Classic Hits

The upcoming movie Springsteen: Deliver Me From Nowhere follows Bruce Springsteen as he makes his 1982 solo album Nebraska, and to coincide with the release The Boss is treating fans to a new expanded edition of the album.

Nebraska ‘82: Expanded Edition, dropping Oct. 17, will feature lots of previously unreleased material, including the long-rumored “Electric Nebraska.” There are also solo outtakes, including additional songs from Springsteen’s original Nebraska home recordings that didn’t make the album, as well as recordings from a 1982 solo studio session.

The set also features a 2025 remaster of the album, as well as a present-day recording of Springsteen performing Nebraska in its entirety at New Jersey’s Count Basie Theatre, with the performance also included on Blu-ray.

Springsteen fans have been talking about the fabled “Electric Nebraska” for years and are now getting their first taste of it with a previously unreleased version of “Born in the U.S.A.” from April 1982, featuring E Street Band drummer Max Weinberg and bassist Garry Tallent. While the song would go on to be the title track of Springsteen’s seventh studio album, it was originally written alongside the other songs on Nebraska.

“We threw out the keyboards and played basically as a three-piece,” Springsteen says of the performance. “It was kinda like punk rockabilly. We were trying to bring Nebraska into the electric world.”

“Born in the U.S.A. (Electric Nebraska)” is available via digital outlets.

Nebraska ‘82: Expanded Edition will be released in four-LP plus Blu-ray and four-CD plus Blu-ray configurations. 

The set will be released just one week before Springsteen: Deliver Me From Nowhere hits theaters on Oct. 24. The film, directed by Scott Cooper, stars Jeremy Allen White as Springsteen and Jeremy Strong as his manager Jon Landau.

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On This Day, Sept. 4, 1982 …

Steve Miller Band landed their third #1 single with “Abracadabra,” the title track from their 12th studio album.

The song spent two weeks on top of the Billboard Hot 100, which was their longest reign at #1.

The band previously topped the chart with “The Joker” in 1973 and “Rock‘n Me” in 1976. Both songs spent only one week at #1.

“Abracadabra” was back on the charts in 2024 after rapper Eminem interpolated the song for his single “Houdini,” which peaked at #2 on the Billboard Hot 100.

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Robert Plant and the band Saving Grace have released another track off their debut album, Saving Grace, which is due out Sept. 26.

The latest is the album’s opening track, “Chevrolet,” which is the band’s take on Donovan’s 1965 tune “Hey Gyp (Dig the Slowness).” That tune was itself an adaptation the 1930 Delta blues classic “Can I Do It For You” by Memphis Minnie and Kansas Joe McCoy.

“Chevrolet” is available now via digital outlets; there’s also a video.

This is the third track released from Saving Grace. Plant and the band previously shared a cover of Low’s “Everybody’s Song” and their take on the African American spiritual “Gospel Plough.”
 

Plant and Saving Grace — drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, cellist Barney Morse Brown and vocalist Suzi Dian — have been touring together since 2019. The album was recorded between April 2019 and January 2025, with Plant describing it as “a song book of the lost and found.” 

Plant and the band will launch their first U.S. tour in support of the album on Oct. 30 in Wheeling, West Virginia, with dates confirmed through Nov. 23 in Valley Center, California.

A complete list of dates can be found at RobertPlant.com. 

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When Pink Floyd co-founder David Gilmour released his 2024 solo album Luck and Strange, it was his first album of new material in nine years. Well, it sounds like fans may not have to wait as long for his next one.

In an interview with Rolling Stone to promote his upcoming concert film, Live at the Circus Maximus, Rome, Gilmour reveals that he’s already started work on his next record.

“I’m slowly building up towards a new album, and I have quite a bit of material that is in some sort of formative stage,” he tells the mag. “That’s what’s keeping me busy at the moment.”

But he’s not ready to head into the studio with his band just yet.

“I put things together so that I can fiddle around for months, adding little bits, taking things away till I think that I’ve got something close to where I want it,” he says. “I then can take it into a studio with a bunch of people and know exactly what I want to do and how I want to get it done and present it to these people for their input.”

As for how long he thinks it will take for him to be ready to release a new album, Gilmour shares, “It’s always my intention to be a bit quicker, and I suspect this one will be a bit quicker. But you never can tell. Within the next year or two.”

Live at the Circus Maximus, Rome captures one of Gilmour’s Luck and Strange concerts at the famed Italian venue set against the backdrop of the ancient ruins of Rome. It hits theaters and IMAX on Sept. 17.

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Gov’t Mule is going to be celebrating Aerosmith this Halloween.

The band just announced the theme for this year’s Mule-O-Ween, sharing artwork inspired by the Aerosmith logo, along with an Instagram post that drops several references to Aerosmith songs.

“Mule-O-Ween returns!” the band writes. “Get ready for two nights filled with Sweet Emotion and plenty of deep cuts from one of rock & roll’s most iconic catalogs — reimagined, stretched out, and Mule-ified in ways only this band can deliver.”

They add, “If you Dream On about the perfect Halloween soundtrack, this is it.”

Gov’t Mule’s two-night Mule-O-Ween festivities are happening Oct. 31 in Washington, DC, and Nov. 1 in Philadelphia.

Tickets for the shows are on sale now. Gov’t Mule notes, “Tickets won’t last long — don’t be Last Child in line!”

The inspiration for this year’s theme may have come from Gov’t Mule’s current tour, dubbed the Back in the Saddle tour. “Back in the Saddle” is a track on Aerosmith’s fourth studio album, 1976’s Rocks.

The Back in the Saddle tour hits Toronto on Wednesday. A complete list of dates can be found at Mule.net.

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The 50th anniversary of Little Feat’s fifth studio album, The Last Record Album, is being celebrated with a new deluxe reissue.

Dropping Oct. 24, The Last Record Album (Deluxe Edition) will feature a newly remastered version of the original album, along with bonus material that includes previously unreleased tracks, early sketches, raw demos and alternate takes.

The deluxe edition will be released digitally and as a four-CD or two-LP set. The four-CD release will also include a recording of the band’s Oct. 31, 1975, concert at Boston’s Orpheum Theatre, which was recorded just two weeks after the album’s release.

As a preview of the set, Little Feat has released a previously unheard, alternative version of “Long Distance Love” to digital outlets, with a restored video now streaming on YouTube.

The Last Record Album (Deluxe Edition) is available for preorder now.

Also being released on Oct. 24 is a standalone CD of a previously unreleased Little Feat concert, recorded at the Charlton Athletic Football Ground in May 1976. It is available for preorder on Rhino.com.

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Farm Aid is celebrating its 40th anniversary this year, and if fans can’t make it to Minneapolis to see the concert in person, they’ll be able to enjoy it from the comfort of their own home.

Farm Aid just announced that the annual benefit concert, taking place Sept. 20 at Huntington Bank Stadium in Minneapolis, will broadcast live on CNN.

The broadcast will feature performances by Farm Aid board members Willie Nelson, Neil Young, John Mellencamp, Dave Matthews and Margo Price. Young will be performing with his band Chrome Hearts, while Matthews will perform with frequent collaborator Tim Reynolds. The broadcast will also include behind-the-scenes interviews and stories from local farmers.

The concert will begin at 6 p.m. CT, and will also stream live on nugs.net and FarmAid.org.

The first Farm Aid concert was held on Sept. 22, 1985, in Champaign, Illinois. Since then, the Farm Aid organization has raised nearly $80 million to help American farmers.

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David Byrne has shared another single from his upcoming solo album, Who is the Sky? The latest is the track “What is the Reason For It?,” a collaboration with Paramore frontwoman Hayley Williams.

“When we were finishing up the record, the producer Kid Harpoon and I were wondering, ‘Oh, maybe this song, it’s a love song, or at least it’s asking what is love, what it’s about?'” Byrne told People. “Why do we do this? Why do other people do it? Do we know anything about it?”

Byrne and Williams have stayed in touch since Paramore covered “Burning Down the House” for a 2024 album in celebration of the Talking Heads concert film Stop Making Sense. He tells People he simply texted Williams to see if she wanted to sing on “What is the Reason For It?” and she agreed, with Byrne adding, “She killed it.”

“What is the Reason For It?” is available now via digital outlets. A video, which uses AI to animate original drawings by Byrne, is streaming on YouTube.

Who is the Sky?, Byrne’s first solo album since 2018’s American Utopia, drops Friday. 

Byrne is set to kick off a new tour in support of the album on Sept. 14 in Providence, Rhode Island, wrapping with two nights in Miami on Dec. 5 and 6. A complete list of dates can be found at DavidByrne.com.

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Queen‘s Brian May has teamed The Struts for a new version of the U.K. band’s breakout hit “Could Have Been Me.” 

May shreds a guitar solo on the updated track, which also includes an extended outro.

“Working with Luke [Spiller] and The Struts has been a joyous journey for me,” May previously shared. “I became obsessed with this great song ever since I was inspired by the original version and felt an uncontrollable urge to mess with it! It carries a great positive message for rebellious kids of all ages. And, together, WE ROCK!!”

The song is now available via digital outlets. In addition, a video featuring May performing with The Struts is on YouTube.

The original “Could Have Been Me” was released in 2013 in the U.K. before it became a hit in the U.S. in 2015. It appears on the band’s debut album, Everybody Wants, and was later featured in the 2021 animated movie Sing 2.

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Jack Osbourne is firing back at Roger Waters in response to the Pink Floyd founder’s comments regarding Jack’s late father, Ozzy Osbourne.

Waters brought up the Prince of Darkness during an interview with The Independent Ink, saying, “Ozzy Osbourne, who just died, bless him, in his whatever that state that he was in his whole life, we’ll never know.”

“Although he was all over the TV for hundreds of years with his idiocy and nonsense,” Waters continued. “The music … I couldn’t give a f***. I don’t care about Black Sabbath, I never did. I have no interest in biting the heads off chickens or whatever they do.”

The interviewer did point out that Ozzy was known for biting the head off a bat, not a chicken. In responding to Waters, Jack seems less concerned with him mixing up flying creatures than he is with the overall tone of the comments.

“Hey Roger Waters F*** You,” Jack writes in a Facebook post. “How pathetic and out of touch you’ve become. The only way you seem to get attention these days is by vomiting out bulls*** in the press.”

The younger Osbourne adds, “My father always thought you were a c*** – thanks for proving him right.”

Jack’s sister Kelly Osbourne previously criticized pro wrestler Becky Lynch‘s comments regarding Ozzy and his hometown, calling her a “disrespectful dirtbag.”

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