirty-five years later, the album finally has been released.

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Glass Animals get ready to cry as they launch their “most bonkers” tour ever

Credit: Jennifer McCord

After releasing their album Dreamland over a year ago, Glass Animals is finally getting the chance to tour behind it. Their Dreamland tour kicks off tonight in Lewiston, NY — and frontman Dave Bailey says fans can have fun looking at their “bonkers” stage, and predicts he’ll spend some of the night “crying a little bit.”

Describing what fans can expect visually, Dave tells ABC Audio, “There’s Dreamland visuals, there’s giant palm trees, there’s floating neon signs and cereal bowls, and there’s a giant swimming pool.” He laughs, “It’s quite mad. It’s definitely the most bonkers stage design we’ve ever done!”

Between headlining shows, the “Heat Waves” group will also be playing festivals like Bonnaroo, Life Is Beautiful and Outside Lands, though Dave says those shows, like, their headlining shows, will be all about reading the room.

“We try to keep festival shows fun, but honestly, we really react to the crowd, at any show that we’re doing — be it a headline show or a  festival show, you have to look at the crowd and see how they’re feeling,” Dave explains. “…[I]f it’s like 6:00 in the afternoon and everyone’s pretty chill, then you can play things a bit slower, and maybe turn the ambient stuff up. Or if people are dancing and a dance artist has played before you, turn the drums up…have a total party.”

But Dave says one major highlight of tonight’s opening show will be seeing a live crowd react to “Heat Waves” — which is something he and the band haven’t really gotten to experience since it became a massive hit in the past year.

In fact, Dave admits, “I think I’ll probably end up crying a little bit.” 

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Kanye West finally releases ‘Donda’

Kevin Mazur/Getty Images for Universal Music Group

Kanye West’s long-awaited album Donda has finally arrived.

The album hit streaming services Sunday morning following three listening events over the past month — the latest one taking place Thursday in Kanye’s hometown of Chicago.

Donda, named for Kanye’s mother who passed away in 2007, was initially supposed to be released July 23.

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War premieres “Behind the Hits” animated video; releasing ‘Greatest Hits 2.0’ compilation in October

Rhino

War has been celebrating its 50th anniversary this year, and as part of the festivities, a new animated video looking at the stories behind some of the funk/rock/soul group’s biggest hits has debuted at the band’s official YouTube channel.

The “Behind the Hits” clip features commentary by founding singer/keyboardist Lonnie Jordan and producer/songwriter Jerry Goldstein, who helped put the band together with its original lead singer, Eric Burdon of The Animals.

The video briefly touches on the band’s formation and also looks at such classic songs as “Slippin’ into Darkness,” “The World Is a Ghetto,” “The Cisco Kid,” “Don’t Let No One Get You Down,” “Low Riders” and “Why Can’t We Be Friends?” The clip also notes that War songs have been heard in a variety of movies and TV shows, including Cheech & Chong‘s Up in Smoke, Gone in 60 Seconds, Dazed and Confused, Lethal Weapon 4, Friday, The Simpsons, and Mayans M.C.

The “Behind the Hits” video arrives in advance of a new War compilation titled Greatest Hits 2.0 that’s scheduled to be released on October 29 as a two-CD set, a two-LP vinyl collection, digitally and via streaming services. The 24-track album is a career-spanning sequel to the band’s platinum-certified 1976 Greatest Hits retrospective. You can pre-order Greatest Hits 2.0 now.

War currently is on tour and has more than a dozen 2021 dates on its schedule. Visit War.com for more information.

Here’s the Greatest Hits 2.0 track list:

Disc 1
“Spill the Wine” — Eric Burdon & War
“Tobacco Road” — Eric Burdon & War
“All Day Music”
“Get Down”
“Slippin’ into Darkness”
“The World Is a Ghetto”
“The Cisco Kid”
“Gypsy Man”
“Me and Baby Brother”
“Why Can’t We Be Friends?”
“Don’t Let No One Get You Down”
“Heartbeat”

Disc 2
“Low Rider”
“So”
“Smile Happy”
“Summer”
“L.A. Sunshine”
“Galaxy”
“Youngblood (Livin’ in the Streets)”
“Good, Good Feelin'”
“Cinco de Mayo”
“You Got the Power”
“Outlaw”
“Peace Sign”

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New music Friday: Meek Mill, Megan Thee Stallion, Kash Doll, and Baby Keem with Kendrick Lamar

Atlantic Records

Meek Mill collabos with Lil Baby and Lil Durk on “Sharing Locations,” which dropped Friday, featuring a video he directed.

They’re living the high life in the clip, cash overflowing, riding in a private jet and Rolls Royce and contemplating their next sexual adventure.

“Gave her a pill, they all get high, you ever had a foursome?” they rap. “This too much cash for me to hide, I had to give lil’ bro some”

Also, after Megan Thee Stallion fought in court to have her “Butter” remix with BTS released, the song dropped Friday. The Hot Girl Summer adds her Texas hip-hop flava to the track by the South Korean pop group.

“So smooth like the car I ride.” she raps. “Even ya best party planner couldn’t catch this vibe/
Big boss, and I make a hater stay on they job/ And I be on these girls necks like the back of they bobs.”

Kash Doll is feeling “Single & Happy” which is the title of her new single featuring Wale and Eric Bellinger. The Detroit rapper celebrates female empowerment and relying on a partner for validation in the follow-up to her previous single, “Like a Pro.”

Finally, Baby Keem released “Family Ties,” featuring his cousin, Kendrick Lamar on the track, and Normani in the video.

Lamar raps he’s been quiet since the beginning of the COVID-19 virus. “I been duckin’ the pandemic, I been, social gimmicks/ I been duckin’ the overnight activists, yeah/ I’m not a trending topic, I’m a prophet.”

The 13-time Grammy winner also gives props to Megan Thee Stallion, rapping, “I can multitask like Megan, brother/ 2021, I ain’t takin’ no prisoner/New flows comin’, be patient, brother.

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The Stray Cats’ Brian Setzer releases latest solo album, ‘Gotta Have the Rumble,’ along with new single

Surfdog Records

Are you ready to rumble? Well, Brian Setzer is! The Stray Cats frontman released his first new solo album in seven years, Gotta Have the Rumble, today on CD and digital formats.

The new collection features 11 original tunes written or co-written by Setzer. To coincide with the album’s arrival, Brian has debuted a third single from the project, the old-time country-flavored “Rockabilly Banjo,” along with a companion music video.

Setzer co-wrote the tune with Stephen “Dibbs” Preston, lead singer of the veteran rockabilly band The Rockats. The song, which combines country and rockabilly influences, features some impressive banjo picking by Brian, as well as the talents of lauded pedal-steel guitarist Paul Franklin.

The video, which you can watch on Setzer’s official YouTube channel, features a montage of vintage black-and-white footage of banjo players, including clips of legendary folk artist Pete Seeger.

Explaining how the song came together, Setzer notes, “Me and Dibbs were hanging around, and it was one of the few times ever that someone gives me a song that’s just the music and not the lyrics. And Dibbs said, ‘Hey, you play banjo, I love the way you play it.’ You know, banjo makes everybody smile and everybody’s after me to play more banjo.”

Setzer adds, “And Dibbs said, ‘Hey, I got a song, what do you think of this?’ and I thought ‘Wow! Let’s clean it up.’ So that’s the last track.”

“Rockabilly Banjo” follows Setzer’s two previous singles from Gotta Have the Rumble, “Checkered Flag” and “Smash Up on Highway One,” which also were released alongside companion videos.

A vinyl version of Gotta Have the Rumble is due out in the fall.

Here’s the album’s full track list:

“Checkered Flag”
“Smash Up on Highway One”
“Stack My Money”
“The Wrong Side of the Tracks”
“Drip Drop”
“The Cat with 9 Wives”
“Turn You On, Turn Me On”
“Rockabilly Riot”
“Off Your Rocker”
“One Bad Habit”
“Rockabilly Banjo”

Copyright © 2021, ABC Audio. All rights reserved.

New episode of ‘Queen The Greatest’ YouTube series profiles classic David Bowie collaboration “Under Pressure”

Annie Lennox and David Bowie at Freddie Mercury Tribute Concert, April 20, 1992; Neal Preston/© Queen Productions Ltd.

The latest episode of Queen‘s weekly YouTube video series Queen The Greatest premiered today, and it features profile a profile of the band’s memorable hit 1981 duet with David Bowie, “Under Pressure.”

The installment tells the story of how the track came together using interview footage with Bowie; Queen members Freddie Mercury, Brian May and Roger Taylor; and producer Reinhold Mack.

The episode begins by explaining how after Queen had purchased Mountain Studios in Montreux, Switzerland, the band was working on new music there in 1981 when engineer David Richards made an impromptu phone call to Bowie.

Bowie notes in an archival interview clip, “[Richards] knew that I was in town, and phoned me up and asked me if I’d…like to go down and see what was happening. So I went down and…suddenly you’re writing something together and it was totally spontaneous. It certainly wasn’t planned.”

Taylor remembers that the band and Bowie were drunk and jamming on “all sorts of old songs,” and then David said, “Look, hang on a minute, why don’t we write one of our own?”

A separate interview clips, Taylor, May and Mack recalled how Queen bassist John Deacon came up with the catchy bass riff that really got the track going.

Roger added that it was Bowie idea to put in various clicks and claps, and the track just grew from there.

“Under Pressure” was released in October of 1981 and became Queen’s second #1 hit in the U.K., after “Bohemian Rhapsody,” while peaking at #22 in the U.S. on the Billboard Hot 100.

After Mercury’s death in 1991, Bowie famously teamed up with EurythmicsAnnie Lennox and Queen’s surviving members to perform “Under Pressure” at the historic 1992 tribute concert for Freddie at London’s Wembley Stadium.

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