David Bowie’s pianist recalls the end of Ziggy Stardust on 50th anniversary of final show

David Bowie’s pianist recalls the end of Ziggy Stardust on 50th anniversary of final show
David Bowie’s pianist recalls the end of Ziggy Stardust on 50th anniversary of final show
Gijsbert Hanekroot/Redferns

July 3 marks the 50th anniversary of David Bowie’s final performance as Ziggy Stardust at the Hammersmith Odeon in London, and his pianist Mike Garson says that while fans may not have been ready to say goodbye to the character, Bowie certainly was.

In an interview with Yahoo Entertainment, Garson, a member of Bowie’s then-backing band at the time, The Spiders From Mars, says Ziggy was exactly what Bowie needed because he was able to “hide behind this character,” which helped with his nerves.  However, Garson says he stayed in the character “a little too long.”

“Yes, this show and this persona could have gone on for six months to a year longer than it did, but he cut it short at the Hammersmith in ‘73 because he’d had enough of it,” he says. “Fans didn’t get enough of it, because it was just warming up. But he knew it would screw him up if he stayed in it any longer. So, he dropped it.”

Garson, who continued to play with Bowie after the Ziggy era, says “part of me was happy” Ziggy came to an end “because I was bored,” but he notes he did miss his bandmates. 

 “This guy couldn’t help himself. He had to move on and move on and move on,” he says of Bowie. “He was always that way. He was impatient, because he couldn’t help wanting to create the next thing… He was the Miles Davis of the rock world, in that he had to change styles every few years.”

The 50th anniversary of Bowie’s final performance as Ziggy Stardust is being celebrated with screenings of Ziggy Stardust And The Spiders From Mars: The Motion Picture in theaters across the country throughout July. Tickets are on sale now.

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Keith Emerson’s career being celebrated with 20-CD box set

Keith Emerson’s career being celebrated with 20-CD box set
Keith Emerson’s career being celebrated with 20-CD box set
Spirit of Unicorn Music

Keith Emerson’s career is being celebrated with a brand new box set titled Variations, set to drop October 13.

The family of the late Emerson, Lake & Palmer keyboardist was directly involved in curating the set, which will be made up of 20 CDs, covering the prog rocker’s entire career. The set, housed in a special 10×10-inch box, is broken down into five parts: The Early Years/The Bands — covering both ELP and The Nice  The Solo Albums, The Soundtracks, Collaborations and Live Performances.

“It is with great excitement that we can share all of Dad’s great work, expanding throughout his long career,” Emerson’s son Aaron shares. “I hope it gives you as much joy as it has done for all of us.”

Among the live performances featured in the set is the Keith Emerson Trio‘s previously unreleased 2004 concert at BB Kings in New York City.

The set also includes a 48-page book with never-before-seen photos as well as sleeve notes written by Jerry Ewing, editor of PROG magazine.

Variations is available for preorder now.

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Peter Gabriel drops new ‘i/o’ track “So Much”

Peter Gabriel drops new ‘i/o’ track “So Much”
Peter Gabriel drops new ‘i/o’ track “So Much”
Nadav Kander

July’s full moon has brought us yet another new song from Peter Gabriel. So Much” is the seventh single he’s released from his upcoming album i/o, which so far does not have a release date. 

“’So Much’ is about mortality, getting old, all the bright, cheerful subjects, but I think when you get to my sort of age, you either run away from mortality or you jump into it and try and live life to the full and that always seems to make a lot more sense to me,” Gabriel shares. “The countries that seem most alive are those that have death as part of their culture.”

As he’s done with all the other songs he’s released from i/o, Gabriel plans to release several different remixes of the song. The first one released is the Dark-Side Mix by Tchad Blake. It will be followed later this month by Mark ‘Spike’ Stent‘s Bright-Side Mix and Hans-Martin Buff’s Atmos mix (In-Side Mix).

Gabriel recently wrapped the U.K./European leg of his i/o tour. He’ll be bringing it to North America starting September 8 in Quebec City, Canada. A complete list of dates can be found at petergabriel.com.

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On This Day, July 3, 1991: Foreigner release the album ‘4’

On This Day, July 3, 1991: Foreigner release the album ‘4’
On This Day, July 3, 1991: Foreigner release the album ‘4’

Foreigner released their fourth studio album, aptly title 4. The title was even more appropriate because the band went from six members to four —  Lou GrammMick JonesRick Wills and Dennis Elliott.

The album was a massive hit, spending 10 weeks at #1 on the Billboard chart and selling over six million copies. It featured three hit singles, including one of their biggest hits “Waiting for a Girl Like You,” which peaked at #2 on the chart. Other hit singles included “Urgent,” which went to #4, and “Juke Box Hero,” which featured a young Thomas Dolby on keyboards. 

The album went on to be certified six-times Platinum by the RIAA.

Foreigner is currently on their final tour, though the only original member currently playing with the band is Mick Jones. They play Alpharetta, Georgia, on July 6. A complete list of dates can be found at Foreigneronline.com.

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Neil Young treats crowd to rarities at kickoff of first tour since 2019

Neil Young treats crowd to rarities at kickoff of first tour since 2019
Neil Young treats crowd to rarities at kickoff of first tour since 2019
courtesy of Neil Young Archives

Neil Young made his return to the road this weekend, kicking off his Coastal Tour at the John Anson Ford Amphitheatre in Los Angeles, California, his first tour since 2019. Young had promised fans he was going to be focusing on songs he rarely or hasn’t played live before, and he wasn’t kidding. 

Neil kicked off the show Friday, June 30, with the track “I’m The Ocean,” recorded with Pearl Jam for 1995’s Mirror Ball. According to setlist.fm, he hadn’t played that song since 1997 with his band Crazy Horse

Other rarities that were played for the first time in years include the Buffalo Springfield track “Burned,” which Neil hadn’t performed since 2009, “If You Got Love” for the first time since 1986 and “Song X,” which he last played in 1995 with Pearl Jam. Neil also performed “Prime of Life” for the first time since 1994, “Days That Used to Be” for the first time since 2014 and “When I Hold You In My Arms” for the first time since 2001.

There were also several songs that got their live debut, including “A Dream That Can Last,” “Don’t Forget Love,” and “Love Earth.”

The night wasn’t completely filled with rarities, with at leasts two classics making the set: “Heart of Gold” and the Crosby, Stills, Nash & Young tune “Ohio.”

Young has two more shows at the John Anson Ford Amphitheatre, July 3 and 5, before he heads to Santa Barbara on July 7. A complete list of dates can be found at NeilYoungarchives.com.

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David Lee Roth shares mini doc on the 1983 US Festival

David Lee Roth shares mini doc on the 1983 US Festival
David Lee Roth shares mini doc on the 1983 US Festival
Chris McKay/Getty Images for Live Nation

David Lee Roth has shared a new mini doc about the short-lived US Festival, which was the brainchild of Apple cofounder Steve Wozniak. According to the doc, Wozniak had hoped the ’80s would be “more community oriented” than the ’70s. 

The US Festival, the US standing for Unite us in Song, not United States, took place outside of California. It consisted of two multiday festivals, one during Labor Day weekend in 1982 and another during Memorial Day weekend in 1983. The latter consisted of four shows broken down by genre — new wave, rock, heavy metal and country — with Van Halen headlining the heavy metal day, which also included Mötley CrüeJudas Priest and Ozzy Osbourne.

Roth’s somewhat bizarre 24-minute documentary starts with a discussion of his creation of what he called the Jungle Studs, a group of friends he’d go on adventures with. But his traveling time was cut short when Van Halen was offered the US Festival gig by Wozniak. They at first turned it down, but changed their minds when they were offered $1 million for the gig.

At the time, the show was the biggest concert of Van Halen’s career. They wound up getting paid even more than the initial offer, since they had a clause in their contract that no band could be paid more than them. Wozniak, desperate to get David Bowie for the rock day lineup, paid $1.5 million to get him and his crew to the show.

In the end, the festival cost Woz $10 million — and there were two reported deaths. The festival never returned.

(Video includes uncensored profanity.)

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Ringo Starr says they’d never “fake” John Lennon’s voice for last Beatles song

Ringo Starr says they’d never “fake” John Lennon’s voice for last Beatles song
Ringo Starr says they’d never “fake” John Lennon’s voice for last Beatles song
ABC/ Heid Gutman

Paul McCartney recently revealed that artificial intelligence was used to “extricate” the late John Lennon’s voice from an old demo, for what he says will be “the last Beatles record.” As previously reported, he later clarified that “nothing has been artificially or synthetically created” for the tune. Well, now the only other living Beatle, Ringo Starr, is chiming in on details about the song.  

In an upcoming episode of Rolling Stone‘s Music Now podcast, Ringo insists they would “never” go so far as to fake Lennon’s vocals for a song. He also says they used recordings the late George Harrison made before his 2001 death. 

“This was beautiful,” Starr says of the tune, “and it’s the final track you’ll ever hear with the four lads. And that’s a fact.”

So far there’s no word on the name of the song. Speculation suggests it’s the tune “Now And Then,” which was recorded at the same time as “Free As A Bird” and “Real Love,” which appeared on the Beatles Anthology albums, which were released between 1995 and 1996.

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John Mellencamp chats with Bob Costas for debut episode of series ‘WITH’

John Mellencamp chats with Bob Costas for debut episode of series ‘WITH’
John Mellencamp chats with Bob Costas for debut episode of series ‘WITH’
Jason Kempin/Getty Images

John Mellencamp will be featured in the debut episode of the new public television series WITH, set to debut Saturday, July 1 (check local listings). The Rock & Roll Hall of Famer sits down for a chat with TV personality Bob Costas for the episode, which was filmed at the Metropolitan Museum of Art in New York.

“I’m a curmudgeon,” Mellencamp says in a preview of the episode, much to Costas’ mock surprise. “I like to do things my way and I pay an awfully high price for that.” Mellencamp also discusses his love of painting in the clip. 

According to the series’ description, it “explores the concept of collaboration and the impact that relationships and experiences can have on the creative process,” looking at the “unseen influences and inspirations that shape an artist’s work.” Each episode features a musician paired with fellow creators, musicians and friends.

trailer for the series reveals future episodes will feature interviews with Peter Frampton, the members of AC/DCHeartbreaker guitarist Mike Campbell, and Susan Tedeschi and Derek Trucks.

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Dolly Parton on her ‘Rockstar’ Beatles reunion and why Mick Jagger isn’t on the album

Dolly Parton on her ‘Rockstar’ Beatles reunion and why Mick Jagger isn’t on the album
Dolly Parton on her ‘Rockstar’ Beatles reunion and why Mick Jagger isn’t on the album
Vijat Mohindra/Butterfly Records via BMLG

Dolly Parton’s upcoming album, Rockstar, features a reunion of Paul McCartney and Ringo Starr on her cover of “Let It Be,” and she tells the U.K.’s Absolute Radio just how she got the two Beatles to join her for the track. 

“I’ve always loved that song,” Dolly says. “I recorded the song without them and then I thought, ‘Wow. Wouldn’t it be great if Paul McCartney would agree to play piano and sing on it?!’ And then I thought, ‘Wouldn’t it even be greater to have Ringo Starr – because that’s the last of The Beatles – play on that track?!’”

It turns out it wasn’t hard to convince them. Dolly explains, “I just asked if they’d do it and they said, ‘Yeah,’ and I was excited to death.” She adds, “They were so generous and so sweet about it. I was so, so touched with so many of the people on the album that they were so willing to do it.”

Mick Fleetwood and Peter Frampton also appear on the track, with Dolly’s noting, “I thought, ‘This is an all-star song!’”

Meanwhile, one person Dolly couldn’t get for the record was Rolling Stone frontman Mick Jagger, not that she didn’t try. The Mail quotes Dolly as saying, “I wanted Mick Jagger so bad, because my husband loves him.” She says she wanted him for her for a cover of “Satisfaction,” but he wanted to do “something new and different.”

“We kept looking for the right song,” she says, “but unfortunately he was doing an album in LA, and I was doing stuff in Nashville, and I kept missing him, but he wanted to do it.” 

Dolly Parton’s Rockstar drops November 17. It is available for preorder now.

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Dead & Company raises $1 million for charity on Final Tour

Dead & Company raises  million for charity on Final Tour
Dead & Company raises  million for charity on Final Tour
Courtesy of Live Nation

Dead & Company’s current tour has brought in big bucks for some very good causes.

The band is currently on their Final Tour, and throughout the trek, they’ve held several auctions organized by the non-profit voter registration organization HeadCount. According to HitsDailyDouble, the band has raised $1 million over the past month from auctions selling pieces of drummer Mickey Hart’s art and guitars specifically tailored to certain tour stops.

So far, five guitars featuring artwork by poster artist AJ Masthay have been auctioned off. The biggest bids came in for a guitar from their Citifield show in New York, which sold for $125,000, and another from Saratoga, New York, which brought in $114,420, the last three numbers being quite appropriate for fans of the Dead.

The $1 million is just the beginning since Dead & Co. still has plenty to auction off during the rest of the tour, including an autographed guitar played by Bobby Weir at Chicago’s Wrigley Field, signed drumheads, posters, and more.

All the money raised will be donated to causes important to the band, including HeadCount, the environmental organization REVERB and over a dozen more. 

Dead & Company’s Final Tour hits Boulder, Colorado, for a three-night stand July 1-3. It’s set to wrap with three nights in San Francisco, July 14-16. A complete list of dates can be found at deadandcompany.com.

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