Ronnie Wood of The Rolling Stones performs during the final night of the Hackney Diamonds ’24 Tour at Thunder Ridge Nature Arena on July 21, 2024 in Ridgedale, Missouri. (Photo by Gary Miller/Getty Images)
The Rolling Stones’ Ronnie Wood is the subject of a new career-spanning book.
Fearless: The Anthology, from Genesis Publications, has Wood opening up his personal archive in a book for the first time and features photos of rare instruments, designer stage wear, concert set lists and more.
The book highlights hundreds of guitars Wood used over the course of his career with the Jeff Beck Group, Faces and The Stones. Some of them have rarely been seen before, with Ronnie sharing stories behind the instruments in his own words.
The description notes, “Every detail – the colors, patina, wear and tear, and unique modifications – has been captured to tell the story of Ronnie’s extraordinary journey through music.”
Only 1,000 copies of the book are being produced and are available in two formats. Both are signed and come with a variety of extras.
Evanescence “Afterlife” single artwork. (Netflix Music)
Songs by Evanescence and Thom Yorke are nominated for the 2026 Guild of Music Supervisors Awards.
Amy Lee and company’s “Afterlife” and the Radiohead frontman’s “Dialing In” will compete in the best song written and/or recorded for television category. “Afterlife” was recorded for the Netflix series Devil May Cry, while “Dialing In” soundtracked the opening for the Apple TV miniseries Smoke.
The 2026 Guild of Music Supervisors Awards will take place Feb. 28 in Los Angeles.
Evanescence performed “Afterlife” at the 2025 Game Awards in December. The song gave the “Bring Me to Life” rockers their first #1 hit on the Billboard Mainstream Rock Airplay chart.
‘Do You Still Love Me?’ artwork (10 Summers/Interscope Records)
EllaMai expresses her willingness to go above and beyond for her lover on her new song “100.” On the track, she lets him know she’s prepared to give all she has to the relationship, trusting that they’ll continue to work together.
“Love ain’t never fifty-fifty/ It’s whatever I got in me/ And in you, I got a partner/ Love you just how you are,” Ella sings. “Baby, even if you only got/ Twenty for my eighty/ Ain’t no maybe/ We’ll make it to a hunnid.”
In an accompanying music videodirected by Yussef Haridy and Logan Fields, Mustard, who produced the song alongside Keanu Beats, takes on the role of a blackjack dealer, while Ella and her partner play the game. As part of a plan they devised, the couple evades security and makes a clean getaway with a bag of cash.
“100” is the latest song on Ella Mai’s upcoming album, Do You Still Love Me?, following “Little Things” and “Tell Her.” The project is set to arrive on Feb. 6.
(L-R) Bill Kreutzmann, Bob Weir and Mickey Hart of the Grateful Dead attend the 47th Kennedy Center Honors at The Kennedy Center on December 08, 2024 in Washington, DC. (Photo by Paul Morigi/Getty Images)
Grateful Dead drummer Bill Kreutzmann has shared his thoughts on his late bandmate Bob Weir, whose death was announced Saturday.
In a lengthy post on Instagram, Kreutzmann recounts their first meeting and all the fun they had in the early days of the Grateful Dead.
“Together, we embarked on a journey without a destination,” he writes. “We didn’t set out to change the world, or to become big stars, or to have our own counterculture — we didn’t know any of those things were actually possible and we wouldn’t have been very interested in them even if we did. Well, not too much, anyway. Just enough to dream.”
“I once heard Bobby refer to himself as ‘the greatest rhythm guitar player in the world’ and it made me chuckle lightheartedly at my brother’s boastfulness,” he continues. “The thing is… he was probably right. Time has proven that nobody will ever be able to replace Jerry Garcia — or Phil Lesh — and time will prove the same for Bob Weir.”
“There are so many people who can rightfully say that their life would not have been the same without Bob Weir,” he adds. “That’s been true for me since I was 17. And through it all, the high times and the low tides, my love for him will not, indeed can not, fade away.”
Finally, Kreutzmann asks, “In the end, what more was there for him to do? He played it all… and never the same way, twice. I think he had finally said everything he had to say and now he’s on to the next thing. I just hope he was able to bring his guitar with him or otherwise he’ll go crazy.”
Grateful Dead was co-founded by Weir, Kreutzmann,Garcia,Lesh and Ron “Pigpen” McKernan in 1965, with drummer Mickey Hart and lyricist Robert Hunter joining the group in 1967. Kreutzmann and Hart are now the last two surviving members of the band.
Chris Cagle will kick off his Play It Loud 25th Anniversary Tour Feb. 5 in Nashville, before heading across the U.S. to play two dozen dates that continue through the fall. The shows mark a quarter century since his debut album, Play It Loud, came out.
David Nail sets his Down to the Studs Tour in motion April 10 in Austin. He’ll play all 13 shows acoustic, without his band.
Russell Dickerson, Scotty McCreery, Warren Zeiders, Hudson Westbrook and Carter Faith are all set to play the Windy City Smokeout July 8-12 in Chicago.
Gracie Abrams set to make her acting debut? That’s so true!
The singer will star in the upcoming A24 film Please, ABC Audio has confirmed. Babygirl and Bodies BodiesBodies filmmaker Halina Reijn is set to direct Abrams in her first-ever professional acting role.
While the film’s story details are remaining under wraps, it will be written, directed and produced by Reijn. DavidHinojosa will also produce in what will be his third collaboration with Reijn.
This is also the third collaboration between A24 and Reijn, who previously released both the slasher BodiesBodies Bodies and the Nicole Kidman-starring erotic thriller Babygirl. The studio also acquired her debut film, Instinct.
Abrams took to Instagram to celebrate the casting announcement. She posted a screenshot of a news article about it, tagging Reijn and A24 in the caption, where she also wrote, “Please,” alongside 10 red heart emojis.
She also took to her Instagram Story to share a photo of Reijn, alongside an emoji of a woman on her knees.
Abrams was nominated for the best new artist Grammy in 2024 and the best pop duo/group performance for the song “us.,” which she made with Taylor Swift, in 2025.
She supported Swift as an opener on The Eras Tour and recently finished her first solo North American arena tour in support of the deluxe version of her sophomore album, The Secret of Us.
Rapper Pooh Shiesty performs onstage during 2021 Shiesty Season Spring Fest at Central Station on April 11, 2021, in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images)
Pooh Shiesty released his song “FDO” following his release from prison, but he actually started writing the track while serving a three-year sentence on a gun charge. He tells Complex he later realized he was getting ahead of himself and decided to pause the process.
“How the f*** am I going to talk about something that ain’t even happen yet?” Pooh recalled. “I’m not even out yet. I was like, ‘Man, I’m forcing it too much. F*** it—it’s gotta come natural.’”
After being released in early October, he revisited the song and made changes, including switching the beat to exude “First Day Out” vibes.
Another obstacle was the title of the song. Pooh tells Complex he didn’t want to call it “First Day Out” because the phrase was overused.
“I really didn’t want to do a ‘First Day Out’ because ‘First Day Outs’ were played out,” Pooh explained. “Especially when a lot of people don’t come home and perform the right way or produce the right way.”
To get around that, Pooh titled the track “FDO,” which he says can either stand for “First Day Out,” “Free the Operation” or “F*** the Opps.”
The song reached #12 on the Billboard Hot 100, becoming the first major rap hit of 2026. It also serves as a teaser for his upcoming debut album, which he says will showcase his versatility and include “Good production, good quality, good features, good content, good substance, a lot of substance.”
Gene Simmons, Peter Criss, and Paul Stanley attend the 2025 Kennedy Center Honors at The Kennedy Center on December 07, 2025 in Washington, DC. (Photo by Taylor Hill/FilmMagic)
Peter Criss has responded to a recent Gene Simmons interview in which he claimed Criss didn’t deserve a songwriting credit on KISS‘ 1976 hit “Beth.”
The track, which peaked at #7 on the Billboard Hot 100, is credited to Criss, the late Stan Penridge and producer Bob Ezrin.
Simmons made the claim during an interview with the Professor of Rockpodcast, saying, “Peter had nothing to do with that song. He sang it. … The mythology of ‘Beth’ is exactly that: mythology.” He argued Criss got the writing credit because he was “lucky enough to be in the same place at the same time as a guy who wrote” it.
But Criss told Billboard Simmons’ version of events is “not correct.”
“Gene wouldn’t know how the song was originally written because Gene wasn’t there from the conception of the song in the late ‘60s and he wasn’t there for the completion of the song with Bob Ezrin,” Criss said. “Gene’s statements are ridiculous and very uncalled for; he talks about things that he doesn’t know about.”
Criss said he wrote the melody and created the phrasing of the song’s original demo, then titled “Beck,” with Penridge. He also said that even though Simmons claimed it was his idea to change the title, it was Ezrin who changed it.
Ezrin also told Billboard that Simmons’ account is “not exactly how I remember it.”
“I believe from what I was told that the original song was written by Criss and Penridge and was called ‘Beck.’ It was a bit rockier and more macho,” he said. “I felt it had potential, so I asked to take it home and play with it a bit.”
Criss noted, “I would not put my name on a song I had nothing to do with. That is not who I am. I would not do that.”
Ken Casey of Dropkick Murphys performs onstage during day 2 of Warped Tour at Shoreline Waterfront on July 27, 2025 in Long Beach, California. (Scott Dudelson/Getty Images)
Dropkick Murphys have announced a split LP with the hardcore band Haywire.
The album is called New England Forever and will be available exclusively on the upcoming Dropkick tour, launching Feb. 9 in Portland, Maine.
The track list includes a reworking of the 2005 Dropkick song “Citizen C.I.A.” retitled as “Citizen I.C.E.”
The Dropkick tour will conclude with the band’s annual St. Patrick’s Day show, taking place March 17 in Boston.
Dropkick Murphys’ most recent album is 2025’s For the People.
Story of the Year has released a new song called “Disconnected,” a track off the band’s upcoming album, A.R.S.O.N.
You can watch the “Disconnected” video on YouTube.
A.R.S.O.N., the follow-up to 2023’s Tear Me to Pieces, is due out Feb. 13. It also includes the single “Gasoline (All Rage Still Only Numb),” which is currently charting on the Billboard Mainstream Rock Airplay ranking.
Story of the Year will celebrate the release of A.R.S.O.N. with a hometown show in St. Louis on Feb. 14. Their upcoming live schedule also includes sets at the Welcome to Rockville and Sonic Temple festivals.
