Elvis Costello and Nile Rodgers & Chic are among the artists set to play the 2024 Newport Jazz Festival, which is the 70th year of the festival.
This year’s event is going down August 2-4 at Fort Adams State Park in Newport, Rhode Island.
Other artists confirmed for the festival include André 3000, Brittany Howard, Thievery Corporation and Meshell Ndegeocello.
Special three-day tickets go on sale Tuesday, April 9, at 1 p.m. ET for 24 hours only, with all other ticket types going on sale Wednesday, April 10, at 1 p.m. ET. Ticket information and a complete lineup can be found at newportjazz.org.
While U2 frontman Bono seems to have a good sense of humor, apparently it only goes so far, as comedian Seth Meyers found out when he made one too many jokes about the Broadway musical Spider-Man: Turn Off the Dark, which Bono and The Edge wrote the music and lyrics for.
In the new The Lonely Island & Seth Meyers Podcast, Meyers recounts getting called out by Bono for harping on the failed musical, which closed in 2014 after losing millions of dollars.
“This might already be lost to history, but in the early runs of Spider-Man: Turn Off the Dark, a lot of Spider-Men were falling from the rafters and hurting themselves super bad,” Meyers recalled. “Living in New York City at the time, that was pretty much all that the New York Post was writing about.”
Meyers noted he was “completely enamored with the story” and wrote “way too many sketches” about it for Saturday Night Live, which Bono wasn’t too happy about.
“I got an email from Bono — this is not a joke — inviting me to the premiere of ‘Spider-Man: Turn Off the Dark,’” Meyers said. “He said something along the lines of, ‘You’ve had your fun. You’ve told your jokes. Now come see the real thing.’”
Meyers wound up going opening night and says he didn’t witness any injured actors.
“Everybody walked out as they entered,” he said. “I will say, half of the audience — and I’m not going to say which half I was in — I think was a little bummed out that nobody fell from the rafters.”
The Lonely Island & Seth Meyers Podcast has Meyers, Andy Samberg, Akiva Schaffer and Jorma Taccone reflecting on the popular SNL Digital Shorts put out by Lonely Island. A new episode airs every Monday.
Deep Purple is getting ready to hit the road this summer on their = 1 More Time Tour celebrating 50 years of their classic tune “Smoke on the Water.”
The tour, featuring special guest Yes, is set to kick off August 14 in Hollywood, Florida, and will hit such cities as Cincinnati, Cleveland, Chicago, Detroit, Long Island, New York and more, before wrapping September 8 in Scranton, Pennsylvania.
VIP packages and a fan presale are available now, with tickets going on sale to the general public starting Friday, April 12, at 10 a.m. local time. A complete list of dates can be found at deeppurple.com.
The tour news follows Deep Purple’s March release of the new Machine Head: Super Deluxe Edition, a three-CD/LP/Blu-ray set that featured new stereo and Dolby Atmos mixes of the 1972 original album, the 1974 quadrophonic mix, a new 2024 remaster of the original album and two live concerts.
When everyone wasn’t focused on making sure they didn’t burn their eyeballs out while watching the eclipse on April 8, some were focused on creating the perfect soundtrack for their viewing experience. That’s why Bonnie Tyler‘s classic song “Total Eclipse of the Heart” saw a big boost in Spotify streams on Monday — along with many other astronomically inclined tunes.
“Total Eclipse of the Heart,” which hit #1 in 1983, scored a 635% boost in streams in the U.S., Spotify reports. But the boosts the song received in the cities that were actually in the path of totality — meaning where you could see the sun being completely covered — were massive. In Buffalo, New York, for example, the song experienced a streaming boost of 2,090% from the previous week, and in Cleveland, the boost was 2,250%.
As for the other songs, The Beatles” “Here Comes the Sun” got a 2,140% boost in streams above its usual average, while Van Morrison‘s “Moondance” rang up a 2,300% increase.
Meanwhile, Pink Floyd’s “Eclipse” got a 1,155% boost, Soundgarden‘s “Black Hole Sun” was up 1,470%, Bruce Springsteen‘s “Blinded by the Light” was up 1,600%, and Elton John’s “Don’t Let the Sun Go Down On Me” was up 635%.
Billy Idol is the latest rocker to star in commercials for the company Workday.
Continuing the theme from Workday’s Super Bowl ad, which featured Ozzy Osbourne, Joan Jett and Gary Clark Jr., the latest spots feature Idol, blink-182 drummer Travis Barker and No Doubt frontwoman Gwen Stefani.
In the ads, the trio calls out office workers for continuing to call each other “rock stars.”
“I can’t believe you corporate types are still at it,” Idol says in one clip. “Just stop calling each other rock stars.” He later crashes a meeting to add, “Using responsible AI doesn’t make you a rock star.”
In another clip, Idol sarcastically exclaims, “Look at my data-driven insights! I’m a rock star!”
“While these rock icons might not consider us to be rock stars in the traditional sense, our customers around the world are the true rock stars of business and we want to celebrate that,” says Workday Chief Marketing Officer Emma Chalwin. “We’re bringing that to life in the next wave of this multi-channel campaign with amazing talent, humor, and a bold, new edge aligned with what everyone loves about the Workday brand. We’re excited to show the world how Workday rocks the future of work.”
The Workday ads are streaming on YouTube and will air April 8-14 in connection with The Masters golf tournament.
We are getting our first look at the upcoming documentary about The Beach Boys.
The first trailer for the doc has just been released, featuring archival interviews and footage of the band along with new interview clips from Beach Boy Mike Love, producer Don Was, Ryan Tedder and Janelle Monáe. It also touches on The Beach Boys’ rivalry with The Beatles, Brian Wilson’s conflicts with his father and more.
The Beach Boys, directed by Frank Marshall and Thom Zimny, willalso include all-new interviews from Wilson and bandmates Al Jardine, David Marks and Bruce Johnston, as well as former Beach Boy Blondie Chaplin. It will also feature audio from Ricky Fataar, another former member, plus appearances by late members Carl and Dennis Wilson.
The Beach Boys will stream exclusively on Disney+ starting May 24. The official soundtrack to the documentary will also be available on streaming services the same day.
R.E.M. released their second studio album, Reckoning, which, like their 1983 debut, Murmur, was produced by Mitch Easter and Don Dixon.
The album, which was first released in the U.K. and then the U.S., was recorded at Reflection Sound in Charlotte, North Carolina, with the producers attempting to capture the energy and sound of the band’s live performances.
Reckoning was a hit with critics and peaked at #27 in the U.S., although it topped college radio airplay charts. Its first single, “So. Central Rain (I’m Sorry),” peaked at #86 on the Billboard Hot 100, while its second single, “(Don’t Go Back to) Rockville,” did not chart. Both went on to become R.E.M. fan favorites.
Heart helped celebrate Monday’s solar eclipse with a special performance on The Tonight Show starring Jimmy Fallon.
The Rock & Roll Hall of Famers appeared on the late night show, where they performed Bonnie Tyler’s classic “Total Eclipse of the Heart” with Jimmy, from the rooftop of 30 Rockefeller Center as the eclipse was happening.
“Heart is our musical guest and today, is obviously the solar eclipse,” Jimmy shared. “So we thought we have to do what we have to do. We have to sing ‘Total Eclipse of the Heart’ with Heart while watching the solar eclipse.”
In an homage to Tyler’s video for the track, Fallon dressed like one of the school boys from the clip.
And that wasn’t the only tune Heart performed on the show: They later treated the audience to a performance of their classic “Barracuda.”
Heart is set to kick off the Royal Flush tour on April 20 in Greenville, South Carolina, with special guest Cheap Trick. A complete list of dates can be found at heart-music.com.
Def Leppard has jumped on the viral “Of Course” TikTok trend, where folks share stereotypes about their professions, race, gender and more.
In a post on Instagram, each member of the band shares what they seem to think is an obvious fact about the group. It starts off with bassist Rick Savage, who says, “We’re Def Leppard and of course we’ve played with Taylor Swift, Miley Cyrus and Queen.”
The band teamed up with Taylor for a 2008 episode of CMT Crossroads, while they preformed with Miley at the September 2022 Los Angeles tribute concert for the late Foo Fighters drummer Taylor Hawkins and with Queen at the 1992 Freddie Mercury tribute concert in London.
Savage was followed by guitarist Phil Collen, who shared, “Of course we play three continents in a day,” referring to their October 23, 1995, shows in Morocco, England and Canada. Drummer Rick Allen, who lost his arm in a 1985 car accident, shared a fact about himself, noting, “Of course I play drums with my feet,” while guitarist Vivian Campbell added a crack about their longevity, sharing, “Of course we’re your mother’s favorite band.”
Def Leppard’s frontman, Joe Elliott, wraps up the video by noting, “We’re Def Leppard, of course, we’re playing stadiums this summer. All summer.”
That stadium tour he’s referring to is the band’s upcoming co-headlining tour with Journey, which kicks off July 6 in St. Louis. The tour also features special guests Steve Miller Band, Heart and Cheap Trick.A complete list of dates can be found at defleppard.com.
The planned film about Bruce Springsteen’s effort to make his 1982 solo album, Nebraska, is now one step closer to happening.
It was just announced that 20th Century Studios and Disney have come on board to produce the film, Deliver Me From Nowhere, based on Warren Zanes‘book Deliver Me from Nowhere: The Making of Bruce Springsteen’s Nebraska.
It was previously reported The Bear’s Jeremy Allen White was the front-runner to star in the film; a press release confirms that he is in talks to star in the picture, which will be written and directed by Scott Cooper, with Springsteen and his manager Jon Landau involved.
“Warren Zanes’ Deliver Me From Nowhere is one of the best books ever written about Bruce Springsteen and his music,” Landau said in a statement, adding about Cooper, “We think he’s the perfect filmmaker for the job.”
Cooper said in the press release that Springsteen had a profound impact on him and his work.
“I once read that Nebraska is an album that moves you to the marrow of your bones. I couldn’t agree more,” Cooper said. “Warren Zanes’ wonderful telling of this chapter in Bruce’s life is ripe for cinematic adaptation.” He notes, “This film has the potential to be a transformative cinematic experience, offering audiences a window into the soul of Bruce Springsteen and the universal truths that bind us all together.”
Nebraska, released on September 30, 1982, featured 10 acoustic songs Springsteen originally recorded as demos on a four-track recorder. Springsteen had planned to rerecord the songs with TheE Street Band but instead opted to release it as a solo acoustic record. It featured such songs as “Atlantic City,” “Johnny 99” and “State Trooper.”
