Dennis DeYoung says “there should be one last Styx tour” featuring him

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Founding Styx singer/keyboardist Dennis DeYoung hasn’t played with the group since 1999, and although longtime members Tommy Shaw and James “JY” Young continue to insist they have no interest in reuniting with him, DeYoung says he’d like to tour with his ex-band mates one more time.

“I don’t want to beat a dead horse, but there should be one last Styx tour,” the 74-year-old musician tells ABC Audio. “You know, with Moe, Larry and Curly on the same stage, to wave goodbye to the fans…and tell them, ‘Hey, you made us wealthy people and you gave us incredible lives. Thanks. Bye.'”

Acknowledging that Shaw and Young don’t want to work with him again, DeYoung declares, “I don’t want to be in Styx anymore…Styx is Tommy and JY. [Founding bassist] Chuck [Panozzo] plays once in a while, but it’s Tommy that makes the decisions. It’s his band.”

Having said that, Dennis maintains that most Styx fans would love to see a reunion trek.

“Even if you’ve bought into Tommy’s new Styx with JY, and you love ’em and you think I’m a poop face, based on lies told about me, if you see the Styx reunion [is happening,] you’re coming,” DeYoung says.

Dennis says his feeling is based on Styx fans’ social media posts and the continuing popularity of the band’s music.

“[I]t does mean a great deal to them,” he declares, then quips, “And to see it one more time would be grand…and it would not be an illusion.”

Dennis also points out that next year marks the 50th anniversary of Styx’s debut album.

In June, DeYoung released what he says will be his final solo album, 26 East, Vol. 2, a collection of tunes that features multiple nods to Styx songs.

 

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Anne-Marie on biggest lesson Ed Sheeran taught her: “I learned not to be scared, but to be seen”

Bella Howard

Anne-Marie co-wrote her single “2002” with Ed Sheeran, and on her new album, Therapy, she’s teamed with him again on the song “Beautiful.” The British singer says not only did she get some great songs out of her friendship with Ed, but she also learned a valuable lesson.

Speaking to Music Week, Anne-Marie recalls the first time she and Ed got together to co-write.  She remembers thinking, “If we get in the session and he thinks I’m crap, is he not going to be my friend?” But, she says, “How he was in the session was amazing to me, because he’s very much open to being crap. And I think that’s what I really am bad at.”

“For example, I would probably go through about 10 sentences in my head before I feel confident to see if one is O.K. with everyone in the room,” explains the “FRIENDS” singer. “Whereas he was just like, ‘What about this? What about this?’ and saying the first thing that came into his head.”

“He wasn’t scared to look like something was not good enough,” she notes. “I learned not to be scared but to be seen.”

In addition to getting help from Ed on Therapy, Anne-Marie also got help from, well, actual therapy.

“It changed my life,” she admits. “I can’t tell you how different I am just even speaking to you now. I feel different. I would have been, like, full of anxiety before…I was scared and terrified about people staring at me.”

Anne-Marie, whose latest hit is “Our Song,” with Niall Horan, will promote her new album with a livestream called Therapy: The Live Experience, on August 7. Tickets for the stream are on sale now.

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New David Bowie apparel items with unique “word art” designs available now

Courtesy of LAPopArt.com

David Bowie‘s estate has partnered with the LA Pop Art apparel company to launch a new collection of Bowie-themed shirts and other items featuring interesting hand-drawn “word art” designs.

The collection offers two different designs featured on long-sleeved and short-sleeved T-shirts, tank tops and sweatshirts for men, women and kids, as well as tote bags.

One design is Bowie’s classic lightning-bolt logo created by using titles of many of his best-known songs. The second design is based on the photo of David featured on his 1973 album Aladdin Sane, but with the image made up of the name Bowie written over and over again.

“There are Rock Stars, and there are Rock Gods — David Bowie is one of the few artists in history that’s both,” says LA Pop Art founder Joseph Leibovic. “We are so honored to put this collection out for his ever-growing fan base. The words that create our designs are used to add another layer of an emotional connection for the fans.”

The Bowie collection is available at LAPopArt.com, Macys.com, Amazon.com and other select retailers.

The LA Pop Art company previously has released apparel items with designs celebrating such other music artists as AC/DC and KISS.

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Watch Foo Fighters go “Shadow Dancing” with new video for Andy Gibb cover

Credit: Magdalena Wosinska

Foo Fighters have premiered the video for their cover of the Andy Gibb hit “Shadow Dancing.”

Much like the previously released clip for their version of the Bee Gees tune “You Should Be Dancing,” the “Shadow Dancing” visual finds Dave Grohl and company — here referred to as the Dee Gees — delivering a suitably funky version of the tune while surrounded by disco-era neon lights, as drummer Taylor Hawkins handles lead vocals.

You can watch the “Shadow Dancing” video streaming now on YouTube.

Both “Shadow Dancing” and “You Should Be Dancing” appear on the Foos’ new Dee Gees compilation Hail Satin, which was released on vinyl for this month’s Record Store Day. It’s also available via digital outlets.

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Gabrielle Union flaunts her natural curls after her “summer chop”

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Gabrielle Union is known to push the boundaries of fashion and beauty with her Flawless haircare brand and her jaw-dropping hairstyles on Instagram. And once again, the 48-year-old actress has proven she can rock any hairstyle — no matter how long or short.

Union debuted her latest hair transformation on Saturday, with a collage of photos revealing her empowering “Summer chop.”

“So, I did a thing. The movies always show women cutting their hair when all is lost, but I wanted to know the feeling of making a change when things are gravy,” Union wrote on Instagram. “It hits different, and it’s foreign to me, but I [love] this new new. #SummerChop #FlawlessChop #FlawlessCut.”

Union wore a bold red lipstick to model her new hairstyle and posed in a black and white polka dot dress, big hoop earrings, and a layer of two gold chains. Her hair was styled by her longtime stylist and friend, Larry Sims, who cut Union’s natural hair into a bob in 2018.

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Rolling Stones members wish Mick Jagger a happy birthday; Ronnie Wood postpones live album’s release

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Mick Jagger turned 78 Monday and a couple of the Rolling Stones frontman’s band mates took to social media to share some birthday wishes with him.

Keith Richards wrote in a Twitter message, “[Wishing] you a Happy Birthday. See you very soon!!! One love, Keith,” along with a photo of him and Mick smiling and with their arms around each other.

Meanwhile, Ronnie Wood tweeted his own note to Jagger that reads, “Happy birthday Mick! Have an amazing day, love Ronnie x.” Wood also posted photos of two portraits that he painted of the legendary singer.

In other news, the release of Wood’s recently announced concert album, Mr. Luck — A Tribute to Jimmy Reed: Live at the Royal Albert Hall, has been pushed back from September 3 to September 17.

As previously reported, the album is the second in a trilogy of live albums Ronnie plans to issue saluting artists who have made a major impact on his own music, following 2019’s Mad Lad: A Live Tribute to Chuck Berry.

Mr. Luck documents a special 2013 concert Wood played at London’s Royal Albert Hall that paid homage to electric blues pioneer Jimmy Reed. The show, which was recorded in November 2013 during London’s BluesFest, features Ronnie performing with a backing group that included ex-Rolling Stones guitarist Mick Taylor, plus appearances from guest singers Bobby Womack, Simply Red‘s Mick Hucknall and ex-Jam frontman Paul Weller.

The 18-track collection, which can be pre-ordered now, will be available on CD, digitally and on vinyl.

The Rolling Stones kick off their 2021 No Filter Tour in St. Louis on September 26.

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Britney Spears’ new attorney officially files to have her father replaced as conservator

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After promising he’d act “aggressively and expeditiously” to remove Britney Spears‘ father, Jamie Spears, from her conservatorship, the singer’s new lawyer Matthew Rosengart has done so.

E! Online reports that Rosengart has filed a petition to replace Jamie Spears with a CPA and professional fiduciary named Jason Rubin. Currently, Mr. Spears is the conservator of his daughter’s estate, and controls all her financial decisions, as well as her $60 million fortune.

Rosengart is asking that Rubin be given the power to not only manage her business and investments, but “additional powers,” such as authorizing professional opportunities like performing, recording and touring — as long as her medical team approves.

However, this doesn’t mean Mr. Spears will be officially out anytime soon: Rosengart also indicated in his filing that the appointment of the new conservator will be addressed in court on December 13.

In her comments to a judge earlier this month, Britney said she wants her conservatorship, which has been in place for 13 years, ended. But if that’s not possible, she said she wanted her father removed and charged with “conservatorship abuse.” In June, she told that same judge that the conservatorship was “abusive” and that everyone involved should be in jail.

On July 17, Britney wrote on Instagram, “I’m not gonna be performing on any stages anytime soon with my dad handling what I wear, say, do, or think.”

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On 10th anniversary of ‘Chief,’ Eric Church shares the sentimental story behind the album’s name

Joe Pugliese

To commemorate this month’s 10th anniversary of his breakthrough album, Chief, Eric Church is reflecting on the personal meaning behind the title.  

Eric reveals that he earned the nickname “chief” while on tour. After frequently losing his contact lenses on stage, the singer started wearing sunglasses instead, accompanied by a hat to stop the sweat from pouring onto his face. Thus, the look on the album’s cover was born. 

“We got in bigger venues, I tried to adjust that, but people in the crowds would have on hats and sunglasses and wouldn’t let me adjust that, so it just became this thing naturally. So show time, it was my uniform,” he explains. “The band starting joking with me, when I put the hat and sunglasses on, they go ‘all right, it’s Chief time, Chief’s here.’ But I laughed about it, it was a joke.” 

But the nickname that started as a joke has sentimental value. Eric shares the nickname with his grandfather, who was the chief of police in his hometown of Granite Falls, North Carolina.

“My dad called him ‘Chief’ as his son-in-law, so it was very neat to me, that across generations, it became my nickname naturally and nobody knew about it being my grandpa’s nickname,” Eric continues. “So when it came time to title the record, because it felt live and because it was something I wanted to show this part of our live show, Chief was the right title from my point of view, but also because of my grandfather and what he meant to me.”

Released in July 2011, Chief features the #1 hits “Springsteen” and “Drink in My Hand.” It also was named Album of the Year at the CMA Awards and ACM Awards. 

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Ex-Bad Wolves frontman Tommy Vext sues label exec, who calls claims of using racial slurs “categorically false”

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Ex-Bad Wolves frontman Tommy Vext is suing Allen Kovac, the CEO of his former band’s record label, Better Noise Music.

According to TMZ, Vext alleges that Kovac forced him out of Bad Wolves due to his political beliefs, including his support for former President Donald Trump and his criticism of the Black Lives Matter movement. He also accuses Kovac of using racial slurs in conversations with him.

Vext claims Kovac demanded radio stations and streaming services pull Bad Wolves music in an effort to get him to quit music altogether, all while attempting to stop him from posting more of his political opinions. Eventually, Vext says, Kovac set his sights on kicking him out of Bad Wolves.

“For several years I’ve poured all of my energy and passion into building Bad Wolves,” Vext tells TMZ. “We’ve toured the world several times and charted 6 Billboard number 1 singles. All the while I’ve had to endure disparaging, manipulative and at times racially charged misconduct from my former manager Allen Kova[c] and his record company Better Noise Music.”

“Allen has forced me out of my own band and is now attempting to slander and cancel me,” Vext adds. “After several failed attempts to settle amicably, I’m now forced to place this in the hands of the courts.”

In a statement, Kovac calls Vext’s claims “categorically false,” and alleges that he’s trying to “extort” Better Noise Music.

“In 40 years in the music business, I have never made any derogatory racist comments, been accused of doing so, or been sued by an artist,” Kovac says. “Tommy Vext, a self-proclaimed QAnon supporter, has dragged us into a ridiculous, unfounded narrative that falsely paints him as a victim.”

Bad Wolves members John Boecklin and Doc Coyle add, “In all our dealings with Allen Kovac, he has never used any derogatory racial slurs. Tommy is making all of this up. Period.”

Bad Wolves announced in January that they’d parted ways with Vext. He’s since been replaced by Daniel “DL” Laskiewicz.

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After becoming a dad, Ed Sheeran planned on quitting music forever

Dan Martensen

Ed Sheeran and his wife Cherry welcomed their first child, daughter Lyra, in September of last year, and he says becoming a dad nearly made him quit music altogether — until he thought better of it.

Ed recently told Sirius XM Hits 1 that after he completed his record-breaking Divide tour, he felt like he’s already accomplished everything he possibly could in music and wasn’t sure what he could do next, so he stopped making music for a while.  Then, after Lyra arrived, he figured, “Right, that’s it, I’m just gonna be a dad. I’m not gonna play music any more.”

But then, Ed says, “I found myself getting really sad and having zero purpose…and then I suddenly was like, ‘I think it’s more important for my daughter to grow up knowing that her parents have a work ethic and her parents love working hard and and love creating and enjoy their jobs…rather than, like, looking at your dad as technically unemployed.”

“So I slowly got back into music that way, and then the creative process started flowing again,” he explains. “But there was a long period of time where everything was directionless.”

Ed also says he realized that it’s not about chasing the next sales record. 

“I have people in my family that are like, ‘The next album has to be even bigger!'” he reveals. “And I know they’re saying to be supportive, but I’m like, ‘Maybe it shouldn’t be. Maybe it should just be an album, and maybe a career can kinda go [up and down] rather than always up.'”

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