Patti Smith fights to save New York garden from demolition

Patti Smith fights to save New York garden from demolition
Patti Smith fights to save New York garden from demolition
Dimitrios Kambouris/Getty Images for The Gordon Parks Foundation

Patti Smith is one of several famous New Yorkers fighting to save a public garden in Manhattan, and it’s a location that’s very important to the rock legend.

The Elizabeth Street Gardens in Little Italy is set to be demolished, but artists like Smith, Robert De Niro and Martin Scorsese have sent a letter to Mayor Eric Adams to try to stop it.

In an interview with The New York Post, Patti shares that the garden has served as a safe space for her creativity.

“I’ve written poems there. I like to sit and think. It’s a good place just to think and contemplate,” Smith tells the paper. “I’m working on a book. It’s a work in progress and when I was in the garden I was writing about my mother.” 

Patti, who’s written such books as Just Kids and M Train, has also performed at the garden, noting that “it’s not like (a) raucous atmosphere — it’s a very light-hearted, benevolent atmosphere where people are listening.”

She adds, “It’s inspiring. But it’s also calming. Sometimes I might want to go to the garden not to work, but to exist — just to feel blessed by my surroundings.”

“I’ve lived in the city off and on for over half a century, and these type of areas are fast diminishing,” Patti says. “And they’re worth fighting for.”

The Elizabeth Street Garden was built in the early ’90s by developer Allan Reiver. According to the paper, the demolition is expected to “begin in a matter of weeks” and is being done to make room for affordable housing.

In the letter to Adams, Smith described the garden as “an oasis of green space within our city,” adding it “truly stands as a work of art.”

“Affordable housing and green spaces are both essential assets and should not be pinned against each other,” she added.

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Joey Ramone’s brother sues Johnny Ramone’s widow for trademark infringement for using the Ramones name

Joey Ramone’s brother sues Johnny Ramone’s widow for trademark infringement for using the Ramones name
Joey Ramone’s brother sues Johnny Ramone’s widow for trademark infringement for using the Ramones name
Sire Records/Michael Ochs Archives/Getty Images

The battle between Joey Ramone’s brother Mitchel Hyman (better known as Mickey Leigh) and Johnny Ramone’s widow Linda Cummings-Ramone continues, with the latest court documents filed by Mickey.

In documents filed in New York Friday, Mickey’s lawyers argue Linda’s violating federal trademark law by using the Ramones name, since Johnny’s real last name wasn’t Ramone.

The suit describes Linda as a “former Ramones groupie” who “has had an insatiable personal desire to shine a spotlight on herself,” adding she’s been “riding on the coattails of the Ramones.”

The suit calls out her use of the Ramones name, especially since it wasn’t any of the band members’ real last names, noting, “’Linda Ramone’ never existed while her husband, John Cummings (p/k/a Johnny Ramone) was alive.”

“Ms. Cummings-Ramone has made and continues to make blatant attempts to exploit and personally capitalize on and benefit from the name, goodwill and legacy of the Ramones — that is, to try to push the false narrative that she is the heiress to … the Ramones’ legacy,” the document reads. “She most certainly is not. She is nothing more than a blatant self-promoter and an infringer.”

Mickey is suing Linda for trademark infringement, trademark dilution and unfair competition.

Linda was the first to file a lawsuit in the battle between the pair. In January, she sued Mickey over a variety of issues, including what she called an “unapproved and unauthorized Ramones-based biopic” based on Mickey’s memoir, I Slept with Joey Ramone, referring to Netflix’s planned movie starring Pete Davidson as Joey.

Mickey responded by saying the claims were “baseless,” since she had agreed to the movie in March 2006, adding it was “not a ‘Ramones biopic’ but rather one based on a family memoir.”

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Steve Miller on success of Eminem collaboration: “I’d never seen anything like it”

Steve Miller on success of Eminem collaboration: “I’d never seen anything like it”
Steve Miller on success of Eminem collaboration: “I’d never seen anything like it”
Nicholas Hunt/Getty Images

Earlier this year, Eminem sampled Steve Miller Band’s ’80s classic “Abracadabra” for his track “Houdini,” and Miller says he’s amazed at how fast the song became a huge hit.

In an interview with the San Diego Union-Tribune, Miller says the release of the tune gave him “a lesson about what social media has done to the record business.”

“When I put out ‘Abracadabra’ in 1982, it became the #1 record in the world and that took about 12 months,” he says. “With Eminem, two days after we signed our agreement, he released ‘Houdini’ at 12:01 a.m. on a Friday. Within 30 minutes, 60,000 people had watched the video on YouTube. By 10 a.m. it was 3 million. Nearly 50 million people streamed it, worldwide, in just the first week.”

He adds, “I’d never seen anything like that. It was crazy, just instantly. So, that was a real lesson.” 

Miller describes Em as “very cool” and says of the collab, “It feels good that a whole other group of people are listening to my music (through Eminem) and digging it.”

Miller is currently the special guest on the Journey/Def Leppard Summer Stadium tour. The tour hits San Francisco on Wednesday.

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David Gilmour changes his mind about playing Pink Floyd songs on tour

David Gilmour changes his mind about playing Pink Floyd songs on tour
David Gilmour changes his mind about playing Pink Floyd songs on tour
Roberto Panucci/Corbis via Getty Images

Pink Floyd’s David Gilmour is set to launch a solo tour this fall in support of his upcoming solo album, Luck and Strange, and it seems he’s changed his mind about whether he plans to play any Pink Floyd songs on the trek.

Gilmour previously suggested in an interview he didn’t want to “revisit the Pink Floyd of the ’70s” on the tour, but it sounds like that’s no longer the case. 

“One has to wake up to reality once in a while,” he tells Rolling Stone. “I think I will be doing one or two things from that time, but it just seems so long ago.”

He adds, “I know people love them, and I love playing them. I’ll be doing ‘Wish You Were Here,’ of course I will. And some of the things that started with me anyway.” 

Gilmour also noted it’s “quite likely” the set will include “Comfortably Numb,” but probably not “Money” “if that’s your reason for coming.”

Gilmour also seems to be backtracking on previous comments he made suggesting Luck and Strange was the best album he’s made since Pink Floyd’s 1973 classic The Dark Side of The Moon.

“It’s a flip statement, really,” he says. “I mean, it’s not like Dark Side the Moon is even my favorite album. I think I prefer Wish You Were Here.”

He adds, “Anyway, it feels to me like it’s the best thing I’ve done in more or less my living memory, because some of those things feel like they were someone else, back in those eons ago.”

Gilmour will release Luck and Strange on Sept. 6. He’ll launch his solo tour on Sept. 27 in Rome, Italy, with U.S. dates kicking off Oct. 25 in Los Angeles. A complete list of dates can be found at davidgilmour.com.

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Isaac Hayes estate granted emergency hearing to stop Donald Trump from using “Hold On (I’m Coming)”

Isaac Hayes estate granted emergency hearing to stop Donald Trump from using “Hold On (I’m Coming)”
Isaac Hayes estate granted emergency hearing to stop Donald Trump from using “Hold On (I’m Coming)”
Tim Mosenfelder/Getty Images

The estate of Isaac Hayes will have its day in court in its battle with Donald Trump over the use of the classic tune “Hold On (I’m Coming),” which Hayes co-wrote with David Porter for Sam & Dave.

The Hayes estate previously sent a letter to the Trump campaign demanding they stop using the tune at rallies, and threatened a $3 million lawsuit to cover licensing fees for the times the song has already been used without permission between 2022 and 2024.

Hayes’ son Isaac Hayes III has revealed on Instagram that they did indeed file a lawsuit against Trump and a court has granted an emergency hearing set for Sept. 3 to “secure injunctive relief” in the case.

The lawyer for the Hayes estate, James Walker Jr., noted that he’s “trying to get their hearing live streamed but it will most likely be a public hearing with no tv,” adding, “Either way, appreciate you all for standing with our client @isaachayes3 and fighting for Black artists and the preservation of their legacy.”

He also insisted the family didn’t file the lawsuit for money, noting it’s “about protecting your rights and your family’s legacy and @isaachayes3 and @heatherhayes have done that here.”

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Tom Petty website launches countdown to “something special”

Tom Petty website launches countdown to “something special”
Tom Petty website launches countdown to “something special”
Jason Merritt/FilmMagic

Looks like Tom Petty fans have something to look forward to.

The late rocker’s official Instagram account just teased that they have some big news to share and folks will be finding out soon.

“We’ve been working on something really special for a long time for the core Tom Petty and The Heartbreakers fans,” the post reveals. “We’ve dropped a few clues along the way, but we think you’ll be delighted at what’s to come this fall.” 

The Petty website also launched a countdown to the announcement, which appears to be coming on Friday. 

Petty passed away in 2017 at the age of 66. An all-country Petty tribute album, Petty Country: A Country Music Celebration of Tom Petty, was released earlier this year.

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On This Day, Aug. 26, 1970: Jimi Hendrix’s Electric Lady Studios opened in New York City

On This Day, Aug. 26, 1970: Jimi Hendrix’s Electric Lady Studios opened in New York City
On This Day, Aug. 26, 1970: Jimi Hendrix’s Electric Lady Studios opened in New York City

On This Day, Aug. 26, 1970 …

Electric Lady Studios, a recording studio commissioned by Jimi Hendrix, opened in New York’s Greenwich Village. It was the first commercial studio owned by an artist.

Planning for the studio began in 1968. It was constructed specifically for Hendrix, who died just three weeks after its opening. 

The studio went on to be a go-to spot for musicians, with artists such as John LennonDavid BowieTaylor SwiftLady Gaga and more recording there.

A new documentary about the studio, Electric Lady Studios: A Jimi Hendrix Vision, opened in August in New York City.

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Stanford offering new course in the Grateful Dead

Stanford offering new course in the Grateful Dead
Stanford offering new course in the Grateful Dead
Larry Hulst/Michael Ochs Archives/Getty Images

Legendary rock band the Grateful Dead will be the subject of a new Stanford Continuing Studies course this fall.

Did It Matter? Does It Now? The Music and Culture of the Grateful Dead is an eight-week course that kicks off Oct. 3, taught by David Gans, producer and host of the nationally syndicated Grateful Dead Hour.

The course will feature a variety of Dead-related guest speakers, including David Lemieux, Grateful Dead archivist and legacy manager; Dennis McNally, former Grateful Dead publicist and author of A Long Strange Trip: The Inside History of the Grateful Dead; and Jesse Jarnow, producer/host of The Good Ol’ Grateful Deadcast. 

According to the description, the course “will feature a collection of stories and conversations with scholars and historians, each offering facts and personal perspectives illuminating every aspect of the Grateful Dead culture.”

It will use music from live and studio recordings “to learn what makes the Dead’s music-making unique and explore the broad musical universe the band created in its 30-year history.” The course will also explore the band’s impact on society, art, literature, social change and more.

The description notes, “By the end of the course, students will have a well-rounded appreciation for the roots, struggles, and milestones that shaped the Grateful Dead’s trajectory, an understanding of their profound impact on music and culture, and insight into a legacy that still resonates deeply today.

Registration for the course is now open.

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Beatles historian looking to sell reel-to-reel audio of a 1965 Beatles Toronto concert

Beatles historian looking to sell reel-to-reel audio of a 1965 Beatles Toronto concert
Beatles historian looking to sell reel-to-reel audio of a 1965 Beatles Toronto concert
ABC

Two reel-to-reel audio tapes featuring a soundboard recording of a Toronto Beatles concert may soon be up for sale. 

Billboard reports the owner, Piers Hemmingsen, a Toronto-based Beatles historian and author of The Beatles in Canada, is looking to sell the recordings, which were made at Toronto’s Maple Leaf Gardens on Aug. 17, 1965. 

“I have never offered it for sale before,” Hemmingsen shares. “This is the best recording of any Beatles concert in Canada, if not North America, other than what was professionally recorded for The Beatles themselves.”

The reels include The Beatles’ full half-hour set, including performances of “Twist and Shout,” “Ticket To Ride,” “Help!” and “A Hard Day’s Night,” along with recordings of the day’s opening acts and venue announcements. 

Hemmingsen says he has a copy of the concert on cassette, strictly for listening purposes, and while he’d like to keep it, he’s willing to sell it, as well. He didn’t say how much he wants for the recording, but Dan Muscatelli-Hampson, of U.K.-based music memorabilia and vinyl specialists Omega Auctions Ltd., estimated to Billboard it could be worth between $60,000 and $80,000.

So far Hemmingsen hasn’t put the reels on the market and says he’d prefer to sell it to Apple Corps, so Beatles fans may one day hear it.

“You can’t sit on a thing like this,” he says. “You want to share it with the world. On the other hand, there’s a commercial value to it and the only people that can release it are Apple.”

Hemmingsen plans to use the money toward printing his next two Beatles books, The Beatles in Canada: The Evolution 1964-1970, due out in September, and a follow-up, The Beatles In Canada: The Origins of Beatlemania!

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Kate Pierson shares “Take Me Back To The Party” from new solo album, ‘Radios and Rainbows’

Kate Pierson shares “Take Me Back To The Party” from new solo album, ‘Radios and Rainbows’
Kate Pierson shares “Take Me Back To The Party” from new solo album, ‘Radios and Rainbows’
SVR

B-52s founding member Kate Pierson is sharing a new preview of her upcoming solo album, Radios and Rainbows, set to drop Sept. 20.

The latest is the club track “Take Me Back To The Party,” which she co-write with Jimmy Harry, who previously worked with Madonna, Pink and many others.

“I wanted this song to connect with B-52s fans,” Pierson shares. “It’s a disco song that conjures a younger Kate back in the day when I just couldn’t wait to get into clubs. It takes me back to my Party Girl past! I just love a good dance song.”

This is the second single released from Radios and Rainbows, Kate’s first solo album since her solo debut, 2015’s Guitars and Microphones. She previously released the track “Evil Love.

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