With just a week left to go, Duran Duran seems to be running away with the Rock and Roll Hall of Fame’s “Fan Vote.”
Fans are allowed to vote once a day for up to five of this year’s Rock Hall nominees through April 29. The top five vote-getters will then make up a “fans’ ballot” that will count towards choosing the 2022 inductees. So far, Duran Duran is way ahead of every other nominee, with more than 903,000 votes. The second and third biggest vote-getters are Eminem, with more than 672,000 votes and Pat Benatar, with nearly 606,000 votes.
The rest of the top five is rounded out by Eurythmics, with nearly 423,000 votes, and Dolly Parton with more than 382,000. As previously reported, Parton asked to withdraw her name from consideration, but the Rock Hall is moving forward with her as a nominee.
Some of this year’s nominees who aren’t doing very well in the votes include the MC5, Beck, New York Dolls and pioneering African musician Fela Kuti. In the middle of the pack, Judas Priest, Carly Simon and Lionel Richie are hovering just outside the top five.
Voting closes on Friday; the official inductees will be announced soon afterwards.
After postponing their April concerts after Warren Haynes fractured his shoulder, Gov’t Mule has now added dates to their upcoming U.S. summer tour.
The tour, in support of Gov’t Mule’s latest album, Heavy Load Blues, starts June 3 in Hayes’ hometown of Asheville, NC. The newly announced shows include a June 4 show in Birmingham, AL, a June 19 concert in Ojai, CA, a June 21 show in Tempe, AZ and a June 22 show in Tucson, AZ. The final new date is August 19 in Indianapolis.
Pre-sale tickets for Ojai, Tempe, Tucson and Indianapolis are available via pre-sale on Wednesday; the general on-sale date is April 29 at 10 a.m. local time. All ticketing information is available at mule.net.
The tour features a mix of headlining and festival dates, as well as a few support dates with ZZ Top, Grace Potter, and Willie Nelson on his Outlaw Festival Tour. In addition, the band has rescheduled its shows in Philadelphia and New York City for December 29 and December 30 and 31, respectively.
In a statement, Haynes says, “I can’t overstate how happy and excited we are to finally get back on the road and be together with our amazing fans this summer. It’s been far too long, but I’m getting better every day and appreciate the well wishes and your patience.”
He adds, “We’re really looking forward to performing all these new songs for you. We’re also going to dig deep into our catalog and include many songs we haven’t played in a while. As always, every show will be a different experience. See you all very soon!”
We finally have our first look at the poster for the upcoming Whitney Houston movie, I Wanna Dance with Somebody.
The movie’s official Twitter account debuted the poster Monday, which shows star Naoimi Ackie dressed in a black leather jacket, white tank, skinny jeans and black ankle boots — the same outfit Whitney wore for her “So Emotional” music video. Her arms are splayed wide and her head is thrown back as she strikes a joyful pose on the poster.
“Don’t you wanna dance?” the account teased. “Whitney Houston, the greatest voice, has an even greater story. I Wanna Dance With Somebody is exclusively in movie theaters December.”
Clive Davis, who signed Houston to Arista Records, is producing the movie and previously told USA Today, “The goal…is to come up with a very realistic, very honest story…as well as capturing her losing battle with addiction, capturing her vocal genius and influence on music and contemporary musicians.” He added that his overall mission with I Wanna Dance is to “present the full story of Whitney Houston impeccably and [ensure] that it will be realistic in every respect.”
I Wanna Dance with Somebody was written by Anthony McCarten, who’s behind the Oscar-winning Bohemian Rhapsody movie, which told the story of another late music legend and Queen frontman Freddie Mercury.
Heart‘s Ann Wilson is releasing her new solo album, Fierce Bliss, this Friday, but her famous band is always looming in the background. For one, Wilson says she’s enthusiastic about the in-the-works Heart biopic which, as previously reported, is being scripted by Portlandia star and Sleater-Kinney member Carrie Brownstein.
Speaking with the U.K. paper The Independent, Wilson says, “It is very strange, just the idea of somebody portraying me. But Carrie just really gets it. She’s the best – so smart and funny and talented.”
“And she’s trying to make sure it doesn’t fall into so many of these rock movie clichés,” Wilson adds. “She’s trying to get away from that and really tell the story of what it’s like for these two people, my sister [Nancy] and I. To make it real.”
While the Wilson sisters went on record earlier this year about their disagreements regarding Heart’s future as a live band, Ann said last month that they have “a bunch of stuff” planned for 2023, which will mark Heart’s 50th anniversary. For example, Ann tells The Independent that the band is hoping to return to the city where Heart played their very first gig for a 50th anniversary show.
That city is Vancouver, where Wilson recalls that Heart played a venue called The Cave. Their audition for the gig was a disaster, she recalls. Because Nancy hadn’t yet joined the band, Ann was playing guitar as well as singing. “My [guitar] strap came off and so my guitar fell off during “Stairway to Heaven,’” she laughs.
Wilson will kick off a series of tour dates with her backing band The Amazing Dawgs in support of Fierce Bliss starting May 4 in San Francisco.
Now that Phil Collins, Mike Rutherford and Tony Banks have wrapped up what they say is their final tour, a new book that claims to be the definitive source on all things Genesis is coming this fall.
Called Genesis Reference Manual, the tome, which begins with the band’s 1968 beginnings and ends with their final London shows in 2022, lists all known concerts, recordings and media appearances, as well as those of its individual members’ solo careers. It’s billed as the “final word on one of the world’s most enduring and successful bands.”
The solo career chapters alone should be quite extensive, since in addition to singers Peter Gabriel and Phil Collins, both Banks and Rutherford, plus former guitarist Steve Hackett, have all released multiple solo albums. In addition, Rutherford has released many albums with his side project, Mike + the Mechanics.
And speaking of Hackett, he wrote one of the forewords for the book, as did original Genesis lead guitarist Ant Phillips, and Richard McPhail, one of the band’s tour managers.
The book, written by Alan Hewitt, is due to be published on September 23. You can order it from Wymer Publishing‘s website.
In 1976, The Who set a Guinness World Record for the loudest concert in history when they were measured at 126 decibels, which is close to a jet engine taking off. But today, singer Roger Daltrey says he regrets the band’s high-volume shows.
Speaking to the U.K. paper The Independent, Daltrey says his hearing is “terrible, terrible,” adding that without his hearing aids, “everything’s a mumble.” He notes, “It’s a penalty for what we did in our lives. We were too f***ing loud.”
But despite his and Pete Townshend‘s hearing issues, The Who is back on the road, and in June, Daltrey will mount a solo U.K. tour called Who Was I. One reason, he says, is to help out his band and crew financially.
“Musicians have had a real rough two years, really rough,” he explains. “Most of them are self-employed, they got no furlough, no anything. It’s been brutal on them. So if I can go out there and employ 10 musicians [and] 10 road crew for a month, I’m gonna do it.”
Daltrey is also hard at work on his long-planned Keith Moon biopic, which he’s working on with author Nigel Hinton.
“It’s been quite a journey,” he says. “I’ve had so many scripts written, by very eminent scriptwriters, but they just did not get it. They did not get him, they did not get the music business. It’s been very difficult, but I’m quietly confident that we’ve got something special.”
And while Townshend recently said he hopes to retire from the road, Daltrey’s not interested. He notes, “I’m going to do it as long as I can, but then one day it will give me up and I won’t be able to do it. Simple as that.”
Stevie Nicks has booked a bunch of festival dates for 2022, but now she’s added four headlining shows to her schedule.
The two-time Rock and Roll Hall of Fame inductee will perform June 10 in Ridgefield, Washington; June 12 in Mountain View, California; June 16 in Salt Lake City; and June 21 in Noblesville, Indiana. Tickets go on sale this Friday, April 29 via LiveNation.com.
That’s in addition to her shows on May 11 at Red Rocks Amphitheater in Morrison, Colorado, and May 14 at the Gorge in George, Washington. Vanessa Carlton will open those shows.
As previously reported, Stevie will also headline the New Orleans Jazz & Heritage Festival on May 7, Bonnaroo on June 19 and Jazz Aspen Snowmass on September 4.
In addition, she’ll perform on September 17 at Asbury Park, New Jersey’s Sea.Hear.Now festival, September 24 at Bridgeport, Connecticut’s Sound on Sound Festival, and September 30 at Eddie Vedder’s Ohana Fest in Dana Point, California.
Lynch & Campbell onstage in 1979; Gary Gershoff/Getty Images
Founding Tom Petty & the Heartbreakers guitarist Mike Campbell and his current band, The Dirty Knobs, now have a very familiar face behind the drum kit: Founding Heartbreakers drummer Stan Lynch.
On Facebook, Campbell explained that Matt Laug, the drummer for The Dirty Knobs, has “a commitment touring in Italy through the end of June,” so Lynch will be filling in for him on all the band’s shows through a June 26 show in Aspen, CO.
Lynch’s first gigs with the band took place over the weekend in Boulder and Denver, CO. Their next show is April 28 in Houston. Laug will rejoin the band in July.
Campbell describes Lynch as “an old friend who I love dearly,” adding, “We’ve had the best time reconnecting.”
Lynch was a member of the Heartbreakers until he left in 1994; he was replaced by Steve Ferrone. He reunited with the Heartbreakers for their induction into the Rock and Roll Hall of Fame in 2002.
In addition to the Heartbreakers, Lynch, who is also a songwriter and producer, contributed to albums by The Eagles, Bob Dylan, Stevie Nicks, John Mellencamp, Jackson Browne, Toto, Warren Zevon and many other artists.
Lynch & Campbell onstage in 1979; Gary Gershoff/Getty Images
Founding Tom Petty & the Heartbreakers guitarist Mike Campbell and his current band, The Dirty Knobs, now have a very familiar face behind the drum kit: original Heartbreakers drummer Stan Lynch.
On Facebook, Campbell explained that Matt Laug, the drummer for The Dirty Knobs, has “a commitment touring in Italy through the end of June,” so Lynch will be filling in for him on all the band’s shows through a June 26 show in Aspen, Colorado.
Lynch’s first gigs with the band took place over the weekend in Boulder and Denver, Colorado. Their next show is April 28 in Houston. Laug will rejoin the band in July.
Campbell describes Lynch as “an old friend who I love dearly,” adding, “We’ve had the best time reconnecting.”
Lynch was a member of the Heartbreakers until he left in 1994; he was replaced by Steve Ferrone. He reunited with the Heartbreakers for their induction into the Rock and Roll Hall of Fame in 2002.
In addition to the Heartbreakers, Lynch, who is also a songwriter and producer, contributed to albums by The Eagles, Bob Dylan, Stevie Nicks, John Mellencamp, Jackson Browne, Toto, Warren Zevon and many other artists.
Since Johnny Winter was such a venerated blues-rock guitarist, Edgar made sure to invite many acclaimed players to do justice to his brother’s songs. These included ZZ Top‘s Billy Gibbons and Allman Brothers Band alums Derek Trucks and Warren Haynes.
Gibbons and Trucks both contribute their guitar talents to a blazing version of Johnny’s 1969 song “I’m Yours and I’m Hers,” with Billy also lending vocals to the track.
Edgar tells ABC Audio that he felt “the juxtaposition” of Billy’s and Derek’s playing made the track special, noting, “I love hearing that interplay between the two of them.”
Winter says Trucks’ slide work “was just nothing short of amazing.”
As for Gibbons’ singing on the track, Edgar notes, “I love hearing Billy’s voice. You know, he has such a distinctive voice that you immediately know it’s him…[H]e put a lot of love into it.”
Haynes sings and plays guitar on a rendition of “Memory Pain,” which appeared on Johnny’s third studio album, 1969’s Second Winter. Edgar recalls that Warren immediately insisted on doing “Memory Pain” when asked to take part in the project, noting that Haynes was more than prepared for his session.
“You talk about magical moments in recording,” Edgar enthuses. “He walked up to the mic, he plugged in his guitar and he did that whole song start to finish, singing and playing at the same time. He did the song exactly the way Johnny would have done it with [his] blues trio.”
He adds, “[T]he honesty and sincerity of that just blew me away.”
Here’s Brother Johnny’s full track list:
“Mean Town Blues” — featuring Joe Bonamassa
“Alive and Well” — featuring Kenny Wayne Shepherd
“Lone Star Blues” — featuring Keb’ Mo’
“I’m Yours and I’m Hers” — featuring Billy Gibbons & Derek Trucks
“Johnny B. Goode” — featuring Joe Walsh & David Grissom
“Stranger” — featuring Michael McDonald, Joe Walsh & Ringo Starr
“Highway 61 Revisited” — featuring Kenny Wayne Shepherd & John McFee
“Rock ‘n’ Roll Hoochie Koo” — featuring Steve Lukather
“When You Got a Good Friend” — featuring Doyle Bramhall II
“Jumpin’ Jack Flash” — featuring Phil X
“Guess I’ll Go Away” — featuring Taylor Hawkins & Doug Rappoport
“Drown in My Own Tears”
“Self Destructive Blues” — featuring Joe Bonamassa
“Memory Pain” — featuring Warren Haynes
“Stormy Monday Blues” — featuring Robben Ford
“Got My Mojo Workin'” — featuring Bobby Rush
“End of the Line” — featuring David Campbell Strings
