Classic Hits

Record Store Day is celebrating its 15th anniversary this year, and in honor of the milestone, a limited-edition 12-inch vinyl single featuring two versions of the recent Paul McCartney tune “Women and Wives” has been chosen as Record Store Day’s first Song of the Year release.

The single will feature McCartney’s original version of “Women and Wives” — which appeared on 2020’s McCartney III album — on one side, and alt-rocker St. Vincent‘s 2021 remix of the tune on the other.

St. Vincent’s “Women and Wives” remix was featured on the McCartney III Imagined album, which was released in April 2021 and included covers or remixes of all the McCartney III tracks by various artists.

As previously reported, Record Store Day 2022 will take place on April 23, with an additional drop date for select releases on June 18. The “Women and Wives” vinyl single will be released on June 18, and a limited run of 3,000 numbered copies will be available.

Explaining why “Women and Wives” was chosen as Song of the Year, Record Store Day co-founder Michael Kurtz says, “I was driving down a Montana highway one sunny, snowy morning when St. Vincent’s imagined version of ‘Women and Wives’ came on [satellite radio]. I was stunned by the song’s message of chasing the future. When St. Vincent’s Jeff Beck-like guitar solo arrived at the end, I got goosebumps. This is a classic McCartney song, up there with some of his best.”

McCartney was inspired to write the song after reading blues legend Huddie “Leadbelly” Ledbetter‘s biography, and he recorded the track with an upright bass that belonged to Elvis Presley‘s early bassist, the late Bill Black.

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Rush guitarist Alex Lifeson says he has no current plans to collaborate with his fellow surviving band mate, singer/bassist Geddy Lee, but isn’t ruling out working with him on new music in the future.

“We’re not putting any pressure on it or anything,” Lifeson explains in a new interview with Guitar World. “We had a lot of good years together and we still love each other very much. I talk to Geddy every other day — we’re best friends. There’s more to our life together than just writing music. So if it happens, it happens. And it’ll happen when it happens.”

Rush played its final show in August 2015, when the band wrapped up its R40 40th anniversary tour. Any chance for a full reunion ended with the passing of drummer Neal Peart, who died of brain cancer in January 2020 at age 67.

Lifeson currently is preparing for release of the self-titled debut of his new group, Envy of None, which also features bassist/singer Andy Curran of the veteran Canadian rock band Coney Hatch, and a 24-year-old vocalist named Maiah Wynne from Portland, Oregon.

Alex tells Guitar World that Envy of None’s music doesn’t sound like anything he’s previously done.

“There’s lots of straight-ahead guitar, but there’s also mandola and lots of manipulated, sequenced things,” he notes. “And I’ve really become an aficionado of backwards guitar as well. So there’s everything from acoustic fingerstyle stuff to really heavy stuff, trippy kind of backwards things to Hendrix-y melodic parts. I’m really quite pleased with it.”

The Envy of None album, which can be pre-ordered now, will be released on April 8.

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High-quality audiophile versions of the Electric Light Orchestra‘s fourth studio, 1974’s Eldorado, will be released in the coming months by Mobile Fidelity Sound Lab — as a two-LP box set mastered at 45 rpm, a single LP mastered at the standard 33 rpm, and on the hybrid SACD format.

All three versions have been remastered from the original analog tapes, and can be pre-ordered now at MusicDirect.com.

The single-LP version and vinyl box sets, which are both pressed on 180-gram “SuperVinyl,” will be available in March and September, respectively, priced at $59.99 and $125.

The LPs in the two-disc collection were created using Mobile Fidelity’s ultra-hi-fi UltraDisc One-Step lacquering process. The sets are limited to 10,000 numbered copies.

The SACD version will be released in April and is priced at $29.99.

Originally released in September ’74 in the U.S., Eldorado was a concept album that frontman Jeff Lynne wrote about a man who escapes the disillusionment of his dull life by journeying into fantasy worlds via his dreams. Musically, the record is heavily influenced by The Beatles, and blends pop and rock sounds with orchestral and choral elements.

Eldorado became ELO’s first album to break into the top 40 of the Billboard 200, peaking at #16. It featured the group’s first stateside hit, “Can’t Get It Out of My Head,” which reached #9 on the Billboard Hot 100.

“Our team is proud and honored to reissue ELO’s groundbreaking album Eldorado,” says Mobile Fidelity executive president John K. Wood. “We want to bring fans closer to the music by revealing all the intricate sonic details and subtle nuances in Jeff Lynne’s mix of this iconic album.”

Here’s the full Eldorado track list:

“Eldorado Overture”
“Can’t Get It Out of My Head”
“Boy Blue”
“Laredo Tornado”
“Poor Boy (The Greenwood)”
“Mister Kingdom”
“Nobody’s Child”
“Illusions in G Major”
“Eldorado”
“Eldorado Finale”

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Van Morrison and prolific hit songwriter Diane Warren are among the music artists and composers who will discuss their Oscar nominations for this year’s Best Original Song honor during a virtual event hosted by the Songwriters Hall of Fame.

You can tune in to watch beginning March 3 at 8 p.m. ET. The event is free to watch, though you do need to register ahead of time.

Morrison is nominated for his song “Down to Joy,” heard in the film Belfast, while Warren is being recognized for the tune “Somehow You Do,” from the movie Four Good Days.

The conversation will also include Billie Eilish and her brother FINNEAS, Lin-Manuel Miranda, and Dixson, who are nominated for their respective songs for the James Bond film No Time to Die, Encanto and King Richard. Disco and funk legend Nile Rodgers, who is the current chairman of the Songwriters Hall of Fame, will moderate the discussion alongside Oscar-winning composer Paul Williams.

Incidentally, Morrison and Warren are both Songwriters Hall of Fame inductees, as are Rodgers and Williams.

For more info, visit SongHall.org.

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Robert Plant and Alison Krauss have debuted a music video for their new cover of the 1965 soul tune “Searching for My Love,” which appears on the duo’s 2021 collaborative album, Raise the Roof.

The clip, which is the first official music video that Plant and Krauss have released in 14 years, depicts a series of lonely male travelers on various quests to find seemingly unattainable objects of desire.

The video includes scenes of a man climbing to a mountaintop, a pirate standing in front of a treasure chest, an adventurer soaring through gray clouds on man-made wings, and a man swimming in the ocean toward a mermaid who disappears just as he reaches her.

“Searching for My Love,” which originally was recorded by American soul group Bobby Moore & The Rhythm Aces, is a tune that Plant first sang when he was a teenager. The Led Zeppelin frontman says the song was “another nugget of beautiful lost soul music which has been ricocheting between me and Alison for a long time.”

As previously reported, Raise the Roof, which was released in November, is a 14-track collection that features 13 covers of songs by “legends and unsung heroes of folk, blues, country and soul music,” as well as one original tune co-written by Plant and producer T Bone Burnett, titled “High and Lonesome.”

In support of Raise the Roof, Plant and Krauss will launch a U.S. tour leg that runs from a June 1 show in Canandaigua, New York, trough a June 17 appearance at the Bonnaroo festival in Manchester, Tennessee. The duo also has a series of European concert in late June and July.

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Police drummer Stewart Copeland made a surprise appearance at Pearl Jam frontman Eddie Vedder‘s solo concert in Los Angles this past Friday.

Vedder invited Copeland on stage for the show’s encore, which included a ramshackle cover of The Police’s “Message in a Bottle” — “Still practicing,” Eddie quipped at one point — and a closing performance of Neil Young‘s “Rockin’ in the Free World.”

Copeland’s guest spot allowed Red Hot Chili Peppers‘ Chad Smith, who’s been Vedder’s drummer for the tour, to take a breather during “Message in a Bottle,” but he returned to the stage to play guitar on “Rockin’ in the Free World.”

Fan-shot footage of the performance is streaming now on YouTube.

Vedder’s tour, which launched earlier this month in support of his new Earthling solo album, concluded Sunday in San Diego. For the run, Vedder was joined by his Earthlings solo band, which included Smith, ex-RHCP guitarist and current Pearl Jam touring member Josh Klinghoffer, Jane’s Addiction bassist Chris Chaney, singer-songwriter Glen Hansard, and producer and guitarist Andrew Watt.

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Brian Jones, the accomplished slide guitarist and multi-instrumentalist who founded The Rolling Stones, was born 80 years ago today, February 28, 1942.

Jones, who died at age 27 in July 1969, formed The Stones in 1962 to showcase the music of the American blues artists he loved, including Muddy Waters, Howlin’ Wolf and Elmore James. Brian came up with his band’s name, taken from the Waters song “Rollin’ Stone Blues,” and he initially was the group’s leader.

Jones’ slide guitar was a key element of the group, and he also played harmonica on many of the band’s recordings.  However, the band’s leadership soon shifted to singer Mick Jagger and guitarist Keith Richards, as they emerged as The Stones’ main songwriting team.

As The Rolling Stones began exploring other musical styles, Brian’s ability to play almost any instrument allowed him to add interesting sonic flavors to many songs.  Jones played the recorder on “Ruby Tuesday,” sitar “Paint It Black,” dulcimer on “Lady Jane,” marimba on “Under My Thumb” and “Out of Time,” Mellotron on most of 1967’s Their Satanic Majesties Request album, and autoharp on “You Got the Silver.”

However, as the 1960s progressed, Jones’ talents became increasingly hindered by drugs and his contributions began to wane. In June 1969, he was fired from The Rolling Stones. Less than a month later, he was found dead in the swimming pool at his house in Hartfield, U.K.

The coroner ruled Jones had died by drowning and later listed the cause as “death by misadventure,” noting that he had an enlarged liver and heart due to drug and alcohol abuse. Allegations that Jones had been murdered have circulated over the years, but a 2010 review by local police asserted that no new evidence had emerged to change the coroner’s original verdict.

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Neil Diamond has joined the “sell your catalog” club of veteran musicians.

Universal Music Group has acquired Diamond’s entire catalog, as well as the rights to all his recordings, including 110 unreleased tracks, an unreleased album, and archival long form videos. The legendary singer, who turned 81 in January, has sold more than 130 million albums over the past 50 years. No price was reported for the deal.

Universal Music Group has overseen Diamond’s publishing since 2014. The deal also brings together recordings he made for UMG, like “Sweet Caroline,” “Red, Red Wine,” “Cracklin’ Rosie” and “Song Sung Blue,” with his earlier recordings for the BANG label, and his post-1972 work.

UMG will also release Diamond’s future music, if he decides to make any.

“After nearly a decade in business with UMG, I am thankful for the trust and respect that we have built together,” Diamond said in a statement, adding that he feels “confident” that the company will “continue to represent my catalogue, and future releases with the same passion and integrity that have always fueled my career.”

As previously reported, The Neil Diamond Musical: A Beautiful Noise will premiere at Boston’s Emerson Colonial Theatre on June 21, where it’ll have a six-week engagement before heading to Broadway.

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Graham Nash shares stories behind some of his most famous songs in a new episode of the Apple Music 1 podcast Deep Hidden Meaning Radio, hosted by Chic‘s Nile Rodgers, which premieres this Saturday, February 26 at 11 a.m. ET.

As revealed in a preview provided to ABC Audio, one of the tunes Graham spoke about was his classic “Teach Your Children,” which appeared on Crosby, Stills, Nash & Young‘s 1970 debut, Déjà Vu.

He explained to Rodgers that the tune was inspired by a famous 1962 Diane Arbus photograph of a boy holding a toy hand grenade in New York’s Central Park.

“[W]hen I was looking at the [photo]…I began to realize that if we didn’t teach our kids a better way of dealing with each other, then humanity itself was kind of screwed,” Nash recalls. “That was the beginning of ‘Teach Your Children.'”

Graham also revealed that in 1989, when he was selling some photo prints, including one of the Arbus photo, a tall young man introduced himself to him and told him he was the boy with the grenade, and shared his memory of his picture being taken that day.

Nash also talked about “Marrakesh Express,” the 1969 Crosby, Stills & Nash hit that he wrote. Graham explained that he first recorded the song with his previous band The Hollies, but he felt that version “absolutely sucked.”

He said that it was his CSN band mate Stephen Stills‘ guitar playing that made “Marrakesh Experess” a great song.

“When you are writing a song about a train, it needs a train,” Graham noted. “It needs urgency, it needs energy, it needs to be tracking right along. And that guitar part that Stephen Stills put on was unbelievable to me.”

The full podcast will stream for free at Apple.com.

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It wasn’t surprising when Elton John‘s collaboration with pop star Dua Lipa, “Cold Heart (Pnau Remix),” hit number one in the U.K. — after all, both artists are British. But apparently, Australia loves them even more.

The song, which mashes up four of Elton’s previous songs, has just checked off its 10th non-consecutive week at number one on Australia’s ARIA Singles Chart, which is that country’s official song ranking.

“Cold Heart (Pnau Remix)” is now one of only four songs that have spent 10 weeks on top of the ARIA Singles Chart. The others include Whitney Houston‘s “I Will Always Love You,” LMFAO‘s “Party Rock Anthem” and Sandi Thom‘s “I Wish I Was a Punk Rocker (With Flowers in My Hair).”

Of course, “Cold Heart” has a long way to go before it sets any records Down Under: The longest-running song on the ARIA Singles chart is “Dance Money” by Tones and I, which was number one for 24 weeks.

Incidentally, the remix was created by the electronic dance duo Pnau, who happen to be Australian.

In the U.S., “Cold Heart” peaked at number seven on the Billboard Hot 100. It’s the only song from this century that Elton is performing during his Farewell tour. Earlier this week, Elton performed at his “favorite venue in the world” — New York’s Madison Square Garden — for the last time. He’s played there more than 70 times.

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