Classic Hits

Slash is featured on a new song called “Crimson Chaos,” which is being released by the charity organization Road Recovery.

The tune was written and recorded by participants in Road Recovery’s Trax Program, which “offers young people the opportunity to build healthy networks during challenging times, helping them avoid self-destructive or risky behavior.”

In a statement, Slash says, “I’ve been hanging out with Road Recovery for a while now and I always find it a really enriching experience hanging and jamming with the kids.”

“These guys wrote me a song that I recorded and it’s really inspirational to see how young people and adults are inspired by the arts to get it together, get out of that funk, and get out of a bad situation to be able to turn their life around,” the Guns N’ Roses shredder adds. “That’s what these kids at Road Recovery have done and that’s pretty awesome.”

Footage of Slash playing with the Road Recovery kids is featured in the “Crimson Chaos” video, which is streaming now on YouTube.

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Indianapolis Colts owner Jim Irsay will bring the traveling exhibit showcasing his expansive collection of rock memorabilia and other historic artifacts to the home of his football team, Lucas Oil Stadium, on September 9.

As part of the event, which is free and open to the public, Heart‘s Ann Wilson will give a special guest performance with The Jim Irsay Band, which features Irsay backed by founding R.E.M. bassist Mike Mills, Kenny Wayne Shepherd, longtime John Mellencamp guitarist Mike Wanchic, John Fogerty touring drummer Kenny Aronoff and other noteworthy musicians.

Wilson also joined Irsay and his band at the previous exhibit of the collection, which took place last Tuesday in Chicago.

Like the Chicago exhibition, the Indianapolis event is free and open to the public, but tickets will be required to attend and can be reserved at Eventbrite.com.

Irsay’s collection includes guitars and other items that were used and/or owned by Bob Dylan, members of The Beatles, The Who‘s Pete Townshend, Prince, Eric Clapton, The Grateful Dead‘s Jerry Garcia, Pink Floyd‘s David Gilmour, U2‘s The Edge, The Doors‘ Jim Morrison, Janis Joplin, Kurt Cobain and many others.

Some non-music-related items also are part of the collection, including an original John Wilkes Booth “Wanted” poster, a baseball bat used by Jackie Robinson and a robe worn by Muhammad Ali.

In addition, the upcoming exhibit will feature historic memorabilia from the Colts’ history in both Indianapolis and Baltimore, including game-used uniforms and equipment.

“I am only a steward of this collection, so it’s my job to share it with as many people as I can,” says Irsay. “That’s why we’re especially excited to share this special evening with our friends, fans and neighbors right here in Indianapolis.”

Visit JimIrsayCollection.com for more info.

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Newly restored versions of two official Rolling Stones promotional videos for the band’s classic 1968 hit “Jumpin’ Jack Flash” have debuted at the ABKCO label’s YouTube channel.

The videos, which were directed by Michael Lindsay-Hogg, were shot on the same day in the spring of ’68 at Olympic Studios in London and feature two versions of the song. Both clips have been restored in the high-res 4K format.

One of the videos features The Stones’ classic early lineup — Mick Jagger, Keith Richards, Brian Jones, Charlie Watts and Bill Wyman — wearing face makeup and performing as a recording of the single version of “Jumpin’ Jack Flash” plays, with Jagger also singing live along with the track.

The other video features the band performing without makeup along with a completely different recording of the tune.

Lindsay-Hogg, who also directed the famed concert film The Rolling Stones Rock and Roll Circus and The Beatles‘ Let It Be documentary, recalls that he shot the video featuring the band without makeup first, and he then got the idea to have the members add some color to their faces while watching Jones put on some makeup during a break in the filming.

“When I edited them and played them back, they loved the videos,” Lindsey-Hogg notes. “I’d hate to think they didn’t, because then I went on to do their videos for 15 years.”

“Jumpin’ Jack Flash” topped the U.K. singles chart in June 1968 and peaked at #3 on the Billboard Hot 100.

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The recently announced film companion to veteran Norwegian pop-rock band a-ha‘s upcoming album, True North, will get its premiere in select theaters worldwide on September 15. Tickets for the screenings went on sale Thursday at ahaTrueNorth.com.

The True North film features the “Take On Me” group performing and recording the songs for the album with Norway’s Arctic Philharmonic orchestra at a studio in Bodø, Norway, located just south of the Arctic Circle.

The movie also captures the band members discussing the project around Bodø and features vignettes where actors portray life in the northern region of Norway.

In addition, the screenings will include a special behind-the-scenes featurette, exclusive to cinemas. You can check out a teaser trailer for the movie now on a-ha’s official YouTube channel.

The True North album will be released October 21 and can be preorderd now. The record’s lead single, “I’m In,” is available now via digital formats. A music video for the song that features footage from the companion film can be viewed on YouTube.

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The Moody Blues‘ John Lodge and Justin Hayward haven’t performed together since the band’s tour celebrating the 50th anniversary of 1967’s Days of Future Passed album ended in November 2018, and Lodge says there are no plans for them to work together moving forward.

Since 2018, Lodge and Hayward have regularly toured as solo artists, although their respective concerts always showcase plenty of Moody Blues material.

Meanwhile, Lodge tells ABC Audio that his contact with Hayward these days only involves business matters.

“He’s doing what he wants to do,”Lodge says. “I email him about different things, but I don’t know what he wants to do [with regard to new music]. He doesn’t want to be a Moody Blue. That’s all I know.”

As for his feelings about Hayward, Lodge notes, “We’ve had a friendship for over 50 years, so that’s not gonna change, from my point of view.”

In a Facebook post last November following the death of founding Moody Blues drummer Graeme Edge, Hayward explained that he felt the band couldn’t carry on without Edge.

Lodge recently played a one-off show with his solo group in Ocean City, New Jersey, and although he has no other confirmed concerts scheduled this year, he tells ABC Audio that he’s hoping to line up more tour dates for later in 2022.

“I told my agent when I want to go on the road, and hopefully he’s working hard at it,”Lodge says with a laugh. “It’s my life, you know? I love being on the road. I love meeting people. I love playing the music to people and getting the reaction from it. And it’s what I’ve done since I was 15.”

Hayward will kick off a two-week U.K. solo tour on September 11.

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Sammy Hagar and Rush‘s Geddy Lee and Alex Lifeson are among the many well-known musicians who have lent their talents to former Bruford bassist Jeff Berlin‘s new tribute album, Jack Songs, a salute to late Cream singer/bassist Jack Bruce.

The 10-track collection, which focuses mainly on Bruce’s post-Cream solo work, is available now on CD and as a digital download and can be ordered at JeffBerlinMusicGroup.com.

Other guests artists featured on Jack Songs include former Santana singer Alex Ligertwood, All Starr Band drummer Gregg Bissonette, Level 42‘s Mark King, ex-Guns N’ Roses guitarist Ron “Bumblefoot” Thal, King Crimson‘s Tony Levin, Nathan East, guitar whiz Eric Johnson, Mr. Big‘s Billy Sheehan, Snarky Puppy‘s Michael League and more.

“Recording the music of Jack Bruce has been the most emotional recording project of my career,” says Berlin, who was friends with Bruce. “Jack was the greatest bass influence I ever had. In the center of his music were these strange and wonderful bass lines weaving in and out of the key, reaching for resolutions and finding them, again, and again. Jack’s playing was a living evolving improvisation.”

He adds, “When he died, I immediately set out to honor him by reviewing his music to choose some of my favorite songs of his and recording them via my own musical vision.”

Berlin explains that he used producer Giles Martin‘s work on the soundtrack to Cirque du Soleil’s The Beatles LOVE stage production, a collection of Beatles mashups, as inspiration for Jack Songs.

“I arranged the music so that each song on ‘Jack Songs’ would end up as an individual work comprised of various parts of other songs in them,” Jeff notes.

Bruce died of liver disease in 2014. He was 71.

Here’s the album’s full track list:

“Creamed”
“Theme from an Imaginery Western”
“A Letter of Thanks”
“L’Angelo Misterioso”
“Rope Ladder to the Moon”
“One Without a Word”
“Smiles Story and Morning Grins”
“Folk Song”
“Traintime Time”
“Fuimas (We Have Been)”

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A two-CD super deluxe version of Bryan Adams‘ latest studio album, So Happy It Hurts, will be released on October 28.

The expanded collection includes a bonus disc featuring 12 of the tracks that appeared on Adams’ 2022 Classic and Classic Pt. II digital albums, which originally were released in March and last week, respectively. Those albums boasted newly recorded versions of many of Bryan’s best-known tunes.

A two-LP, 14-track vinyl edition of the Classic recordings will be released on October 28, and will be available on standard back vinyl and limited-edition orange vinyl. Both versions will feature a laser etching of Adams’ silhouette on the fourth side.

You can preorder the two-CD version of So Happy It Hurts and the Classic two-LP sets now.

Coinciding with the recent release of the digital version of Classic Pt. II, Adams debuted a music video for his updated rendition of his 1998 single “When You’re Gone,” a duet with Melanie C of the Spice Girls. Bryan also recently premiered a video for the So Happy It Hurts track “I Ain’t Worth S*** Without You” that was shot on the stage of London’s historic Royal Albert Hall.

Here’s the track list for the super deluxe So Happy It Hurts package:

Disc 1
“So Happy It Hurts”
“Never Gonna Rain”
“You Lift Me Up”
“I’ve Been Looking for You”
“Always Have, Always Will”
“On the Road”
“Kick A**”
“I Ain’t Worth S*** Without You”
“Let’s Do This”
“Just Like Me, Just Like You”
“Just About Gone”
“These Are the Moments That Make Up My Life”

Disc 2
“Summer of ’69”
“(Everything I Do) I Do It for You”
“Run to You”
“Heaven”
“Can’t Stop This Thing We Started”
“Cuts Like a Knife”
“Please Forgive Me”
“Straight from the Heart”
“When You’re Gone” — featuring Melanie C
“Here I Am”
“Back to You”
“Have You Ever Really Loved a Woman”

And here’s Classic two-LP track list:

“Summer of ’69”
“(Everything I Do) I Do It for You”
“Run to You”
“Heaven”
“Can’t Stop This Thing We Started”
“Cuts Like a Knife”
“Please Forgive Me”
“Straight from the Heart”
“Hidin’ from Love”
“When You’re Gone” — featuring Melanie C
“Here I Am”
“When You Love Someone”
“Back to You”
“Have You Ever Really Loved a Woman”

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The Rolling Stones wrap up their 2022 SIXTY tour tonight with a concert at the Waldbühne theater in Berlin. In a recent interview with Apple Music’s Matt Wilkinson, guitarist Keith Richards reports that after the trek, he expects to continue working on Stones songs with Mick Jagger.

Richards told Wilkinson that he and Jagger had previously spent some time in Jamaica’s Blue Mountains together and collaborated on new material, noting, “I guess when this tour’s finished, [we’ll] give it a break for a bit, but then I imagine that we’ll pick up where we left off in Jamaica.”

He added, “There’s some good stuff there. It was fun.”

Reflecting on his writing sessions with Mick, Keith said, “We played it like hermits, we didn’t go out, we just worked, but we’ll pick up on that I guess a little later in the year.”

As for how The Stones might approach releasing their new music, Richards said, “I couldn’t say what form things are going to come out. I hope that we’ll have recorded some stuff by the end of the year. And then, I mean, what do we do, stream it? I don’t know. Anyway, I just make records and then we figure out how they come out, right? That’s what I do.”

The Stones’ SIXTY tour, which celebrates the band’s 60th birthday, kicked off June 1 in Madrid and has visited 14 European cities. One of the originally scheduled shows, a June 17 date in Bern, Switzerland, was canceled after Jagger tested positive for COVID-19 early in the trek.

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In honor of the 50th anniversary of Billy Joel‘s solo career, a remixed and re-edited version of the Piano Man’s 1990 concert film Live at Yankee Stadium will be screened at select North American theaters in early October.

The screenings will take place October 5 and October 9 in the U.S. and October 5 and October 8 in Canada. Tickets will go on sale Wednesday, August 10, at 10 a.m. ET at BillyJoel.film.

Live at Yankee Stadium was shot at two shows that Joel played at the historic Bronx, New York, ballpark on June 22 and 23, 1990. The re-edited movie features 4K video and Dolby ATMOS audio newly mixed from the original tapes. The film version includes a previously unreleased performance of “Uptown Girl,” interviews with Joel and behind-the-scenes footage from the event.

Among the many other classic songs featured in the movie are “Piano Man,” “We Didn’t Start the Fire,” “New York State of Mind” and “Scenes from an Italian Restaurant.”

As a preview from the film, a clip of Billy performing “We Didn’t Start the Fire” has debuted on YouTube.

Meanwhile, the updated version of Live at Yankee Stadium and its remixed companion album will be released on November 4 on Blu-ray, CD, as a two-LP vinyl set and digitally, and can be preordered now.

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Journey‘s first new studio album in 11 years, Freedom, was released last month.

The 15-track collection was recorded mostly remotely during the COVID-19 pandemic, with guitarist Neal Schon overseeing the music with veteran drummer/producer Narada Michael Walden, and keyboardist Jonathan Cain penning just about all of the lyrics.

Cain is a devout Christian who’s released a series of faith-based solo albums in recent years, and he tells ABC Audio that his inspiration for Journey’s new tunes was the same as his spiritual compositions.

“People asked me the other day…’Where do you get your lyric inspiration from?’ I said, ‘God, Holy Spirit,'” Cain reveals. “[H]e’s like [Elton John lyricist] Bernie Taupin for me, you know? He’s right there whenever I need him…And we’ve got a relationship, so a lot of these lyrics on this Journey record, I think, are heaven sent. So, [I’m] happy to be able to crank ’em out.”

Explaining how he collaborated on the Freedom material with Schon and Walden, Jonathan says, “Narada and Neal had some titles they threw out at me…and they had the beginnings of some choruses. And…I just tried to weave them into a lyric and complete it.”

Cain notes that Schon and Walden were the driving creative forces on Freedom, which was fine with him.

“[T]his is pretty much their baby, I would say,” he tells ABC Audio. “[T]hey were pretty relentless with the music and the direction. And I thought, ‘If you’re on a roll, go for it.'”

Describing the sound of the album, Cain says it has moods reminiscent of three of Journey’s biggest albums — 1981’s Escape, 1983’s Frontiers and 1986’s Raised on the Radio — plus “a little bit of [1978’s] Infinity in places.”

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